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6.5/10
5.4K
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Based on Edgar Allan Poe's story about a cataleptic Englishman obsessed with the fear of being buried alive.Based on Edgar Allan Poe's story about a cataleptic Englishman obsessed with the fear of being buried alive.Based on Edgar Allan Poe's story about a cataleptic Englishman obsessed with the fear of being buried alive.
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Featured reviews
They put him sleeping in The Tomb...
Guy Carrell suffers with catalepsy, a condition that makes him appear dead, a condition that heightens his primal fear, that if being buried alive.
A wonderfully macabre tale from Edgar Allan Poe, Directed by Roger Corman, horror fans are probably more aware of some of his other titles, such as The Pit and The Pendulum.
It's a well paced film, the pace quickens as the story develops, it features some fine horror moments, the thought of being buried alive is a true primal fear for many, and they didn't hold back.
I loved the way the newly married couple were taking a stroll, collecting flowers from The Graveyard, no wonder he got a little tetchy.
It's a very nicely made film, you'll instantly be aware of the strong production values, great sets and costumes, it holds up well.
First time round, it surprised me seeing Ray Milland cast as the leading man, a role that would probably have gone to Vincent Price had be been available, but Milland was a fine actor, not known for horror, but he definitely adds some Star quality.
7/10.
A wonderfully macabre tale from Edgar Allan Poe, Directed by Roger Corman, horror fans are probably more aware of some of his other titles, such as The Pit and The Pendulum.
It's a well paced film, the pace quickens as the story develops, it features some fine horror moments, the thought of being buried alive is a true primal fear for many, and they didn't hold back.
I loved the way the newly married couple were taking a stroll, collecting flowers from The Graveyard, no wonder he got a little tetchy.
It's a very nicely made film, you'll instantly be aware of the strong production values, great sets and costumes, it holds up well.
First time round, it surprised me seeing Ray Milland cast as the leading man, a role that would probably have gone to Vincent Price had be been available, but Milland was a fine actor, not known for horror, but he definitely adds some Star quality.
7/10.
I'm going to be cremated!
With Vincent Price busy elsewhere, Roger Corman shoveled the dirt on Ray Milland for this adaptation of Poe's "The Premature Burial." A bit too mature for the role, Milland nonetheless gives a good account of himself as an artist convinced that he'll meet the same fate as many of his ancestors by being buried alive. This movie offers some fairly useful tips for those who have a similar fear, but after watching it you might agree with me that cremation is the way to go.
Corman keeps things nice and creepy throughout, and your skin is sure to crawl at the appropriate moments. This is no match for the director's magnificent "Pit and the Pendulum," but it's an above-average horror flick recommended for everyone but the ghouls employed in the funeral industry.
Corman keeps things nice and creepy throughout, and your skin is sure to crawl at the appropriate moments. This is no match for the director's magnificent "Pit and the Pendulum," but it's an above-average horror flick recommended for everyone but the ghouls employed in the funeral industry.
And if Death were not the end....
This is an excellent horror movie.To be buried alive is a fear we all share ,and although it's not really new (outside Poe's obsession there's a sequence in Dreyer's "Vampyr") ,it's terribly effective.
Ray Milland portrays a man whose obsession knows no bound.His mausoleum which he shows to a distraught wife and to his good sensible friend and the nightmare are worth the price of admission.The foggy ghastly atmosphere -pure English sixties studios - adds to the almost unbearable suspense.The screenplay,which,like all the other Corman's adaptations ,is rather far from Poe's short novel,is full of good ideas (the undertakers whistling a gentle tune when they open a grave,the cat,the unexpected final twist which is quite successful).
"Premature Burial" is to be recommended to horror movies buffs.
The fear of being buried alive never came to an end ;two examples "Oxygen" featuring Adrian Brody and "Spoorlos" (aka "L'Homme Qui Voulait Savoir")
Ray Milland portrays a man whose obsession knows no bound.His mausoleum which he shows to a distraught wife and to his good sensible friend and the nightmare are worth the price of admission.The foggy ghastly atmosphere -pure English sixties studios - adds to the almost unbearable suspense.The screenplay,which,like all the other Corman's adaptations ,is rather far from Poe's short novel,is full of good ideas (the undertakers whistling a gentle tune when they open a grave,the cat,the unexpected final twist which is quite successful).
"Premature Burial" is to be recommended to horror movies buffs.
