The Children's Hour

A 'classic' film, (whatever that may be), can almost never be re-made in quite the same way again. It's something that we've thought about for quite a while, though - and noted filmmakers (including Gus Van Sant and Sydney Pollack) have tried and failed to re-make films to jazz up their appeal, and make them more accessible to a wider audience. It's something that passed through my mind quite a few times as I watched "The Children's Hour" today. Quite clearly, this is a film that more people deserve to see and know about, and it would certainly be interesting to try and re-make it, but we would definitely lose something in the translation.

The largest reason for this is because it is a film of a definite period - the issues raised in the film are widely discussed these days, whereas in the period the film was set, homosexuality was something to be feared and despised. Similarly, we do not have the various elaborate codes of honour that are so prevalent in the film, and dictate the actions of almost all characters. It's a pity, then, that this film will be alien to lots of people today. The answer, however, is not in a re-make (the film is itself a re-make of a 1936 film by the same director called "These Three", and an adaptation of a play of the same name by Lillian Hellman), but a re-release of this fine example of moviemaking.

Boasting a terrific cast including Audrey Hepburn, Shirley MacLaine and James Garner, "The Children's Hour" is the story of two teachers, Miss Dobie and Miss Wright, who found a school for young girls in an idyllic town in America. Then, out of boredom, spite and plain maliciousness, a child tells a vicious lie that will bring about the downfall of the school, the teachers, and all caught up in the horrible set of affairs. It is quite possible to see the creeping evil and hatred that stems from Mary, the child concerned (played wonderfully by Karen Balkin). Eventually, it reaches out and destroys all it touches.

The photography is great (it was nominated for an Oscar) - there are many scenes which are so wonderfully composed that each frame paints a thousand words: the climax of the movie is a great example. The relationship between MacLaine and Hepburn is delicately and sensitively portrayed, especially for a cast who didn't know what they were doing (according to MacLaine in an interview for "The Celluloid Closet"). James Garner is also good in his role as the doctor about to marry Hepburn, although the movie is clearly not aimed at giving him the best lines. There are also many, many superb supporting roles - and the film's strength comes from a great ensemble performance.

It doesn't really matter what the child accuses the teachers of (indeed we only find out a good hour into the film, although it has been strongly implied), because the film isn't really about homosexuality. As MacLaine points out in "The Celluloid Closet" (a cracking documentary about the history of homosexuality in the movies), it is about "a child's accusation". It is also about the power held by a town to bring about the downfall of two perfectly nice, perfectly ordinary young people. The are lines in the film that one should never forget and it should also make us think about the way our words shape the situations in which we live: ("unnatural" is a great example).

All in all, a lovely film from director William Wyler ("Ben-Hur", "Roman Holiday", "Funny Girl"), and one that deserves to be seen by a wider audience - re-release, please!

Lillian Hellman is an American Icon. A woman ahead of her time, in every department. Her women are never easy to read but they are real. From the icy Regina in "The Little Foxes" to the sisters of "Toys In The Attic" - Jane Fonda played her, brilliantly, in "Julia", Here, her women walked a slightly edgier plane."The Children's Hours" was a big Broadway success and William Wyler, one of the best, directed the film version as "These Three" in the 1930's, washing away any reference to homosexuality. I think that may be one of the reasons why he remade it in 1961 under its original title "The Children's Hour" Audrey Hepburn, Shirley MacLaine, James Garner, Fay Bainter and Miriam Hopkins who also was in the original in Shirley MacLaine's part. The film is compelling and looks wonderful and I think it's more a document of its day by one of the most courageous writers of her day. The strange thing here is that the women are the ones who remain firmly in their day, they show us the outrage from their perspective and that's why it feels "dated" They would behave very differently today but not the rich southerners. I believe, they would also remove their children from the school. just like they did then. The oppressed have move on but the oppressors, have diminished in numbers, but they havent changed much. A fascinating film.

In this remarkable film, a child's malicious lie destroys the lives of two young teachers. The child lies to avoid school because "everyone there hates me." The lie is believed because it is compounded by idle ramblings. Then it is upheld by a girl who is lying only to protect herself. This piece plays remarkably well today as it shows that children do lie even when they don't really know what they are talking about. Audrey Hepburn and Shirley MacLaine are remarkable in this work as they show the emotional upheaval that a simple lie can cause.

"The Children's Hour" is a great movie that was very much ahead of its time in 1961. Audrey Hepburn and Shirley MacLaine play teachers who are accused by a deceitful student of having a lesbian relationship. This causes much friction in the school community, as the two women are shunned. And as might be expected when your whole world is turned upside down, these rumors cause tragedy.

Audrey Hepburn is radiant as always, and Shirley MacLaine gives one of her best, most underrated performances. James Garner and Fay Bainter are also great in their supporting performances. "The Children's Hour" is a fantastic drama that you definitely don't want to miss!

Lilliam Hellman was a modern female writers and ahead of all of the female writer of her time (except for my fave Zora Neale Hurston). The film "The Children's Hour" based on Hellman's play tells the story of two young women whose lives and reputations are destroyed after a horrible little girl tells everyone that the two young women are lesbians. In a time period from which the play was set does not use the words "lesbian" or "homosexual" and are substituted with "unnatural." Homosexuality in the play/film was treated the same way as it was back then: a tragic and horrible disease punishable by death for certain. It is a painful film to watch. Audrey Hepburn is lovely as always as Karen and she was also one of the few actresses who was not afraid to take on a role that was avaunt garde. She has tender and sweet moments with James Gardner, who is also wonderful as Dr. Joe Cardin, Karen's fiancée. And then there is my favorite: Shirley MacClaine who steals scenes with such agony as Martha, a young woman who realizes that she is in fact different and is a lesbian, but lives in a time and place that would not never allow her to be free to express her feelings. In a touching and agonizing scene, Martha reveals her true feelings for Karen. MacClaine breaks your heart and many can relate to her. She wins us over and breaks our hearts. Other supporting actors included are Fay Bainter as Mrs. Tilford, the rich and powerful woman who is made the pawn of spreading the lies told by her granddaughter; the wonderful Miriam Hopkins is Martha's judgmental and hypocritical Aunt Lilly Mortar; Veronica Cartwright is sweet and innocent as the young girl tortured into confirming the lie. And of course, the little girl we all love to hate: Mary played by Karen Balkin. Mary is a nasty little girl and throughout the film all you want to do is strangle her. Why the character of Mary Tilford didn't make the AFI list of 100 Greatest Villains I will never know because here is an "innocent" child telling a horrible lie without realizing the consequences of her actions. "The Children's Hour" is a very hard film to watch at times, but one of the most important films pivotal to the 1960s.