Depressed Alain Leroy leaves the clinic where he was detoxified. He meets friends, acquaintances and women, trying to find a reason to continue living. Will this help him?Depressed Alain Leroy leaves the clinic where he was detoxified. He meets friends, acquaintances and women, trying to find a reason to continue living. Will this help him?Depressed Alain Leroy leaves the clinic where he was detoxified. He meets friends, acquaintances and women, trying to find a reason to continue living. Will this help him?
- Director
- Writers
- Stars
- Awards
- 2 wins & 2 nominations total
René Dupuy
- Charlie
- (as René Dupuis)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
My favorite film
Wonderful study of the last day in the life of a man. This movie has one specific scene where Alan Leroy (Maurice Ronet), sitting at a cafe in Paris, takes his first alcoholic drink after months of rehabilitation. This scene is complimented by stunning photography of Chislain Cloquet and the haunting music of Eric Satie. Malle captures the true meaning of existentialist philosophy and manages to create a movie that does not wallow in self-pity but instead celebrates our ability to choose whether to live or die.
Existentialist!
Beautifully detailed black and white study of a man looking for a reason to go on living and not really finding it. Updates the excellent 1920s novel on which it is based to the 1960s without sacrificing anything of the former's timeless relevance. To give a (very) rough point of reference, it is something of a subdued Left Bank version of "La Dolce Vita", although Malle's film has none of the frantic burlesque episodes of LDV. Rather, the feel of the film is consistently weary and melancholic. Poetic and moving, it's an existentialist classic.
The new wave rides high.
One of the triumphs of the otherwise often overrated nouvelle vague,Louis Malle's adaptation of a Drieu de la Rochelle has not aged bit.Thanks to Maurice Ronet ,who portrays a suicidal man,probably the most beautiful performance of this kind.The movie is nothing but a long wandering in a mental hospital,in the Parisian bistros,in the posh world where an Antonioniesque bourgeoisie is killing time (see Alexandra Stewart's character).If I mention Antonioni,it''s not by chance ;actually Malle succeeds here where Antonioni only partially does.The difference ,I think,lies in the fact that we have here a human being,made of flesh and blood,who exists,and I would like to point out once again what a great actor the late Maurice Ronet was.Eric Satie's music perfectly captures the doomed atmosphere.This is arguably Louis Malle 's finest,one of the rare movies which achieve the delicate balance between the strong screenplay and the "liberties" dear to the new wave creators. Yes the new wave did produce great movies:"la tête contre les murs " (Franju)"Cléo de 5 à 7" (Varda)"Lola" (Demy)and this one are jewels on its crown.
LOTS of gray.
"The Fire Within" (French, 1963): Directed by Louis Malle, scored by Eric Satie. This is a perfect visual reason to use black and white with tons of gray. It is two days in the life of a young, popular man who has returned to his acquaintances, friends and ex-lovers, after vanishing into a program for alcoholics
a program he found comforting, and did NOT want to leave. He searches through his relationships for a reason to continue his life, whether as-is or anew
but overriding any thoughts of the future is his current state of total depression. His friends continued their lives during his absence, they continue their fast-paced, challenging repartee during his visits, and they will clearly continue after his leaving. "The Fire Within" is a quiet, observational film, interrupted only for conversations that seem to have substance, yet offer no solutions. It has one goal, and meets it very well.
Brilliant study of human misery, hopelessness and alienation.
Le Feu Follet or "Will o'the wisp" as it can be translated into English is one of the most important philosophical films made by the great master of French cinema Louis Malle.It is based on a book written by Pierre Drieu la Rochelle who was influenced by Dadaism. Although this film talks of a difficult albeit dark theme of suicide the film's overall mood is not at all gloomy. This is because there are plenty of scenes infused with day to day humor.The film is about a protagonist who has lost all interest in life.Maurice Ronet,a major French film star of the sixties plays the lead role.He is a sort of celebrity among his circle of socialites and he is fed up of their useless company.The film portrays the last days of a person suffering from a drug habit.In some ways this film is an attack on middle class or French bourgeoisie.Although the protagonist is a part of it,he nevertheless makes vain attempts to untangle himself from it.If a separate genre of suicide films is formed, this film will easily find a proud place in that category.
Did you know
- TriviaFor the first two days, filming was done in color. However, director Louis Malle realized that this was a distraction from the story, so he decided to film in black-and-white. An assistant also later declared that the shooting atmosphere on the set was rather gloomy.
- GoofsAs Alain walks on the streets of Paris, the crew (pushing the dolly) is visible on the shop windows he passes by.
- Quotes
Alain Leroy: I'm killing myself because you didn't love me, because I didn't love you. Because our ties were loose, I'm killing myself to tighten them. I leave you with an indelible stain.
- SoundtracksTrois Gymnopédies
Written by Erik Satie
- How long is The Fire Within?Powered by Alexa
Details
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- Also known as
- A Time to Live and a Time to Die
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- See more company credits at IMDbPro
- Runtime
- 1h 48m(108 min)
- Color
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- Aspect ratio
- 1.66 : 1
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