On the Fiddle

A thoroughly enjoyable English comedy but the inimitable Cecil Parker who although he saw service in WWI he forgot his training. When John LeMesurier enters the room and salutes a hatless Group Captain, Cecil returns the salute. In the British Services one salutes the uniform not the individual and as hatless, the Group Captain does not merit a salute, merely coming to attention suffices. Cecil should have known this.

You could never have made a service comedy like On The Fiddle during the World War II years in the United Kingdom. When the UK was fighting for its very life with Hitler only hours away by air, a film with the central character of a conman slacker like Alfred Lynch would have gone over like a lead dirigible. You could do it the USA with us thousands of miles away, but not then in the UK.

Lynch is a fabulous character though, a cockney conman who gets pinched peddling his wares at a recruitment station line and then has to enlist to prove those were his intentions being there. But once in the service he sees Ferengi like lucrative opportunities to make business killings.

His best friend turns out to be an amiable and diffident Sean Connery who just cheerfully accepts life as it comes. He and Lynch become quite a team in their business enterprises and in their skillful avoidance of where the fighting is until almost the end of the war.

The film also has in it the presence of American comedian Alan King of our Army Airs Corps who is as skilled an operator for the Yanks as Lynch and Connery are for their king and country. King was a rising star at the time, Ed Sullivan always had him on his variety show several times a year and no doubt his presence helped sell the film on this side of the pond.

Two great British character actors are here as well. Cecil Parker playing a most pompous air marshal who just can't quite put these guys out of business. Their enterprises do come to his attention. And Stanley Holloway plays a butcher with whom they go into profit selling black market beef from the RAF Commissary. And to hear them tell it, Lynch and Connery are doing a patriotic service as well as making a few bucks on the side.

It's been said that Sean Connery shows no gift for comedy. If you saw A Fine Madness you might have some grounds for saying that, but in On The Fiddle, he's quite droll in some of the lines he drops. Anyway his fans will not be disappointed.

A film that hasn't "dated", a good script and full of all the reliable British actors of the time. Alfred Lynch is superb as the main RAF "spiv" charachter supported by a subdued Sean Connery. The US comparisons with Sgt Bilko are very valid and in the same way that Bilko had the strength in some brilliant minor cast members, so it is with "On the Fiddle". A really good "watch" for Sunday afternoon TV and although there are a few touches of "farce" around it captures the feeling of ordinary Service life towards the end of World War II extremely accurately. Alfred Lynch was a real class British actor who drew brilliantly on his East End background for many of his films. I was sad to hear of his untimely death just before Christmas (2003).

Well, I never had Sean Connery down as ever being cast as a simpleton, but he is and he is very good.

However, I do not agree that he is the lead.

This is Alfred Lynch's film.

The whole story revolves around him and he dominates the screen time throughout.

The supporting cast is a veritable who's who of British thespians of the time.

The film itself is a sort of cross between Private's Progress and the Carry On films which were to become vogue.

It gets a bit dark towards the end, which came as a shock, but it sets up the finale, but it still jarred.

During the Second World War, spiv Horace Pope (Lynch) is taken to court for street peddling. In mitigation, he tells the magistrate he is working in the black market only while waiting to enlist in the war effort. On hearing this plea, the magistrate calls his bluff and forces him to sign up.

"On the Fiddle" is a good enough film for those who have an hour and a half to spare. Sean Connery was just 1 year away from becoming one of the biggest stars of our time when he made this war comedy/drama. Apparently, it was "On the Fiddle" that led to his being considered for James Bond. Alfred Lynch - largely forgotten today - takes the lead as a fast thinking lovable rogue who knows every dodge there is. Sean Connery is cast as Lynch's slightly dimwitted but loyal friend as they both share various experiences during the second world war. The tone is kept quite lighthearted until about the last 20 minutes of the film. Then both characters are confronted by how truly horrific war is. This film disappeared from everyone's radar apart from rare television broadcasts. The pace is pretty good and the film is a lively one. The joint leads work well together and they carry the film most effectively. All kinds of familiar actors crop up along the way: Stanley Holloway, Kathleen Harrison, Kenneth J. Warren, Hugh Lloyd (of Tony Hancock fame) and others. Alfred Lynch is given the chance to display a more tragic side to his character and it shows there is more to his character than just being a cockney spiv. This is worth a look.