The fear of being buried alive never came to an end ;two examples "Oxygen" featuring Adrian Brody and "Spoorlos" (aka "L'Homme Qui Voulait Savoir")
Good horror with a great lead performance.
Solid, well crafted entry in producer / director Roger Corman's cycle of Edgar Allan Poe adaptations that's an effective exercise in psychological horror as well as more traditional kinds of horror (such as we see in the nightmare sequence, for example). It shows just how badly one's life can be affected by an unhealthy obsession.
Corman initially tried to get Vincent Price for the lead, needing to switch to Ray Milland instead. While the casting of Milland may have seemed odd at the time, the esteemed, Oscar winning actor would go on to make appearances in other genre and schlock movies in the future. Milland offers a mostly understated performance as the tormented Guy Carrell, medical student and painter who can't get his supposed legacy and phobia of being entombed alive out of his mind. Meanwhile, good friend Miles (Richard Ney), new wife Emily (beautiful genre vixen Hazel Court), and sister Kate (Heather Angel) grow increasingly concerned over his behaviour.
Working with his consistently reliable production design / cinematography team of Daniel Haller and Floyd Crosby, Corman is able to create very effective atmosphere for the production, and the 2.35:1 aspect ratio allows him to pack the frame with detail, and he also continues the practise of creating depth to the images. The music by the great Ronald Stein would be enjoyable enough on its own, but it's supplemented by the repeated refrain of the "Molly Malone" melody, whether it's whistled or played on the piano.
Milland does some delicious work here, particularly in the sequence where Guy is showing Emily and Miles all the safeguards he's put in place in case of his being "buried alive". The excellent cast also includes Alan Napier as Emily's doctor father (who utters one of the best lines, "I never enjoy myself, I merely experience greater and lesser amounts of tedium."), and John Dierkes & Corman regular Dick Miller as the unsavoury grave diggers.
The script by Charles Beaumont and Ray Russell has a very literate quality, and Milland gives his dialogue all of the gravitas that he can muster.
While this wouldn't rank among the best of Corman's Poe series (that honour would have to go to "House of Usher" and "The Masque of the Red Death"), it's still very respectable and fun viewing for classic horror fans.
Seven out of 10.
Corman initially tried to get Vincent Price for the lead, needing to switch to Ray Milland instead. While the casting of Milland may have seemed odd at the time, the esteemed, Oscar winning actor would go on to make appearances in other genre and schlock movies in the future. Milland offers a mostly understated performance as the tormented Guy Carrell, medical student and painter who can't get his supposed legacy and phobia of being entombed alive out of his mind. Meanwhile, good friend Miles (Richard Ney), new wife Emily (beautiful genre vixen Hazel Court), and sister Kate (Heather Angel) grow increasingly concerned over his behaviour.
Working with his consistently reliable production design / cinematography team of Daniel Haller and Floyd Crosby, Corman is able to create very effective atmosphere for the production, and the 2.35:1 aspect ratio allows him to pack the frame with detail, and he also continues the practise of creating depth to the images. The music by the great Ronald Stein would be enjoyable enough on its own, but it's supplemented by the repeated refrain of the "Molly Malone" melody, whether it's whistled or played on the piano.
Milland does some delicious work here, particularly in the sequence where Guy is showing Emily and Miles all the safeguards he's put in place in case of his being "buried alive". The excellent cast also includes Alan Napier as Emily's doctor father (who utters one of the best lines, "I never enjoy myself, I merely experience greater and lesser amounts of tedium."), and John Dierkes & Corman regular Dick Miller as the unsavoury grave diggers.
The script by Charles Beaumont and Ray Russell has a very literate quality, and Milland gives his dialogue all of the gravitas that he can muster.
While this wouldn't rank among the best of Corman's Poe series (that honour would have to go to "House of Usher" and "The Masque of the Red Death"), it's still very respectable and fun viewing for classic horror fans.
Seven out of 10.
Under Appreciated Poe Adaptation!
Most of the reviews and comments on "The Premature Burial" tend to dismiss this film as second rate. I don't agree. In fact I think it is as good or better than many of the other Roger Corman produced/directed Edgar Allan Poe adaptations.
The basis of the story is man's fear of death and more specifically of somehow being buried alive. Guy Carrell (Ray Milland) is one such person. He believes that his father was a victim of a premature burial and as such thinks that he will suffer the same fate. He goes so far as to construct a crypt that has many fail safe escape devices in case that he does suffer the same fate as his father.
