Only Two Can Play
- 1962
- 1h 46m
IMDb RATING
6.5/10
1.5K
YOUR RATING
A frustrated librarian (Sellers) in Swansea, Wales is torn between his wife Jean (Maskell) and a glamorous married woman, Liz (Zetterling), who wants to have an affair.A frustrated librarian (Sellers) in Swansea, Wales is torn between his wife Jean (Maskell) and a glamorous married woman, Liz (Zetterling), who wants to have an affair.A frustrated librarian (Sellers) in Swansea, Wales is torn between his wife Jean (Maskell) and a glamorous married woman, Liz (Zetterling), who wants to have an affair.
- Director
- Writers
- Stars
- Nominated for 4 BAFTA Awards
- 1 win & 4 nominations total
Kenneth Griffith
- Ieuan Jenkins
- (as Kenneth Griffiths)
Frances Bennett
- Amorous Woman in Mobile Library
- (uncredited)
Austin Cooper
- Party Guest
- (uncredited)
Lindy Cope
- Bridget
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Understated comedic drama stars the sardonic Sellers as a Welsh librarian, bored by the blandness of his job and domestic labours, who develops a pathological weakness for women to fill the void, shamelessly flirting with customers, neighbours teetering on the brink of adultery at virtually every turn. He meets married well-to-do Liz (Zetterling) and the two become embroiled in a relationship that threatens to escalate into infidelity, though neither seem capable of consummating the sexual innuendo that's beckoning a heated interlude.
Virginia Maskell is first-rate as Sellers' stay-at-home wife, chained to the kitchen sink of life with two ankle-biters for whom to care while her husband attends literary parties and engages in dalliances at her expense. Maskell is clearly a cut above the hijinks, though Sellers is equally adept with this type of dry comedy and the two trade some very witty and at times poignant dialogue. It's a shame that Maskell couldn't capitalise on her talent, as she would have been destined for great performances, had she lived longer.
Kenneth Griffith plays Sellers' henpecked friend, while Graham Stark has a small role as an unwelcome library patron whose choice of book and subsequent indulgence ("yes I can see you enjoyed it") places Sellers under a great test of sufferance. That's future "Q" Desmond Llewellyn as a vicar aboard Sellers' daily bus route.
Astute dialogue, both sharp in its observations, and otherwise very witty ("how about the complete history of codpieces"), some sombre and pointed, "Only Two Can Play" is a measured study of unrealised ambition and the weight of everyday domestic pressures. Probably not for the casual Sellers' fan club, but should certainly keep others entertained, whether you're after dry humour or bittersweet drama.
Virginia Maskell is first-rate as Sellers' stay-at-home wife, chained to the kitchen sink of life with two ankle-biters for whom to care while her husband attends literary parties and engages in dalliances at her expense. Maskell is clearly a cut above the hijinks, though Sellers is equally adept with this type of dry comedy and the two trade some very witty and at times poignant dialogue. It's a shame that Maskell couldn't capitalise on her talent, as she would have been destined for great performances, had she lived longer.
Kenneth Griffith plays Sellers' henpecked friend, while Graham Stark has a small role as an unwelcome library patron whose choice of book and subsequent indulgence ("yes I can see you enjoyed it") places Sellers under a great test of sufferance. That's future "Q" Desmond Llewellyn as a vicar aboard Sellers' daily bus route.
Astute dialogue, both sharp in its observations, and otherwise very witty ("how about the complete history of codpieces"), some sombre and pointed, "Only Two Can Play" is a measured study of unrealised ambition and the weight of everyday domestic pressures. Probably not for the casual Sellers' fan club, but should certainly keep others entertained, whether you're after dry humour or bittersweet drama.
I remember seeing this on late night when I was about 10 and along with The Mouse that Roared turned me into a Peter Sellers fan for life! I really prefer his early British films, although he was great in Strangelove and as Clouseau. I'm Allright, Jack is a particular favorite, along with The Naked Truth, Heavens Above!, The Smallest Show on Earth, and Carleton Browne of the F.O.
