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A Woman Is a Woman

Original title: Une femme est une femme
  • 1961
  • Not Rated
  • 1h 24m
IMDb RATING
7.3/10
20K
YOUR RATING
Jean-Paul Belmondo, Jean-Claude Brialy, and Anna Karina in A Woman Is a Woman (1961)
Trailer for the new 4K restoration of Jean-Luc Godard's A WOMAN IS A WOMAN, starring Anna Karina, Jean-Paul Belmondo, and Jean-Claude Brialy. rialtopictures.com
Play trailer1:02
2 Videos
99+ Photos
Quirky ComedyRomantic ComedyComedyDramaRomance

A stripper who's desperate to become a mother accepts her reluctant boyfriend's suggestion that she be impregnated by his best friend.A stripper who's desperate to become a mother accepts her reluctant boyfriend's suggestion that she be impregnated by his best friend.A stripper who's desperate to become a mother accepts her reluctant boyfriend's suggestion that she be impregnated by his best friend.

  • Director
    • Jean-Luc Godard
  • Writers
    • Geneviève Cluny
    • Jean-Luc Godard
  • Stars
    • Anna Karina
    • Jean-Claude Brialy
    • Jean-Paul Belmondo
  • See production info at IMDbPro
  • IMDb RATING
    7.3/10
    20K
    YOUR RATING
    • Director
      • Jean-Luc Godard
    • Writers
      • Geneviève Cluny
      • Jean-Luc Godard
    • Stars
      • Anna Karina
      • Jean-Claude Brialy
      • Jean-Paul Belmondo
    • 51User reviews
    • 79Critic reviews
    • 71Metascore
  • See production info at IMDbPro
    • Awards
      • 2 wins & 2 nominations total

    Videos2

    Trailer [English SUB]
    Trailer 2:07
    Trailer [English SUB]
    A Woman is a Woman - Rialto Pictures Trailer
    Trailer 1:02
    A Woman is a Woman - Rialto Pictures Trailer
    A Woman is a Woman - Rialto Pictures Trailer
    Trailer 1:02
    A Woman is a Woman - Rialto Pictures Trailer

    Photos105

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    Top cast14

    Edit
    Anna Karina
    Anna Karina
    • Angela
    • (as Karina)
    Jean-Claude Brialy
    Jean-Claude Brialy
    • Émile Récamier
    • (as Brialy)
    Jean-Paul Belmondo
    Jean-Paul Belmondo
    • Alfred Lubitsch
    • (as Belmondo)
    Henri Attal
    Henri Attal
    • Faux Aveugle #2
    • (uncredited)
    Karyn Balm
      Dorothée Blanck
      Dorothée Blanck
      • Prostitute 3
      • (uncredited)
      Catherine Demongeot
      Catherine Demongeot
      • Magazine Girl
      • (uncredited)
      Marie Dubois
      Marie Dubois
      • Angela's Friend
      • (uncredited)
      Ernest Menzer
      Ernest Menzer
      • Bar Owner
      • (uncredited)
      Jeanne Moreau
      Jeanne Moreau
      • Woman in Bar
      • (uncredited)
      Nicole Paquin
      • Suzanne
      • (uncredited)
      Gisèle Sandré
      • Prostitute 2
      • (uncredited)
      Marion Sarraut
      • Prostitute 1
      • (uncredited)
      Dominique Zardi
      Dominique Zardi
      • Faux Aveugle #1
      • (uncredited)
      • Director
        • Jean-Luc Godard
      • Writers
        • Geneviève Cluny
        • Jean-Luc Godard
      • All cast & crew
      • Production, box office & more at IMDbPro

      User reviews51

      7.320K
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      Featured reviews

      6gavin6942

      Not Godard's Finest, In My Opinion

      A French striptease artist (Anna Karina) is desperate to become a mother. When her reluctant boyfriend (Jean-Claude Brialy) suggests his best friend (Jean-Paul Belmondo) to impregnate her, feelings become complicated when she accepts.

      Godard declared this triangle "an excellent subject for a comedy à la Lubitsch" and, in fact, the Belmondo character is named Alfred Lubitsch, which is no subtle tip of the hat. This is Lubitsch with an eccentric French touch.

      Only the third of Godard's films (he made many, many more), it is not really my favorite by a long shot. It has some of the quirkiness of his other films (especially early on when the music seems to be completely unaware of the movie). But it just never really hits home for me.
      7Mort-31

      Playful to the full

      Yet Godard made some films which were more intelligent (or included more intelligent people), this one is definitely one of the funniest. Parodizing some aspects of the genre of musical comedy, there is not very much singing and dancing performed on screen, but the dialogues and actions are often quite absurd, or exaggerated, or not quite realistic, just like a song in a musical.

      This is why at times it seems that Anna Karina's character is a little dumb, whereas in some dialogues she reminded me of Brigitte Bardot in Le mépris, who is cruel but not at all stupid. Convincing characters are not the most important thing in Une femme est une femme.

      Playful camera work, playful use of music. A short and entertaining Godard film (really!), which nevertheless provides masses of material to be interpreted by New Wave lovers.
      7rcraig62

      A great romantic comedy!

      It's always fascinating to watch Godard operate outside of his beloved gangster/noir thing, just to see if he can he do it- or how he'll do it. "A Woman Is A Woman" not only proves he has a flair for romantic comedy, but that he has made quite an extraordinary one. This movie is so charming and funny that it puts the assembly-line Hollywood romantic comedies to shame.

