Bitter Harvest

This road-to-ruin melodrama is surprisingly watchable if you don't expect too much. The storyline is totally predictable, the characters little more than cliches, the colour lurid and I thought I detected some heavy-handed editing as 3rd-billed Alan Badell has only a few lines in a couple of scenes while uncredited Thora Hird (fresh from her triumph in "A Kind of Loving") has much more screentime as a grasping landlady.

B movie or A movie, it's not a grandiose masterpiece but it's still good and watchable. The actors are all good, the story is not quite great, it has some gaps but, we are all super intelligent viewers, aren't we, and we can imagine what is missing. The first 5 minutes are very powerful, when Jenny destroys the pillow with scissors, pours the drink on the photo to Karl (Alan Badel) and throws her dresses out the window. The final scene in which Bob (John Stride) crosses the street with Ella (Anne Cunningham) and they are almost hit by the ambulance containing Jenny's lifeless body is impressive and strong. Janet Munro did a great role.

The stunning Eastmancolor photography of Ernest Steward, Acker Bilk's swanky Jackie Gleason like score, (particularly the lush main theme) and location shooting in London, do much to distinguish this cautionary tale of a young woman treading down the well worn primrose path.

Janet Munro convinces as a the naive Welsh rustic, ("Jennie Jones") after La Dolce Vita, to which end she tosses decency aside, and heads to the big city, in her pursuit of a theatrical career. That her career is only to be that of "kept woman" is the discovery leading to the titular harvest.

Performances are all very apt, (particulary Francis Matthews, who nails the characterization of a louche libertine)and Director Peter Graham Scott certainly keeps our interest.

But just when one is most absorbed, most ready to watch Jennie's world unravel, the film ends, and one comes away feeling slightly cheated, with the sense that this MIGHT have been a great film, with a running time of 30 more minutes.

Still, it invites and deserves consideration alongside "Darling," and "Taste of Honey," as films that were also exploring unsavoury misfits in swinging 60's Great Britain.

A morality tale for the early sixties by the ever-enterprising Allied Filmmakers anticipating the journey taken by that year's headliner Christine Keeler and Julie Christie in 'Darling'.

This glossy Eastmancolor adaptation of the book by Patrick Hamilton is usually overlooked, but it provides a chance to savour the youthful beauty of the late lamented Janet Munro, who sadly like the heroine of this fable never lived to experience the fate she so feared of losing her youthful lustre as Miss Keeler certainly did.

Miss Munro might have found have found lasting happiness had she not unwisely favoured louche bounder Alan Badel over nice young John Stride, last seen courting good girl Anne Cunningham.

Saw this at the Dominion, Twickenham, Middlesex, in November 1963 - it was the B-movie to a film I've forgotten - I happened to see Bitter Harvest second in the programme. I enjoyed the London setting of the film - Jenny has a room overlooking the railway tracks at Paddington but the film had an overall feeling of terrible sadness and waste - I went and looked at the dark river Thames flowing under the footbridge to Eel Pie island - then I went home and heard that President Kennedy had been shot in Dallas. So that's what I was doing when...