The Best of Enemies

This movie is one of my favorites. Niven is hilarious as is Sordi. They play off each other beautifully and the script is a laugher from beginning to end. Sordi's wide-eyed expressions and expressive Italian style complimented Niven's traditional Brit, "Jolly ho, Old Pip!" making a wonderful film. The soccer game between the Italians and Brits using a round Ethiopian basket is a classic scene. I love this film, have seen it at least a dozen times and will see it again every chance I get. Hey, join in and see it too. You will not be disappointed.

The 'capture' sequence of the English patrol and the Italian patrol was filmed in Israel, a little way into the Negev Desert from the seaside town of Eilath.

I was an American student attending Tel Aviv University, on school break at the time, when the director of production hired me to play the role of the Ethiopian Bandit Chief who conducts the capture. However, one problem presented itself, though I was an 'African' American, I was not dark complected enough to play an Ethiopian!

The solution proposed was for me to 'live-on-the-beach' for a week until my skin was dark enough. This was the first and only time in my life that I was "paid to be Black!" Friends and family still chuckle about this singular 'experience' even today.

It is nigh on impossible not to like this film. It is not a 'classic' comedy by any means but cannot fail to raise a smile or two. It is all down to the casting of course. David Niven is pitch-perfect as a none-too-competent Major and the always excellent Alberto Sordi is an obvious choice following his role in Risi's tragi-comedy 'Everybody go Home'. There is marvellous support from Harry Andrews, David Opatoshu and Michael Wilding. We also have Michael Trubshawe who was known as Niven's 'mascot' and indeed gave his name to the pilot officer played by Robert Coote in Niven's best film 'A Matter of Life and Death'. Director Guy Hamilton also has the aid of an infectious score by Nino Rota and cinematography by one of the best in the business, Giuseppe Rotunno. Quite a few had a hand in the script not least the prolific duo of Age-Scarpelli. Peter Ustinov once observed that 'the army is the final repository of the fool'. The characters in this film certainly do nothing to contradict that view! The highlight is a touching scene between Niven and Sordi in which they show each other photographs of their loved ones. Rather than depicting the cruelty of war, this film simply depicts its absurdity.

Another good war movie. Who says war movies need to have blood and violence? This was a battle of wits between the Italian commander and the British commander.

This movie has all the elements that precipitate war. Two armies that do not speak the same language with claims to past glory. And in the end they find themselves as men with a common goal - to survive in the desert.

The football scene was interesting in that, peeled down to basics, the men found a common passion. Could it be saying that conflict can be settled in a sportsmanlike manner? The funniest dialogue I found was when the British commander ordered the Italians to dig a latrine in the middle of the desert because it was the civilised thing to do. The Italian commander retorted, "My people were building sewers while your people were painting themselves blue."

This is a great movie. Last time I saw it was in the late 60s of the last century in local LA TV station and the first time was at a film festival in Peru in the early 60s as I was still living there. I still remember the acting from Sordi contrasted with that of Niven. The former bombastic and mercurial and the latter always calm and cool. The setting in the North African? wilderness-desert during WW II shows these enemies irritating each other with military moves until they are drawn together when they realize they might fall victim to the natives. I have been looking for this movie in VHS earlier and now on DVD. Has it been lost?