      I've never thought Anna Karina was a great actress, but she is a good one, plus has the added benefit of a natural beauty and presence on-camera that really makes a star a star. She is a one-of-a-kind performer, and her lilting, flitting style fits remarkably well with Godard's roving camera in this light-headed, light-hearted story about a young girl working as a stripper who desperately wants to have a baby with her boyfriend Emile (Jean-Claude Brialy).

      But the thing that sets the film apart from others in this mostly trite genre is Godard's unique style: the use of on-screen graphics to give insights into the character's motives, the all-too-sly speaking directly to the camera, the stop-start of the film's scoring, the accentuation of moments and dialogue by music which is extremely well-done. I loved the scene where Karina and Brialy, "not speaking", speak to each other with book notes, concluding in "all women to the firing squad". His conception of the Zodiac club is hilarious; it might be the tamest strip club in world history (it looks like a little Italian restaurant). And Godard is an absolute genius at writing small talk that sounds interesting and funny. It is a rare gift, and he doesn't get enough credit for it. In a genre like romantic comedy, where the subject matter is so trivial, to be able to sustain an entire motion picture just on small talk is no small accomplishment.

      I highly recommend this picture for fans of good romantic comedy-it might be the best ever of this type. "A Woman Is A Woman" may be lightweight as Godard's films go, but it's exceptional as well. 3 *** out of 4
      rick_7

      The trouble with Godard

      Une femme est une femme (Jean-Luc Godard, 1961) conjures that feeling of acute frustration unique to the work of Jean-Luc Godard: as soon as it achieves some kind of clarity or emotional attractiveness it goes off somewhere else. But if that new diversion isn't working, don't worry - there'll be another one along in a minute. Anna Karina is good as the playful, big-eyed protagonist, who loves her boyfriend (Jean-Claude Brialy) but wants a baby so much she might just have one with her ex (Jean-Paul Belmondo, in another winning performance). The film is brightly-coloured, imaginative and littered with movie in-jokes, containing references to the movies of Godard and his Nouvelle Vague contemporary Francois Truffaut and nods to old Hollywood musicals (Gene Kelly and Bob Fosse are namechecked, Belmondo's surname is Lubitsch). And every so often everything clicks into place: like the terrific snippet in which Belmondo is accused of dodging the rent, the barrage of peculiar noises preceding his anticipated bathroom tryst with Karina or the series of visual gags based on manipulated book titles. But the movie frequently unravels, with long stretches that offer nothing but vivid direction and a feeling that Godard should really watch some of those musical comedies he claims to be homaging. The film's incoherence is mistaken by some critics for freewheeling brilliance, which is a pretty stupid mistake to make.
      9freudianlove10

      Beautiful Performance

      Absolutely beautiful. I loved every minute of this piece. The Color. Anna Karina. The opening scenes. The closing scenes. The concept. Whenever I think of Godard, I think of Anna Karina singing in the cabaret about her beauty. If you consider yourself a fan of Godard, French New Wave, musicals (although coming into seeing this, i was expecting quite a different type of musical, a more American version, which it wasn't) or just film in general, this is a must see. Godard holds a huge influence over todays films, i.e. Wes Anderson's work. I love seeing Anna Karina walking into the coffee shop, past the traffic, from the drab looking outside, ordering coffee, and leaving. I am so happy that Mr. Godard is still making films today, what a gift.

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      Related interests

      Jeff Goldblum, Bill Murray, Willem Dafoe, Cate Blanchett, Bud Cort, Anjelica Huston, Michael Gambon, Noah Taylor, Matthew Gray Gubler, Seu Jorge, and Waris Ahluwalia in The Life Aquatic with Steve Zissou (2004)
      Quirky Comedy
      Meg Ryan and Billy Crystal in When Harry Met Sally... (1989)
      Romantic Comedy
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      Comedy
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      Drama
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      Romance

      Storyline

      Edit

      Did you know

      Edit
      • Trivia
        Jean-Luc Godard's first film in color.
      • Goofs
        When Angela first meets Alfred on the street, the red and blue armband he wears changes from his right to his left arm between the start and end of the scene
      • Quotes

        Émile Récamier: Is this a tragedy or a comedy? Either way it's a masterpiece.

      • Connections
        Edited into Bande-annonce de 'Une femme est une femme' (1961)
      • Soundtracks
        Tu te Laisses Aller
        Music by Charles Aznavour

        Lyrics by Charles Aznavour

        Performed by Charles Aznavour

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      FAQ19

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      Details

      Edit
      • Release date
        • September 6, 1961 (France)
      • Countries of origin
        • France
        • Italy
      • Official site
        • distributor's website
      • Language
        • French
      • Also known as
        • Eine Frau ist eine Frau
      • Filming locations
        • Porte St Denis, Rue du Faubourg St Denis, Paris, France
      • Production companies
        • Euro International Films
        • Rome Paris Films
      • See more company credits at IMDbPro

      Box office

      Edit
      • Budget
        • $160,000 (estimated)
      • Gross US & Canada
        • $209,837
      • Opening weekend US & Canada
        • $13,213
        • May 18, 2003
      • Gross worldwide
        • $210,919
      See detailed box office info on IMDbPro

      Tech specs

      Edit
      • Runtime
        • 1h 24m(84 min)
      • Sound mix
        • Mono
      • Aspect ratio
        • 2.35 : 1

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