Madison Avenue

I am not going to disagree with anything the other reviewers have said, however, if I had read these reviews first I may not have watched this movie. And this movie is worth watching. Not because there is anything special here, but merely because it is interesting and moves along at a pleasant pace. Dana Andrews is typical Dana Andrews and he is always a solid actor. Most of his movies are well-made. Jeanne Crain, although about 37 is a doll as always and therefore always worth seeing. This may not be the type of movie to schedule your evening around or set the recorder for, but it is a satisfying movie for an afternoon when you need something to entertain you.

Curiously sedate and middle-of-the-road drama about cutthroat big business in the ad agency game. Dana Andrews plays hot-shot, ambitious public relations whiz in New York City who sees a fast track to the top: build up a second-string advertising firm in league with a dairy subsidiary to his largest account, Associated Dairy Corp., thereby giving himself an entrance to the big money when the time is right. Eleanor Parker plays the struggling agency's president-by-default who gets a make-over; Jeanne Crain plays a "jilted girl reporter" who may be trying to stab sometime-boyfriend Andrews in the back. This is one of many films which teamed Andrews with Crain, and they are very comfortable together, but the other performers fare much better with this minor material. Parker, in particular, brings some real flair to her role, Eddie Albert is very good as a befuddled corporation head, and Kathleen Freeman is terrific as the world's most efficient secretary. There's a bit of bounce in the direction and a terrific score by Harry Sukman, yet one gets the distinct feeling this was just a throwaway flick for 20th Century-Fox. The set designs (with a fetish for ships) and the art direction are dull, and the movie seems underpopulated and cumbersome. ** from ****

Based on a novel titled "The Build Up Boys," this lavishly produced widescreen movie was an unknown quantity for me until I discovered it on the Fox Movie Channel. The opening montage of colossal skyscrapers and city denizens rushing to work is very promising. Perhaps that is why what transpires next is so stupefyingly dull. Nothing really works here. David White, Larry on "Bewitched", utters a scary bit of dialogue: "Milk is actually a solid and should be sipped and chewed." Confused? So am I. There is more of that snappy banter between the sexes. It doesn't work here, either. Unfortunately, there is also a good deal of uncomfortable leering and lecherous behavior going on in a professional environment. The type of behavior which would get you fired or slapped with a lawsuit ASAP. Dana Andrews has always been a favorite actor of mine. But I longed to see his real-life brother, Steve Forest, show up with his "S.W.A.T." buddies just to stir things up a little. Jean Crain, another favorite of mine, plays a gossip columnist and "rock hound!" Go figure that one out. The opening musical theme has a simple piano melody over a lush background orchestration. I liked it.

I really wanted to like this sophisticated flick so I viewed it again. Same response. Maybe I will watch it a third time. I don't give up easily.

Well, I must admit that I watched this movie, only because it is the last one directed by the bland and lame director Bruce Humberstone, who was far more inspired by this CHARLIE CHAN movies, back in the thirties, and some other features in the meantime: FURY AT FURNACE CREEK. His only and unique masterpiece was I WAKE UP SCREAMING, of course, and I have a bit tenderness for SOUTH SEA SINNER and the several Tarzan adventures he also made in the late fifties. So, I am totally amazed that he was involved in such a sophisticated drama speaking of business, business and business, where glamor shines by its superb absence.... What the f....happened to him, regarding to his filmography? Imagine John Ford finishing his career with a musical...But Henry Hathaway ended his with a lousy Blaxploitation movie.

I don't know. I watched this movie because I loved the cast: Dana Andrews, Jeanne Crain, and Eleanor Parker. But this movie is just kind of blah. It's supposed to be about ad executives dating and fighting it out over a "great" story. The plot is almost as confusing as it is pointless. I liked it, for the two or three good moments between Crain and Andrews (and since they made STATE FAIR together I can forgive them just about anything) but poor Eleanor Parker is totally wasted here. She's her usual, beautiful self, but it's a dumb part in a stupid movie. (Thank goodness, she got her role in THE SOUND OF MUSIC only three years later.) Crain was reaching the end of her career by 1962, and she and Andrews only made one more film together: HOT RODS TO HELL (don't even get me started on that fiasco). So all in all, MADISON AVENUE is nice, for the sole purpose of seeing pretty Jeanne Crain, handsome Dana Andrews, and beautiful Eleanor Parker - but not much else.