Likeable country postman Harold Petts gets transferred from his village to London, where on his arrival he unwittingly foils a mail train robbery. Innocent in the ways of the big city, he is... Read allLikeable country postman Harold Petts gets transferred from his village to London, where on his arrival he unwittingly foils a mail train robbery. Innocent in the ways of the big city, he is thought to be a member of another gang by both the train robbers and the police, who all ... Read allLikeable country postman Harold Petts gets transferred from his village to London, where on his arrival he unwittingly foils a mail train robbery. Innocent in the ways of the big city, he is thought to be a member of another gang by both the train robbers and the police, who all suspect him of trying to rob the post office where he works. Petts however gains notoriety... Read all
- Postman
- (as Wilfred Lawson)
- Tour Group
- (uncredited)
- Villager at Station
- (uncredited)
- Cleaning Lady
- (uncredited)
- Barbara
- (uncredited)
- Man on Tube
- (uncredited)
Featured reviews
He plays a country postman seconded, in error it transpires (a conceit not dissimilar to that in 1963's "Heaven's Above!"), to the big city. The conventional comedic take on this situation is to exploit the bumpkin's lack of sophistication in unfamiliar surroundings, but "Postman's Knock" completely inverts this; the bumpkin is shown to be vastly superior to the urban fools with whom he comes into enforced contact. Milligan even gets the girl!
The late 50s and early 60s were, in hindsight, a golden age for British comedy. It's amazing how, at the turn of the decade, a number of highly individual, indeed quietly experimental, comedies were made: e.g. "School For Scoundrels", "Bottoms Up!" and "Postman's Knock". (Later on in the 60s there were "A Jolly Bad Fellow", "You Must Be Joking!" and the amazing "Rotten To The Core".) These were not part of some franchise, however enjoyable (e.g. the St Trinians films, the Carry-Ons, etc), but apparently unrepeatable one-offs.
I'm surprised, and not a little disappointed, at the low rating this film has so far received from IMDb participants. It deserves to be cherished for its unique brilliance (I'd rather watch its opening credits than most complete films of the last thirty years), and I give it 10/10!
Did you know
- TriviaThis was the second of two attempts by the British branch of M-G-M to turn Spike Milligan into a film star, after the previous year's Invasion Quartet (1961); but Milligan was not happy with it and once referred to it as "the serious version of that Jacques Tati film about a postman" (meaning The Big Day (1949), a film he greatly admired).
- GoofsWhen Harold goes to the psychiatrist's office, he goes over to a box on the wall and moves the pointer from pointing to the right to pointing straight up. Later, when he is sitting down talking to the psychiatrist, the pointer is pointing to the right again.
- Crazy creditsThe MGM lion turns into a drawing and shrinks in size until it appears on the flap of an envelope.
- ConnectionsReferences The Magnificent Seven (1960)
- SoundtracksPostman's Knock
Music by Ron Goodwin
Lyrics by Herbert Kretzmer
[Played over opening credits; reprise played over end credits]
Details
- Runtime
- 1h 28m(88 min)
- Color
- Aspect ratio
- 1.37 : 1