Three flight attendants combine their work crossing the Atlantic with searching for rich, handsome men to marry.Three flight attendants combine their work crossing the Atlantic with searching for rich, handsome men to marry.Three flight attendants combine their work crossing the Atlantic with searching for rich, handsome men to marry.
Karlheinz Böhm
- Baron Franz Von Elzingen
- (as Karl Boehm)
Alain Morat
- Boy in Paris
- (as Bibi Morat)
George Coulouris
- Vienna Police Inspector
- (uncredited)
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8rbrb
This is a super frivolous fun fictional film epitomizing some of the spirit of the 1960's. The movie almost glorifies the likes of sexist behavior and smoking in public including on airlines. These were indeed the days of the friendly skies,when passengers and air crew could seemingly parade on and off airplanes at their leisure. Three charismatic air hostesses have various romantic adventures back and forth on international flights including when in Paris and Austria. I found this picture engaging, humorous and nostalgic with an excellent cast and very good direction:
8/10.
8/10.
I stumbled upon this early '60s film on TCM while surfing late this evening. I agree with most of the previous posters' opinions, but I think one other element should be added: At the dawn of the passenger jet age, before hijackings that turned airports into minimum security prisons, and 9/11, which turned them into crowded LuftStalags, this was what air travel was like. Technologically and socially, one watches a film like this not simply to be entertained, but to be reminded of those last moments before JFK was killed, Vietnam, and the turning inside out of America. As for performances, Karl Malden waltzes effortlessly through this movie, threatening to steal every scene he's in--even from the gorgeous women. (Speaking of which, Pamela Tiffin is radioactive hot. )
While not as blatantly tacky and overdone as some of the other films of this type (which are actually good things for some people who seek out glossy, over-produced flicks like this!), it still has it's points of interest and moments of eye-rolling cheesiness. After Frankie Avalon croons the title song, flash-in-the-pan Tiffin comes jiggling on wearing an extremely sexy and snug flight attendant's uniform, spoiled only by the somewhat unflattering hat they all wear. It is utterly fascinating to see how stewardesses were perceived at this time. It's hard to say, at this point, how close to real life it was, but in this film they are treated as total sex objects with clothes that stress looks over functionality. Her hair is done in manner that makes one wonder if Catherine Zeta Jones and her stylists keep a loop of this film running in their salon. There is a definite occasional resemblance. Hart is quite a revelation. For someone who was about to become a nun in real life, she is surprisingly hard-edged and mouthy here. She may even swear once and she smokes incessantly. It's great to see a lesser beauty, but still a talented actress, like Nettleton get a featured role. She creates a sympathetic, if a bit overly difficult character. Poor Maxwell ("Miss Moneypenny" of 007 films) barely even got in a word edgewise. O'Brian is his usual suave and macho self as a voraciously skirt-chasing pilot. Cruelly, he keeps his shirt on at all times and never goes swimming. Malden does an okay job as a lonely businessman. German actor Boehm is a bit of an annoyance with his thin voice and heavy accent. There's a "love song" sung by a Parisian street chanteuse that will have many folks wretching and screaming for her to stop. All in all, a pretty, easy, soufflé of a film with just enough color and wit to hold interest up to a point. A mid-air trauma or an appearance by Joan Crawford.....something to punch it over the edge, may have been welcome, though. Nary a moment of it is believable, the same as it was for similar films like "Three Coins in a Fountain", "The Best of Everything" and "The Pleasure Seekers".
I adore this 1963, bijou film so much. The opening song 'Come Fly With Me', sung by Frankie Avalon, takes us on the start of the energetic, whirlwind, globe-trotting highs-and-lows of three all-American gals looking for love.
Yes, the film is now dated, and one could say a little 'sugary', but it has some good comic moments and is actually quite a lot of fun. The film score isn't too bad either, and Lois Nettleton shines in her role as 'Bergie', with fun performances from Karl Malden, Carl Boehm and Dolores Hart, as snobby Donna Stewart.
I hope it comes out on DVD someday...if you see it on TV have a look - you just might enjoy it!
Yes, the film is now dated, and one could say a little 'sugary', but it has some good comic moments and is actually quite a lot of fun. The film score isn't too bad either, and Lois Nettleton shines in her role as 'Bergie', with fun performances from Karl Malden, Carl Boehm and Dolores Hart, as snobby Donna Stewart.
I hope it comes out on DVD someday...if you see it on TV have a look - you just might enjoy it!
Some would like to place significance in the content of Hart's final screen shot, her last before she became a nun in the "real" world the next year. Unfortunately, as we all know, films are not shot chronologically, so her tearful "farewell" signifies no deeper meaning. That concept is a bit too "Entertainment Tonight" for my taste.
Anyway, the film is a nicely produced cliché of its genre(s) - the-young-women-in-Europe-for-love, crossed with the stewardesses-as-Mid-60s-sex-symbols. The acting ranges from good (Hart and Nettleton), to miscast (Malden), to just plain grating (Tiffin).
The plot is silly, although it is mainly Tiffin's scenes that nearly derail the movie.
The one pleasure derived from viewing this period piece, is to appreciate the experience of flying commercial jets in the Golden Age. What was once truly a joy, is now akin to riding a Greyhound Bus in the sky. And when was the last time a "flight attendant" actually smiled at you?
The movie is worth a viewing. However, once is enough for me.
Anyway, the film is a nicely produced cliché of its genre(s) - the-young-women-in-Europe-for-love, crossed with the stewardesses-as-Mid-60s-sex-symbols. The acting ranges from good (Hart and Nettleton), to miscast (Malden), to just plain grating (Tiffin).
The plot is silly, although it is mainly Tiffin's scenes that nearly derail the movie.
The one pleasure derived from viewing this period piece, is to appreciate the experience of flying commercial jets in the Golden Age. What was once truly a joy, is now akin to riding a Greyhound Bus in the sky. And when was the last time a "flight attendant" actually smiled at you?
The movie is worth a viewing. However, once is enough for me.
Did you know
- TriviaDolores Hart's last movie before she retired from acting. Although considered one of Hollywood's most gifted young actresses, she was unhappy with life in Tinseltown and would soon give up the screen to become a Roman Catholic nun. Although fan magazines predicted she would return to show business, she stayed true to her calling and currently serves as Reverend Mother Dolores Hart, prioress of a Connecticut abbey--as well as a voting member of the Academy of Motion Picture Arts and Sciences®.
- GoofsNear the beginning of the film, Carol starts to pull the aircraft's door open before she even starts to move the latch handle from the closed position.
- Quotes
First Officer Ray Winsley: Tell me something: what does a girl like you want with a guy like me? No moral code, no set of values...
Carol Brewster: You can change! I knew a fella' who used to hold up gas stations. Now he's a *very* successful used car dealer.
- ConnectionsReferenced in Full House: Come Fly with Me (1992)
- How long is Come Fly with Me?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Ven a volar conmigo
- Filming locations
- John F. Kennedy International Airport, Jamaica, Queens, New York City, New York, USA(New York International Airport at the time.)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 49m(109 min)
- Aspect ratio
- 2.35 : 1
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