A poor writer rivals a rich man's son for a young woman with a secret out-of-wedlock child.A poor writer rivals a rich man's son for a young woman with a secret out-of-wedlock child.A poor writer rivals a rich man's son for a young woman with a secret out-of-wedlock child.
John A. Alonzo
- Engineer
- (uncredited)
Bob Baker
- Marionette Operator
- (uncredited)
Alexander Bogle
- Horse Trainer
- (uncredited)
Tex Brodus
- Party Guest
- (uncredited)
Robert Cleaves
- Bob
- (uncredited)
David L. Davis
- Rogie Slade
- (uncredited)
Joan Dupuis
- Betsy
- (uncredited)
Martin Eric
- Guard
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10cokette
I just wanted to share that when this movie came out--I was living in Brooklyn, New York at the time. This is Connie's birthplace.
Well, she and Troy were on a big p.r. junket and went in person to several movie theatres in the NYC area.
So, she and Troy came out after the showing of the movie and talked and joked. At one point, Connie said, "I'm going to teach Troy how to twist." Everyone applauded this.
It was really cute.
Later on it was always written how much these two hated each other.
I was one of those teeny boppers who just "loved Troy" and melted every time I saw him on the screen.
The movie is outdated and we can all now be cynical and write about the outmoded dialogue, old-fashioned mores, and ridiculous plot devices. But, if that is done, you lose the reason for film in the first place.
This film, which I always enjoy, exhibits for all to see what the early '60s and late '50s were like. How parents were willing to sacrifice everything to save the name and reputation of their young daughter, and how a man who truly loves a woman does not prejudge, but understands, and is willing to understand.
This little movie says all of this to me.
And those gorgeous Northern California locations that are underscored with the Max Steinman music, are a treat to behold.
What a gem!!
Well, she and Troy were on a big p.r. junket and went in person to several movie theatres in the NYC area.
So, she and Troy came out after the showing of the movie and talked and joked. At one point, Connie said, "I'm going to teach Troy how to twist." Everyone applauded this.
It was really cute.
Later on it was always written how much these two hated each other.
I was one of those teeny boppers who just "loved Troy" and melted every time I saw him on the screen.
The movie is outdated and we can all now be cynical and write about the outmoded dialogue, old-fashioned mores, and ridiculous plot devices. But, if that is done, you lose the reason for film in the first place.
This film, which I always enjoy, exhibits for all to see what the early '60s and late '50s were like. How parents were willing to sacrifice everything to save the name and reputation of their young daughter, and how a man who truly loves a woman does not prejudge, but understands, and is willing to understand.
This little movie says all of this to me.
And those gorgeous Northern California locations that are underscored with the Max Steinman music, are a treat to behold.
What a gem!!
Sincere, sometimes campy drama from director Delmer Daves (sort of the stepchild to his more-popular "A Summer Place" and "Parrish") wherein young Susan has a baby out of wedlock and her mother poses as the infant's mother, causing jealousy and friction between the two. Beautifully shot by Lucien Ballard (a great choice for a location-rich film such as this), it moves along at a fast clip and has lots of high drama. Connie Stevens isn't Meryl Streep, and she jumps from different emotions with too practiced a speed, but I loved her acting in the hospital waiting room when she comes clean in front of Mama, and I really bought her romance with scowling Troy Donahue. As the elders, Lloyd Nolan and Dorothy McGuire are exceptional, as is the production design (featuring a gorgeous ocean-front home in Monterey). The infrequent voice-over narration (first by Nolan and then later by Stevens) is an intrusion--who are they talking to?--and there's a silliness inherent in the trappings of the plot that render it dated, but I did find myself thinking about it days afterward. As sudsers go, it's first-rate. ***1/2 from ****
I saw this movie when it was first released. It was a "must see" because my cousin and I were such Troy Donahue fans. I felt it was wonderful and would like to see it again - often! However, it is never shown on television and I have been unable to get information regarding purchasing it either on VHS or DVD. Please help! Perhaps it is a bit soap operaish but who cares. It is the kind of thing girls loved in 1961 and now that we are older, we like to remember by watching the same movies we saw back when.
I too love this movie. It takes me back to my teenage years when I could sit in the theatre and watch the movie over and over again without having to pay extra! I loved Connie Stevens and Troy Donahue! But I can't watch this movie anymore because it is never shown in Australia and it is not available on video. I hope someday it will be!
I have seen this movie everytime it runs on tv. it is one of the great 60's movies like parrish and rome adventure and a summer place. loved them all but I would like to purchase this in vhs. could anyone help me out. It is a great movie. thank you cj
Did you know
- TriviaIn the scene where Susan rides her birthday horse, Chulo, for the first time, there was a cameo by champion stud Captain Topper, a Shetland pony born in 1956. He was adjudged the greatest model stallion at the National Congress Pony Show in 1958 and 1959, and won 17 championships and 40 blue ribbons. Captain Topper was purchased for $6000 by Miss Patricia Burton of Detroit, who operated a stud farm on the Monterey peninsula.
- GoofsAt the Old Southern Pacific train station in Monterey, when Susan's train arrives from San Francisco, the train is going the wrong way (we see the northbound train to San Francisco, not the southbound train from San Francisco).
- ConnectionsReferences A Summer Place (1959)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Nur eine einzige Nacht
- Filming locations
- Old Fisherman's Wharf, Monterey, California, USA(restaurant where Susan and Hoyt ate)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 56m(116 min)
- Aspect ratio
- 1.85 : 1
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