Carrell marries the beautiful Emily Gault (Hazel Court) and with her help, tries to overcome his fears. Also involved in the mystery is Carrell's sinister sister Kate (Heather Angel), family friend Dr. Miles Archer (Richard Ney) and Emily's father Dr. Gault (Alan Napier). Guy begins to hear eerie sounds and is seemingly tormented by two grave diggers (John Dierkes, Dick Miller) that he encountered earlier. Are there plans afoot to drive poor Guy mad? Who in his household could be behind such a plan? Does he ultimately suffer the fate that he fears most?
Ray Milland was chosen to play the lead because Roger Corman was in a dispute with American International Pictures (AIP) at the time and decided to make the movie with another studio. Vincent Price who starred in most of Corman's Poe adaptations was under contract to AIP and therefore, could not play the lead. Ultimately the dispute was resolved and the picture was eventually released under the AIP banner.
Milland is surprisingly excellent in the lead. He conveys the building paranoia of Guy Carrell very convincingly. The lovely Hazel Court was a veteran of many films in her native England and nicely complements Milland and Heather Angel provides an air of mystery as Guy's sister/
Some useless trivia:
1. Ray Milland and Heather Angel had starred together some 25 years earlier in "Bulldog Drummond Escapes" (1937).
2. Miles Archer was the name of Sam Spade's partner who was murdered at the beginning of "The Maltese Falcon" (1941).
3. Alan Napier achieved greater fame as Alfred the butler in the "Batman" TV series of the 60s.
The basis of the story is man's fear of death and more specifically of somehow being buried alive. Guy Carrell (Ray Milland) is one such person. He believes that his father was a victim of a premature burial and as such thinks that he will suffer the same fate. He goes so far as to construct a crypt that has many fail safe escape devices in case that he does suffer the same fate as his father.
Carrell marries the beautiful Emily Gault (Hazel Court) and with her help, tries to overcome his fears. Also involved in the mystery is Carrell's sinister sister Kate (Heather Angel), family friend Dr. Miles Archer (Richard Ney) and Emily's father Dr. Gault (Alan Napier). Guy begins to hear eerie sounds and is seemingly tormented by two grave diggers (John Dierkes, Dick Miller) that he encountered earlier. Are there plans afoot to drive poor Guy mad? Who in his household could be behind such a plan? Does he ultimately suffer the fate that he fears most?
Ray Milland was chosen to play the lead because Roger Corman was in a dispute with American International Pictures (AIP) at the time and decided to make the movie with another studio. Vincent Price who starred in most of Corman's Poe adaptations was under contract to AIP and therefore, could not play the lead. Ultimately the dispute was resolved and the picture was eventually released under the AIP banner.
Milland is surprisingly excellent in the lead. He conveys the building paranoia of Guy Carrell very convincingly. The lovely Hazel Court was a veteran of many films in her native England and nicely complements Milland and Heather Angel provides an air of mystery as Guy's sister/
Some useless trivia:
1. Ray Milland and Heather Angel had starred together some 25 years earlier in "Bulldog Drummond Escapes" (1937).
2. Miles Archer was the name of Sam Spade's partner who was murdered at the beginning of "The Maltese Falcon" (1941).
3. Alan Napier achieved greater fame as Alfred the butler in the "Batman" TV series of the 60s.
Did you know
- TriviaRoger Corman started this film outside of American International Pictures. Since Vincent Price had been signed to an exclusive contract with AIP, Corman chose Ray Milland for the lead role. American International would acquire the production just as principal photography began.
- GoofsWhen about to show his guests the cup of poison, Guy refers to this as the coup de grace, but mispronounces it as "coup de gras" (as in "foie gras" or "Mardi Gras"). It is very unlikely that a well educated English grandee such as Guy would make such a mistake.
- Quotes
Emily Gault: Well, Father, are you enjoying yourself?
Dr. Gideon Gault: I never enjoy myself. I merely experience greater and lesser degrees of tedium, that's all.
- Alternate versionsThe original UK cinema version was cut by the BBFC to remove shots of maggots being poured from a cup and to edit scenes of Emily's body being covered with earth. The Optimum DVD is the uncut print.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: Premature Burial (1975)
- How long is The Premature Burial?Powered by Alexa
Details
Box office
- Budget
- $1,250,000 (estimated)
- Runtime
- 1h 21m(81 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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