Five Weeks in a Balloon

Easily the most enjoyable film version of a Jules Verne story "Five Weeks in a Balloon" never slows down it's pace. Awash with color, humor, adventure, exotic sets, and a balloon that looks like it came from the designer of the "Swiss Family Robinson" treehouse, the film keeps up a brisk pace, tells a simple story, and wraps things up in a timely manner. Other reviews mention the rich cast and still manage to miss major performances by Red Buttons and Peter Lorre (that tells you something about the cast). Irwin Allen at his best.

Before he gathered hordes of Hollywood A, B and C-list stars in overturned luxury liners and sky-high burning buildings, Irwin Allen gave the world a couple of colorful, simplistic, adventure films with casts full of name stars, past and present. This one concerns Hardwicke and his attempts to take his experimental hot air balloon to the edge of Africa and claim the territory for Great Britain before slave traders can do it first. Along for the ride are perky assistant Fabian, calamity-plagued reporter Buttons and uptight military man Haydn. They are soon joined by runaway slave Luna and shady slave trader Lorre and one of his recent captives Eden. Together, they brave various dangers such as outraged natives, drunken sheiks, sandstorms and waterfalls (nearly every Allen film ever made includes some type of natural threat.) The film is simple-minded, non-think entertainment made watchable by it's pallet of stars and it's varying locales. Hardwicke, wearing a fluffy wig and with his pants up near his nipples, is a long way off from "The Ten Commandments" and other, greater roles. Seeing him paired with Fabian (!) is about the most unexpected teaming imaginable. Fabian, with his adorable 5-inch-high pompadour, looks cute throughout, but is saddled with a hilariously awkward title song that he sings more than once. Apparently his accordion lessons only got him that far. Another surprising pair is that of Buttons and Eden. He is a charming character actor, but has no business headlining an adventure film! That's what an early Oscar win can do for (or to!) a career, though. He acquits himself fairly well, however. Eden is free of the overstated qualities that she brought to "I Dream of Jeannie" and is refreshingly subdued and attractive. Haydn gives a very stylized, mannered performance that may baffle those more familiar with his chummy Uncle Max character from "The Sound of Music". His inflection does begin to grate after a while. Lorre manages to toss off a few dry witticisms in one of his last roles. Luna, trotting around in an abbreviated costume and a teased hairdo, is mere decoration. In case all these people weren't wacky enough, there's a female chimpanzee on board! Several famed actors pop up in cameo roles. An ill-looking Marshall has a bit as The Prime Minister and legendarily tart Daniell has a role as a Sheik. Most of the Arabian characters are portrayed by white men in make-up, which was customary at the time. Logistical oddities and camp factors abound. The balloon can barely get off the ground with just four men at the beginning (half the luggage gets tossed), yet before long there's seven passengers and a monkey on it! Watch for the screamingly funny scene in which Eden, running across a perfectly flat, open field, manages to trip over the lone branch that has fallen in the way. All those oranges gone to waste! The humor is pretty lame and the situations are hardly realistic, yet somehow the cornball movie winds up being fairly entertaining.

Having seen the horrendous "The Lost World" (1960) a few weeks ago, I was afraid to revisit "Five Weeks in a Balloon." I had seen both films when originally released, and had a good memory of them (including the title song of this one, which everybody seems to like.) "The Lost World" turned out to be static, with terrible performances by people like Jill St. John and Fernando Lamas, surrounded by fake jungles, caverns, dinosaurs and volcanoes. So when it was "Five Weeks in a Balloon" turn, I had my doubts. Surprisingly, it is quite enjoyable once one overlooks its Hollywood version of African cultures, people and savannas, the stock footage, the (American) propaganda, the balloon being pulled by a thread during a rain storm, or Irwin Allen's handling of action scenes. Allen directed them awkwardly, and made the proceedings look slower than what is actually happening, as the rescue scene in the mesquite or the final scene by a river. In any case, it's a colorful and good looking CinemaScope production, with an interesting cast and many outdoors scenes that make it more attractive than Allen's other movies. By his standards, this may be the film he directed best, leaving his productions "The Poseidon Adventure" or "The Towering Inferno" to more capable hands.

