Babes in Toyland

You know, this is one of those grossly underrated, wonderful treasures of a movie. It's rather simple, with the fanciest effects being the movement of the toy soldiers, which was ahead of its time, but it's a true case of simple is beautiful. It's a fantastic movie for those who just wish to sit back, and laugh with the family, and have an adventure in fantasy land. The play is still being put on around the world, and this, to me, is just the best captured version. There's really something for everyone - Ray Bolger ( who looked really spectacular, very handsome in his role as Barnaby), Annette (who is always charming for being the sweetheart we all know), Tommy Sands as the daring hero, and the team of Henrey Calvin and Gene Sheldon, along with the forever amusing Ed Wynn. This movie turns out more of a comedy, and the adventures that encompass Mary and Tom Piper, when crossed by Barnaby, double crossed by Gonzorgo and Rodrigo are hilarious. This is primarily a Christmas movie, but it's set so you can watch it anytime of the year - and so you should! I still cannot get over Ray bolger as a villian....he does a lovely job, and looks terrific, but if you only know him as the scarecrow, you'll especially need to see this! He makes the statement relavent that he is very, very, very versatile, and one of our greatest entertainment treasures.

This is a film that cries out to be seen on the big screen. As a child, I saw this in the theater, and the color just dripped off the screen. With the magnificent soundtrack and wonderful special effects, it was a special event. However, on the small screen it does lose something of its effect, but it's still a good movie. The scene where TomTom has been shrunk, and takes his revenge on Barnaby by losing the wooden soldiers on him still gives me goosebumps.

Probably better for younger children, I still wouldn't miss this film.

Even Disney buffs willing to go to the ends of the earth for Annette Funicello might admit this is one of the former Mouseketeer's weaker efforts for the Disney company. Mary Contrary hopes to get married, but her wedding plans are thwarted by an evil villain. Most of the production and the special effects in the finale are very good, and the adaptation of the operetta score is fine, but the balky direction has no pizazz, no snap. Worse, the scowling children make exclamations in unison, Tommy Sands is excruciatingly hammy in drag as an old gypsy woman, and the Laurel and Hardy-inspired slapstick routines feel out of place. Veterans Ray Bolger and Ed Wynn bring the film some polish; otherwise, there's not much happening in "Toyland", beyond the fact it has a distinct case of "Wizard Of Oz"-itis. ** from ****

It was sixty years since Victor Herbert and Glen MacDonough's magical musical for kids premiered on Broadway when this version came out and now it's nearly 50 years since the film was in theaters. It doesn't rank up with the one that Laurel&Hardy did in the Thirties. For one thing the Victor Herbert score was cut, but not added to. Secondly Stan and Ollie were the center of things even though they are supporting characters. That in itself made their March Of The Wooden Soldiers memorable.

Still this version that Disney did featured several of his stable of young stars like Annette Funicello and Tommy Sands as the young lovers of Toyland who want to wed. But evil Barnaby reprised in this version by Ray Bolger is going to put a stop to that. He's got designs on Annette's virtue and more important on the inheritance he knows she will get upon her wedding day. Bolger is having a great old time hamming it up as Barnaby.

Stan and Ollie are saluted by Disney with Gene Sheldon and Henry Calvin, fresh from the Zorro series. They're funny, but are clearly relegated to supporting players as Bolger's inept stooges. As Stan Laurel was still alive when Babes In Toyland was in the theaters, I've often wondered what he thought of Sheldon and Calvin.

Tommy Kirk who was barely out of his teens got a real treat to work with one of the great funny men of all time. Babes In Toyland is a great example for those of us to see the zany humor in the character of Ed Wynn as the Toymaker with Kirk as his assistant. The two of them work very well together.

Even Tommy Sands gets into the humor of things when he dons an outrageous gypsy drag persona to foil one of Bolger's schemes. A scheme that goes awry when Calvin and Sheldon don't precisely obey orders. You just can't get good help, even in Toyland.

I even think Victor Herbert would have approved of the way his numbers were done though he probably would not like the Disney interpolations that were made. He was a stickler for such things in his life.

Viewing March Of The Wooden Soldiers back to back with Babes In Toyland doesn't make this version look inferior by any means.

Mother Goose and her puppet goose Sylvester introduces a stage performance of the many children story characters. Tom (Tommy Sands) and Mary (Annette Funicello) are planning to get married. Tom is the son of the Piper and Mary is from "Mary, Mary, Quite Contrary". Barnaby (Ray Bolger) intends to marry Mary and steal her money. He recruits petty criminals Gonzorgo and Roderigo to throw Tom into the sea and steal Mary's sheep. Gonzorgo has the idea to sell Tom to the gypsies to make money twice. Bo Beep (Ann Jillian) brings news that the sheep have gone. Mary is out of options and is forced to marry Barnaby until Tom suddenly returns with the gypsies. Meanwhile, Bo Beep leads the kids to the Forest of No Return to find her sheep. Tom and Mary go to save the children. The talking trees allow them to go to the Toymaker.

This Technicolor fantasy has all the bright colors in the rainbow. It insists on being cheery despite following so much the villains. Tommy Sands and Annette Funicello are not particularly compelling. Funicello is darn cute but has limitations in her acting. The songs are cheery. This has that cutesy Disney charm but it does not really stand the test of time. It has enough wackiness for kids of that era and this should have an appeal due to its nostalgia.