Only Two Can Play
- 1962
- 1h 46m
IMDb RATING
6.5/10
1.5K
YOUR RATING
A frustrated librarian (Sellers) in Swansea, Wales is torn between his wife Jean (Maskell) and a glamorous married woman, Liz (Zetterling), who wants to have an affair.A frustrated librarian (Sellers) in Swansea, Wales is torn between his wife Jean (Maskell) and a glamorous married woman, Liz (Zetterling), who wants to have an affair.A frustrated librarian (Sellers) in Swansea, Wales is torn between his wife Jean (Maskell) and a glamorous married woman, Liz (Zetterling), who wants to have an affair.
- Director
- Writers
- Stars
- Nominated for 4 BAFTA Awards
- 1 win & 4 nominations total
Kenneth Griffith
- Ieuan Jenkins
- (as Kenneth Griffiths)
Frances Bennett
- Amorous Woman in Mobile Library
- (uncredited)
Austin Cooper
- Party Guest
- (uncredited)
Lindy Cope
- Bridget
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Having have lived in the Welsh Valleys for a good while a few years ago, I really feel for this poignant, witty and largely forgotten and unknown little drama about a librarian. And his wife and his little 'adventure' on the side.
It's far sweeter than the average English kitchen sink, is superbly adapted from a Kinglsey Amis novel and features an array of familiar faces, from John Le Messieur and Richard Attenborough with Kenneth Griffith as a rather ridiculed and pathetically nerdy fellow librarian.
Peter Sellers is natural, the accent pitch perfect and his wife and family (great little daughter, full of big-eyed mischief & wonder) believable. His foray into an affair is rather glaringly obvious for a close-knit valley town to realistically withstand though I think there's a good balance between 'nudge-nudge, wink-wink' innuendo, which is usually wittily rather than crudely expressed and the more hum-drum, everyday scenes. Comedy is in there, but as a supporting act, so to speak and is nicely done.
Librarians generally get a rather staid and boring label and it would be far too obvious - and wrong - to have a zany character, or Sellers playing one. But, as in any profession, libraries employ different sorts and get all manner of customers.
Overall there's a warmth and freshness that I find endearing, though I might be a little biased. If you get a chance to see it, go for it. Apart from my originally seeing it on UK TV about 6 years ago, I've not seen that it's been shown since and only now have I been reacquainted with it on DVD. You can find it on The Peter Sellers Collection, included with it are I'm Alright Jack and Heaven's Above along with a disc that features a compilation of Seller's best TV work.
It's far sweeter than the average English kitchen sink, is superbly adapted from a Kinglsey Amis novel and features an array of familiar faces, from John Le Messieur and Richard Attenborough with Kenneth Griffith as a rather ridiculed and pathetically nerdy fellow librarian.
Peter Sellers is natural, the accent pitch perfect and his wife and family (great little daughter, full of big-eyed mischief & wonder) believable. His foray into an affair is rather glaringly obvious for a close-knit valley town to realistically withstand though I think there's a good balance between 'nudge-nudge, wink-wink' innuendo, which is usually wittily rather than crudely expressed and the more hum-drum, everyday scenes. Comedy is in there, but as a supporting act, so to speak and is nicely done.
Librarians generally get a rather staid and boring label and it would be far too obvious - and wrong - to have a zany character, or Sellers playing one. But, as in any profession, libraries employ different sorts and get all manner of customers.
Overall there's a warmth and freshness that I find endearing, though I might be a little biased. If you get a chance to see it, go for it. Apart from my originally seeing it on UK TV about 6 years ago, I've not seen that it's been shown since and only now have I been reacquainted with it on DVD. You can find it on The Peter Sellers Collection, included with it are I'm Alright Jack and Heaven's Above along with a disc that features a compilation of Seller's best TV work.
Peter Sellers was always at his best in this type of local comedy. His randy Welsh librarian, frustrated with his dead-end job, has a part-time job as a reporter on the local newspaper, doing reviews of the local repertory theatre. We see his dreary home life; his long-suffering wife - a lovely performance from Virginia Maskell; his interchanges with his hypochondriac neighbour - Kenneth Griffiths. Enter the glamorous Mai Zetterling, wife of the local big-wig (Raymond Huntley)and Seller's life is catapulted into confusions. A chance of promotion - in exchange for sexual favours with Mai - catapults him into a sequence of very funny situations. One, a confrontation with an avant-garde poet/playwright - a beautiful cameo role by Richard Attenborough - is hilarious and the whole film progresses at a very satisfying pace, never descending in to farce. It would be nice to have it available in DVD format. It is a much better example of some of Seller's work, such as the farcical Pink Panther froth.
This an unconsidered little pearl and indicates where British film comedy might have gone in the 60s and 70s had it not tumbled into the abyss of the Carry On series and the Neanderthal Confessions of a Window Cleaner/Driving Instructor etc. The former was bad but the latter made Sid, Kenneth and co look like the RSC. This Sellers vehicle on the other hand, from a book by Kingsley Amis, is tightly written,well acted and genuinely funny. Apart from Sellers, Richard Attenborough is particularly good as Probert the belligerent Welsh bard who in deference to his role model has no intention of going gentle into that good night. His acerbic exchanges with Sellers' librarian are the highlights of the film. And unlike practically( I must exclude Shirley Eaton!) any female who ever appeared in either of the horrendous series mentioned above Mai Zetterling is sexy and believable. A great treat for a rainy afternoon and a chance to reassess whether Sellers' best work was in Strangelove and the Cloiseau films or were some of his earlier more understated characterisations actually superior.
