Almost Angels

This movie seems to have quickly passed into obscurity as a piece of fluff worthy of no more consideration than a dated 1960s travelogue. So I considered it myself when first viewing it in the cinema, as a contemporary of Peter and the other older choristers portrayed, shortly before perceiving how precious it was to have enjoyed, even on a humbler scale and for only a matter of weeks, a similar experience. One could take such things (films and choirs) for granted in those days, but what a mistake that was: in the ensuing decades, boychoir after boychoir in America was sabotaged on whatever conceivable pretext proved most expedient. They are now a gravely endangered species, as little sympathy as that may evoke from people oh-so-concerned about endangered species of other kinds.

It was a movie, however, which I never forgot. I soon yearned to be able to see it again, and it has been quite galling to see it systematically neglected even in places which purport to specialize in offering Disney movies of the period. Finally finding it, I marveled at its authenticities: the fine music to which it treated the audience; the vocal training and technique which it adumbrated; the power and glory of possessing a beautiful treble voice, such that boys otherwise as eager as any to mature into manhood could shed tears at its passing. I doubt that any such genuine presentation would be considered viable for American audiences now. Surely such an attempt would be trivialized and bastardized today even to a much greater extent than perhaps it was then.

Popular attention is finally devolving, if belatedly and only as an issue of self-preservation, upon the legacy of incompetence which socio-political trends have bequeathed to the raising of boys in the past generation. I commend this film, and the institution which it shows, as one redress whose value, proved over centuries, remains undiminished and ripe for recovery.

This is an excellent movie, especially for those who enjoy listening to The Vienna Boys Choir. There is nothing better, as far as I am concerned, than listening to the soprano voices of a Boy's Choir. I myself, was once a choir boy, and enjoyed the many years that I sang in three different boys choirs. To this day, I still sing in a choir.

Back to my report on this movie. This Disney movie utilizes the world renowned Vienna Boy's Choir, as the bases for its plot. The movie itself, is not a best seller, but the singing throughout the movie is beautiful. I find myself rewinding the film and playing the songs over and over. The star of the movie is a young boy Tony Fiala, played by Vincent Winter, who wants to become a member of the choir. When his parents finally agree, he goes, but is put on probation. One of the Choirmasters feels that Tony is blessed with an exceptional voice. This does not go over very well with one of the senior boys, Peter Schaefer, played by Sean Scully. I don't want to spoil this movie for you, so you will have to see it to see how this all works out.

In another comment, which you can read on this site, it was mentioned that, and I quote: " there's a scene wherein several of the boys are required to dress as girls for a public performance!" In reading this statement, I feel that there are some overtones, that are not being said out loud. If the person who wrote this, (comment on the movie), had ever gone to a performance of the Vienna Boys Choir, he would've probably seen the boys (himself) dress up as girls. In each of the shows I saw, the boys had to dress as girls, so as to perform the small musical that they put on. It was always and accepted part of the performance, and we, the audience, never thought anything different. To me, I don't think it ever harmed any of those boys. In fact,I myself on one occasion, on a Halloween night in the fifties, got dressed up as the mayor of our city. I won first prize in our school function for my effort. I always thought that was so cool. Today, people are not as relaxed about these sort of situations, which is too bad.

This movie is an excellent movie that the whole family can watch. If you are able to get a copy, do so. They are hard to find. I was able to obtain a copy of it on "e-bay" and paid dearly for it. I have not regretted it one bit. I have also written to Disney to see whether they have any intention of making it into a DVD in the near future. The reply was not favourable at this time, but maybe in the future. I sure hope so. There are a lot of movies out there today that are not half as good as this film is, and they are already on DVD. So, I'm praying for a turnaround at the Disney Studios.

This is one of the best films I've seen that makes me like the Vienna Boys Choir even more.

The story centers around Tony Fiala, who wanted to become a Vienna Choirboy, and Peter, one of the senior Choirboy. At first Peter does not like Tony because it seems like the choirmaster takes a liking to Tony and pushes Peter to the background. However, after an incident in which Tony takes the blame for himself rather than blame Peter, the two become fast friends.

Overall, it is a wonderful movie that gets you behind the scenes of what it is like being a Vienna Choirboy. I highly recommend it.

How beautiful, it must be a real anguish for these boys when they lose their children's voices, however powerful, what voices, what delights ... They deserve much applause, very cute child actors ... Cute...

I saw this many years ago as a boy soprano and came home wanting to be in the choir. I got a VHS copy on ebay a few days ago and watched it again -- it probably will affect today's kids differently. (But I mean to show it in episodes to my kid's choir at church anyway.) The movie is about the odd and beautiful thing that is an accomplished boys choir. How odd it strikes us that these kids respond to the musician's discipline, they strive for excellence, and they connect with great music. Are they from another planet? This movie bears a compelling witness to an alternative to how we could view the future men of our society.

The plot provides just enough of an excuse for the wonderful music and scenery. This is not an example of great visual story telling. It has a scrubbed Disney look and feel, but it's not even up to Disney's standards. In one scene you see the camera's shadow on the wall before it dollys back out of the light. But take it for what it is: it lets you see and hear something good and fine that you might never otherwise experience.

Almost Angels would certainly benefit from a digital remastering, because the pictures and the music deserve to be as vivid as possible.(But who knows why Disney does anything? "We've got a lot of terrific material - let's lock it in the vault and not sell it to anybody, okay?" "Great idea, chief!")