This is a sly, personal film about marriage and infidelity and it was nice to see director Mai Zetterling in a role that suited her. With all the blockbuster junk-filled spectacles, there will always be a place for wonderful little films like this.
This is a sly, personal film about marriage and infidelity and it was nice to see director Mai Zetterling in a role that suited her. With all the blockbuster junk-filled spectacles, there will always be a place for wonderful little films like this.
This an unconsidered little pearl and indicates where British film comedy might have gone in the 60s and 70s had it not tumbled into the abyss of the Carry On series and the Neanderthal Confessions of a Window Cleaner/Driving Instructor etc. The former was bad but the latter made Sid, Kenneth and co look like the RSC. This Sellers vehicle on the other hand, from a book by Kingsley Amis, is tightly written,well acted and genuinely funny. Apart from Sellers, Richard Attenborough is particularly good as Probert the belligerent Welsh bard who in deference to his role model has no intention of going gentle into that good night. His acerbic exchanges with Sellers' librarian are the highlights of the film. And unlike practically( I must exclude Shirley Eaton!) any female who ever appeared in either of the horrendous series mentioned above Mai Zetterling is sexy and believable. A great treat for a rainy afternoon and a chance to reassess whether Sellers' best work was in Strangelove and the Cloiseau films or were some of his earlier more understated characterisations actually superior.
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This is a terrific example of a number of little English gems that Sellers made before his international stardom as Inspector Clouseau in the Pink Panther. The writing and directing are wonderful as is the great black and white cinematography that captures a dismal Welsh mining town. See it if you can find it.
British-made comedy-drama about an unfulfilled Welsh librarian and family man who contemplates having an affair with the library chairman's flirtatious wife. As played by Peter Sellers (in a benign performance earmarked by the actor's charming aloofness), this character is both ridiculous and endearing eyeing the bums and breasts of Welsh's finest femmes, but the kitchen-sink dynamics of the story never really take hold. The film does have something to say about working-class marriages and lives stuck in a rut, but screenwriter Bryan Forbes can't seem to work big laughs into the narrative, and as a result the picture isn't more than faintly amusing. These type of "oh no, my husband's come home!" situations were surely hoary even in 1962, however Sellers has a nice way of turning the hum-drum into sprightly, if low-keyed, human angst; one is drawn to even the smallest gestures on the basis of his charisma alone. Peter has a wonderful moment kissing Mai Zetterling behind a sheer curtain, and a marvelously-observed bit interviewing for a higher position in the library. His talk of jetting off to parts unknown recalls later studies such as "Charlie Bubbles", and the upbeat ending is cute if utterly unrealistic. **1/2 from ****
Did you know
- TriviaPeter Sellers won great acclaim for his performance in this movie, but was difficult to work with throughout the filming. He repeatedly asked Director Sidney Gilliat to replace Virginia Maskell, who played his wife, and, when Gilliat refused, he became convinced that this movie would be a disaster, said so publicly, and sold his percentage of the profits back to Launder and Gilliat. It proved to be a big commercial and critical hit (with Maskell winning excellent reviews), and so he lost out on a lot of money. Perhaps because of this, he continued to bad-mouth the movie for the rest of his life.
- GoofsAt the start John is holding a book, and one gets a glimpse of the title: "Sex, Sin and Sanctity" but when the camera looks at the title it has changed to "Is Sex Necessary?"
- Quotes
Gareth L. Probert: The original white collar slave. How are you, Lewis? Still peddling trash to the masses?
John Lewis: Yes, that's true, yes. How 'bout you, still writing it?
- Crazy creditsOpening credits prologue: "IT IS NOT OBSERVED THAT LIBRARIANS ARE WISER MEN THAN OTHERS" - Ralph Waldo Emerson
- ConnectionsFeatured in The Unknown Peter Sellers (2000)
- How long is Only Two Can Play?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Lieben kann man nur zu zweit
- Filming locations
- Mayhill, Swansea, Wales, UK(Street scenes)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 46m(106 min)
- Color
- Aspect ratio
- 1.66 : 1
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