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7.2/10
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A woman is found murdered in a house along the coast from Brighton. Local detectives Fellows and Wilks lead an investigation methodically following up leads and clues mostly in Brighton and ... Read allA woman is found murdered in a house along the coast from Brighton. Local detectives Fellows and Wilks lead an investigation methodically following up leads and clues mostly in Brighton and Hove but also further afield.A woman is found murdered in a house along the coast from Brighton. Local detectives Fellows and Wilks lead an investigation methodically following up leads and clues mostly in Brighton and Hove but also further afield.
Peter Ashmore
- Mr. Bunnell
- (uncredited)
Timothy Bateson
- Porter
- (uncredited)
Geoffrey Bayldon
- Constable at Murder Scene
- (uncredited)
Basil Beale
- Police Clerk
- (uncredited)
Carl Bernard
- News Vendor
- (uncredited)
Harry Brunning
- Luggage Clerk
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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I first saw this film at the ABC Golders Green on 26th September 1962.It was a film that stuck in the memory.I watched it again last night and I have to say that it has lost none of its atmosphere over the years.I have been going to Brighton for over 50 years so I remember the Brighton of the era shown in this film.The film was a very straight forward plot which it tells exceedingly well.It isn't that difficult to guess the murderer but that doesn't spoil it.The only performance out of kilter is that of Donla who is allowed to go well over the top for no good reason.One interesting point is that there is little in the way of forensics in this film just plain legwork.
Despite the presence of Jack Warner as a senior policeman, the world of "Jigsaw" is a far cry from the cosy atmosphere of "Dixon of Dock Green". Effective camerawork makes Brighton a faintly sinister setting for this murder mystery. The standard of acting is generally high, (although I found Yolande Donlan's performance a little overwrought for my taste) and a strong script from Guest ensures that the detailed police investigation contains enough action (and unexpected revelations) to hold the viewer's interest to the very end.
brilliant atmospheric film set on the Brighton coast in 1962. Jack Warner (66 years of age in real life) is the slightly caustic but nevertheless kindly commanding officer who runs the investigation. Great support from Ronald Lewis and a dazzling role from Michael Goodliffe(spooky to think that they both committed suicide in reality).See if you can spot the killer before Jack, believe me it is a shocker. Also there is a nice little twist at the end. The cast is top notch and there is a general seediness at the locations that the Brighton tourist board must have had concerns about.For a taut procedural police study this film is right at the top of the tree matched only by the Long Arm(Jack Hawkins) an absolute corker of a film and thanks to Nigel for providing me with a DVD of this film. This film is a must see.
JIGSAW is a well-shot, engaging crime story inspired by the true story of the Brighton Trunk Murders that took place back in the 1920s. Brighton always makes a picturesque backdrop for films - I guess that's why so many directors make use of it in their movies - and Hammer veteran Val Guest (THE QUATERMASS XPERIMENT) makes the very best of his surroundings.
Otherwise, this is a taut, well-focused detective investigation type film that plays out as a police procedural. We watch the gruff Jack Warner and his team as they go around following up leads and gathering clues, and there's never a moment for distraction or anything here that feels padded. Guessing the identity of the murderer is a tough business indeed, which is why JIGSAW keeps you watching from beginning to end.
The supporting cast is also a delight, featuring as it does performances from Ronald Lewis (THE BRIGAND OF KANDAHAR), Ray Barrett (THE REPTILE) and Michael Goodliffe (A NIGHT TO REMEMBER) alongside a John Le Mesurier cameo. Guest's real-life wife, the statuesque Yolande Donlan, has a major role and is fine in it.
Otherwise, this is a taut, well-focused detective investigation type film that plays out as a police procedural. We watch the gruff Jack Warner and his team as they go around following up leads and gathering clues, and there's never a moment for distraction or anything here that feels padded. Guessing the identity of the murderer is a tough business indeed, which is why JIGSAW keeps you watching from beginning to end.
The supporting cast is also a delight, featuring as it does performances from Ronald Lewis (THE BRIGAND OF KANDAHAR), Ray Barrett (THE REPTILE) and Michael Goodliffe (A NIGHT TO REMEMBER) alongside a John Le Mesurier cameo. Guest's real-life wife, the statuesque Yolande Donlan, has a major role and is fine in it.
Writer/Director Val Guest had a Long and Varied Career. A Low-Budget Filmmaker that always tried to make His Films look Professional and was Not Afraid to Improvise and Loved Playing with the Tools of Cinema.
His most Successful Films Critically were done for Hammer Studios in the Sci-Fi Genre. Here He made a "Police Procedural" and in the True Definition of the Genre. It is Nothing More than that and that's Exactly what it is and it Never Strays from Format.
What Guest does to make it seem More than that, is the Pacing. It has a Frenetic Style of Rapid Dialog and Quick Moving Scenes. No Passage of Banter or Anything is wasted. It's Economically Energetic and has a Sense of Urgency befitting the Lack of Clues, and the Legwork, and Heavy Lifting needed to Piece Together this "Jigsaw".
The Movie is a bit Long but Never Seems Dull or Boring. Helped by one of England's Actor Icons Jack Warner, who made His Name doing exactly what He is doing here. Solving Crimes on the Telly.
Worth a Watch for Val Guest's Intense Crafting, Jack Warner as an Aging and Cynical Policeman, and for its Crackerjack Plot. You have No Clue throughout what Prize Piece of the Puzzle will Pop Up or When.
His most Successful Films Critically were done for Hammer Studios in the Sci-Fi Genre. Here He made a "Police Procedural" and in the True Definition of the Genre. It is Nothing More than that and that's Exactly what it is and it Never Strays from Format.
What Guest does to make it seem More than that, is the Pacing. It has a Frenetic Style of Rapid Dialog and Quick Moving Scenes. No Passage of Banter or Anything is wasted. It's Economically Energetic and has a Sense of Urgency befitting the Lack of Clues, and the Legwork, and Heavy Lifting needed to Piece Together this "Jigsaw".
The Movie is a bit Long but Never Seems Dull or Boring. Helped by one of England's Actor Icons Jack Warner, who made His Name doing exactly what He is doing here. Solving Crimes on the Telly.
Worth a Watch for Val Guest's Intense Crafting, Jack Warner as an Aging and Cynical Policeman, and for its Crackerjack Plot. You have No Clue throughout what Prize Piece of the Puzzle will Pop Up or When.
Did you know
- TriviaThe main plot is inspired by the case of Patrick Mahon, who murdered his pregnant lover Emily Kaye near Eastbourne in 1934. He rented a bungalow, murdered Emily Kaye and dismembered her body there, and invited another woman (Ethel Duncan) to spend the Easter weekend with him whilst Emily Kaye's remains were in a locked bedroom in the bungalow.
- GoofsWhen Fellows and Unwin drive to Greenwich to interview Jean Sherman, they approach her house, having driven from Brighton, along a dead-end road from the direction of the river bank alongside the Cutty Sark.
- ConnectionsReferences Goodbye, Mr. Chips (1939)
- How long is Jigsaw?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Jigsaw, o enigma
- Filming locations
- Providence House, The Highway, Peacehaven, East Sussex, England, UK(the Campbells' house: the murder scene)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 2.35 : 1
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