I remember seeing this on late night when I was about 10 and along with The Mouse that Roared turned me into a Peter Sellers fan for life! I really prefer his early British films, although he was great in Strangelove and as Clouseau. I'm Allright, Jack is a particular favorite, along with The Naked Truth, Heavens Above!, The Smallest Show on Earth, and Carleton Browne of the F.O.
This is a sly, personal film about marriage and infidelity and it was nice to see director Mai Zetterling in a role that suited her. With all the blockbuster junk-filled spectacles, there will always be a place for wonderful little films like this.
This is a sly, personal film about marriage and infidelity and it was nice to see director Mai Zetterling in a role that suited her. With all the blockbuster junk-filled spectacles, there will always be a place for wonderful little films like this.
Understated comedic drama stars the sardonic Sellers as a Welsh librarian, bored by the blandness of his job and domestic labours, who develops a pathological weakness for women to fill the void, shamelessly flirting with customers, neighbours teetering on the brink of adultery at virtually every turn. He meets married well-to-do Liz (Zetterling) and the two become embroiled in a relationship that threatens to escalate into infidelity, though neither seem capable of consummating the sexual innuendo that's beckoning a heated interlude.
Virginia Maskell is first-rate as Sellers' stay-at-home wife, chained to the kitchen sink of life with two ankle-biters for whom to care while her husband attends literary parties and engages in dalliances at her expense. Maskell is clearly a cut above the hijinks, though Sellers is equally adept with this type of dry comedy and the two trade some very witty and at times poignant dialogue. It's a shame that Maskell couldn't capitalise on her talent, as she would have been destined for great performances, had she lived longer.
Kenneth Griffith plays Sellers' henpecked friend, while Graham Stark has a small role as an unwelcome library patron whose choice of book and subsequent indulgence ("yes I can see you enjoyed it") places Sellers under a great test of sufferance. That's future "Q" Desmond Llewellyn as a vicar aboard Sellers' daily bus route.
Astute dialogue, both sharp in its observations, and otherwise very witty ("how about the complete history of codpieces"), some sombre and pointed, "Only Two Can Play" is a measured study of unrealised ambition and the weight of everyday domestic pressures. Probably not for the casual Sellers' fan club, but should certainly keep others entertained, whether you're after dry humour or bittersweet drama.
Virginia Maskell is first-rate as Sellers' stay-at-home wife, chained to the kitchen sink of life with two ankle-biters for whom to care while her husband attends literary parties and engages in dalliances at her expense. Maskell is clearly a cut above the hijinks, though Sellers is equally adept with this type of dry comedy and the two trade some very witty and at times poignant dialogue. It's a shame that Maskell couldn't capitalise on her talent, as she would have been destined for great performances, had she lived longer.
Kenneth Griffith plays Sellers' henpecked friend, while Graham Stark has a small role as an unwelcome library patron whose choice of book and subsequent indulgence ("yes I can see you enjoyed it") places Sellers under a great test of sufferance. That's future "Q" Desmond Llewellyn as a vicar aboard Sellers' daily bus route.
Astute dialogue, both sharp in its observations, and otherwise very witty ("how about the complete history of codpieces"), some sombre and pointed, "Only Two Can Play" is a measured study of unrealised ambition and the weight of everyday domestic pressures. Probably not for the casual Sellers' fan club, but should certainly keep others entertained, whether you're after dry humour or bittersweet drama.
Did you know
- TriviaPeter Sellers won great acclaim for his performance in this movie, but was difficult to work with throughout the filming. He repeatedly asked Director Sidney Gilliat to replace Virginia Maskell, who played his wife, and, when Gilliat refused, he became convinced that this movie would be a disaster, said so publicly, and sold his percentage of the profits back to Launder and Gilliat. It proved to be a big commercial and critical hit (with Maskell winning excellent reviews), and so he lost out on a lot of money. Perhaps because of this, he continued to bad-mouth the movie for the rest of his life.
- GoofsAt the start John is holding a book, and one gets a glimpse of the title: "Sex, Sin and Sanctity" but when the camera looks at the title it has changed to "Is Sex Necessary?"
- Quotes
Gareth L. Probert: The original white collar slave. How are you, Lewis? Still peddling trash to the masses?
John Lewis: Yes, that's true, yes. How 'bout you, still writing it?
- Crazy creditsOpening credits prologue: "IT IS NOT OBSERVED THAT LIBRARIANS ARE WISER MEN THAN OTHERS" - Ralph Waldo Emerson
- ConnectionsFeatured in The Unknown Peter Sellers (2000)
- How long is Only Two Can Play?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Lieben kann man nur zu zweit
- Filming locations
- Mayhill, Swansea, Wales, UK(Street scenes)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 46m(106 min)
- Color
- Aspect ratio
- 1.66 : 1
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