No doubt we'll probably cringe a little at the portrayals of non-white people in "Five Weeks in a Balloon": the Arabs are slave traders and the Africans dance around in loin cloths and carry spears. Of course, Jules Verne wrote the novel, so we can't totally blame the movie for the portrayals. So if we can get past these depictions, it's a perfectly entertaining experience. The movie portrays English scientist Cedric Hardwicke inventing a balloon-powered dirigible and having to fly to West Africa to stop slave traders (as if the British weren't doing creepy things in their own colonies?). He brings along military man Richard Haydn, young Canadian guy Fabian, and accident-prone American reporter Red Buttons. Through numerous stops, they pick up freed slave Barbara Luna, slave trader Peter Lorre, American teacher Barbara Eden, and chimpanzee Chester.

The characters come across as a real mixture. Most of the cast members do a good job, but Fabian seems out of place, Red Buttons's role just seems silly, and Barbara Luna has little more than her looks (I've never read the novel, so I can't comment on possible changes). In almost any other movie, this combo would drag the whole thing down significantly, but not here; if anything, it makes the picture more entertaining. Even if there's a lot of continuity errors and such things, it's impossible not to have fun while watching "FWIAB". Also starring Herbert Marshall, Billy Gilbert, Henry Daniell and Mike Mazurki (Gilbert and Daniell previously co-starred in "The Great Dictator").

One more thing. Among the DVD's special features is footage from the movie's debut in Denver. One of the best things about this footage is that we get to see Barbara Eden in a shell dress! Such a sight, in my opinion, means that there is a God! Aside from her Jeannie outfit, a shell dress is the only thing that I can imagine Barbara Eden wearing. If these sorts of thoughts make me a pervert, then I'm proud to be one.

I well remember seeing Five Weeks In A Balloon in theaters as a lad and after Fabian made his appearance peeking through the cabin door of the balloon, the squeals from his teenage fans pretty much drowned out the soundtrack the rest of the film. When I got to see it later on television I found it to be an unassuming film, a nice adaption of Jules Verne's story, but one strictly for the kid trade.

It seems a pity to waste the literate voices of Cedric Hardwicke and Richard Haydn and Herbert Marshall on screaming teenyboppers. Not to mention the comic talents of Red Buttons. Still that's what happened because the audience this film drew was for that pompadoured kid from Philadelphia.

The United Kingdom has always prided itself on the fact that it was the first of western nations to outlaw the slave trade. So couched in those terms, its imperial ambitions in Africa seem almost noble in Five Weeks In A Balloon. Cedric Hardwicke is a balloonist who's invented an early form of gas propulsion with which his assistant Fabian helps him. He's planning to do some exploring of East Africa in and around Zanzibar. But Her Majesty in the form of Prime Minister Herbert Marshall calls on Hardwicke to undertake a 4000 mile journey across Africa to get to the Upper Volta to beat a gang of slave traders of an unknown nation and plant the flag for good old Britain.

Making the trip with them are Richard Haydn representing the Crown and Red Buttons as a neutral American observer and reporter. Buttons is a walking train wreck as he gets them in one scrape after another. Red does redeem himself in the end however.

Along the way this merry bunch picks up two women rescued from the clutches of slavery, Barbaras Luna and Eden and a slave-trader played by Peter Lorre. Lorre has the best lines in the whole film, he actually manages to see 'kismet, we are doomed' a few times without cracking up.

Richard Haydn is usually a very funny guy, but in this film he's down right annoying. Playing his usual fussbudget character, you kind of wonder is this the type of man who helped put together an Empire upon which the sun never set.

Five Weeks In A Balloon is a nice film, but sad to say this cinema version of Jules Verne is strictly for the juveniles or for those who have a thing for Fabian.