The Mask

Historically important as the first official Canadian made horror film, and in 3-D no less, "The Mask" offers up a pretty damn creepy head trip. It's never as compelling outside of its nightmare / 3-D sequences, but it's nicely atmospheric and definitely very well acted. The visuals by Slavko Vorkapich (who scripted and designed the major set pieces) are most compelling, and could easily freak some people out.

Allan Barnes (handsome Paul Stevens) is a psychiatrist with a crazed patient named Michael Radin (Martin Lavut). Michael had been messing around with a mask which he "borrowed" from a museum, and putting it on has been driving Michael mad...and homicidal. Michael commits suicide, but before doing so, mails the mask to his shrink, and the good doctor finds himself just as fascinated by and obsessed with the thing when HE starts trying it on. Allans' concerned fiancée Pam (lovely Claudette Nevins) and his associate, Professor Quincey (Norman Ettlinger) worry about his sanity and potential for violence.

This is good fun, even if the story is pretty familiar overall. At least, this story does its job of setting up those set pieces, which just aren't the same when viewed in 2-D. That mask itself is pretty cool, whether or not somebody is wearing it. The film is produced & directed by Julian Roffman (who also produced "The Pyx", which is worth seeing), who only made a handful of films during his life and career, and is solidly acted by a cast that also includes Bill Walker as a dedicated detective, and Anne Collings as Allans' secretary.

The movie does put forth that idea that masks like this merely channel a persons' own actual thoughts and personality, much the same way that the same named Jim Carrey fantasy of 1994 did.

Seven out of 10.

This silly, stagy, slow moving horror film is probably still the best 3D movie ever made. Once you wait through the bland story, and the call comes to "Put On The Mask"; it becomes another film. These 3D sequences are the best, freakest ever put on film, and they transfer to TV remarkably well in the Elvira edition. If you have any taste for oddities at all, this is a must.

I was 8 years old when I saw this movie. My friend and I went ALONE!!!! They actually let us into a matinée! ALONE! We got sooooo scared, we hid behind the seats. Popping-up to see when it was OK to watch. Skulls coming at you. Flames shooting at you...right out of the screen! Arms reaching out for you! All in 3D!! Glad it was not in COLOR!!!

It was more than our little minds could stand, we wanted to run and leave sooo bad, but we had paid our money, and we talked about it all the way home, and then the next day it was as if we had not seen it!!!! I forgot it for about 20 years (1980'ish), when it was shone, in 3d I might add, on TV for Halloween!!!! I guess that is what you call traumatized! WE WERE! They should never have let 8 year old's in to see this movie, ALONE!!!! Now I have the Elvira VHS tape of it.

We thought it was coooooool, and we did enjoy it, but we were SCARED TO DEATH!!!!

SO, on a spooky night, watch it.....but watch out!

The 1961 THE MASK is about a psychiatrist who is given an ancient Aztec or Mayan mask by a patient who has just died. The doctor feels compelled to put the mask on, and has horrific visions of the walking dead, sacrificial altars and weird chambers with plenty of fire to boot. Sort of like Orpheus in the underworld. It was shot in 3D, and I can tell you from first-hand knowledge how absolutely terrifying this movie was when I saw it on its initial release. I was 11 at the time. Loud, electronic music made it even harder to sit through. It was Canada's first shot at a horror film and is almost, dare I say, a work of art for the set pieces the doctor experiences each time he wears the mask. The movie, which could just as easily have been a stage play, holds up very well, at least in the 3D segments. The rest is simply filler. Remade many years later with Jim Carrey, but with a decidedly different approach.

This movie really grows on you. Yes, it's true, the non-3D parts are boring, but I find them functional. Like any good freak-out movie, if it was all a freak out, you'd get worn out fast. This is like a freak-out musical in a way, where the freaky scenes are the equal of big musical numbers.

A doctor is turned on to a creepy mask by one of his patients who has turned into a homicidal maniac. Next thing you know, the doctor is trying on the mask and going insane, and oh what a mess, and his girlfriend and everyone, and blah blah blah.

Meanwhile, in the hallucinogenic mask sequences, you get to experience what it must have been like to be on LSD in the 60's. There's a whole "alternate world," where a strange, mutated man is milling around, looking for the woman (?) he is in love with in a fever dream landscape where there are skulls and burning hands and satanists and gore and other neato stuff. And it's all in bizarro 3-D! Even if it doesn't work well all the time, it's still mighty disturbing, especially for a movie from 1961! The images, and the incredible, collage-like soundtrack to the freak sequences will linger on your brain long afterwards, in the same way that wearing those horrible glasses leave an impression on your eyes after you take them off for the "normal" scenes. You're exhausted, and confused, and weirded out.

Yay