House of the Damned

House of the Damned (1963) is a movie I watched off my DVR after recording it on FXM. The storyline follows an architect and his wife who has been asked to survey a house that was built for an eccentric lady. As they try to complete what should be a simple task they are approached by strange things within the house. Will the young couple be able to escape the house or will they be bound there forever?

This movie is directed by Maury Dexter (Hell's Belles) and stars Ron Foster (The Money Pit), Merry Anders (Tickle Me), Richard Crane (Behind Green Lights), Erika Peters (GI Blues) and Richard Kiel (Happy Gilmore).

This is an early 60s movie in black and white that honestly feels more 50s than 60s. The acting is very good and the dialogue is well written. The horror elements rely on circumstances and background music. They did do a good job creating a few good jump scares and there's some classic scream scenes (Psycho like).

Overall this is a fun, above average addition to the genre if you enjoy horror films from this era. I would score this a 6/10 and recommended seeing it once.

"House of the Damned" is a quickly made Fox second feature, (inexplicably shot in CinemaScope) which offers the viewer pleasing performances from Ronald Foster, the always fine Merry Anders, and Richard Crane, who apparently is playing fast and loose with his new French bride (Erika Peters) whose acting is - how shall I say? - lousy. These four are exploring an old house with a grim history (what else is new?) which the owners want remodeled. Occasional scares, (supposedly) unexpected events, and undeveloped story reduce this one to a series of build ups to nothing in particular. The photography, however, is above average for this sort of thing. Unfortunately, it's mostly wasted here. Try "House of Dark Shadows", "House of 1000 Dolls", "House of Whipcord" or "House Of Women" instead. Incidentally, the original movie posters announce the film thusly: ''13 Keys Open The Doors To The House Haunted By The Living Dead!' If ever there was a case of fraudulent advertising, this was it. Any appearances by The Living Dead are strictly in the minds of the 20th Century-Fox publicity department.

In the sixties, Robert Lippert's Associated Producers scored a contract making black and white 'Scope B movies to run with Fox's big pictures and turned loose house director Maury Dexter on them. The results were uneven but one group - the contemporary thrillers - the Los Angeles films - were more striking than most of the big films that elbowed them out of the advertising space.

Along with WOMAN HUNT, AIR PATROL and the later RAIDERS FROM BENEATH THE SEA, HOUSE OF THE DAMNED spins a thin budget into something surprisingly memorable. It succeeds where the Tod Browning film FREAKS failed in making it's circus performers real rather than monsters. The film's curious gentleness is one of its surprises.

The building of tension is nicely crafted - the unanswered phone, moving shots of the deserted private road, disturbing detail like the broken sculpture, the thirteen keys and the re-appearing sign.

Throw in the winning Merry Anders, anticipating the self reliant seventies woman and the atmospheric Hollywood Hills mansion setting which was once actually a haunt of bootleggers. People I see this with are always surprised that such a film exists.

In HOUSE OF THE DAMNED, architect Scott Campbell (Ron Foster) and his wife, Nancy (Merry Anders), move into a big, fortress-like mansion in order to survey it. It's not long before odd occurrences begin taking place.

That's about it.

The problem with this movie is that it seems like someone decided to make it, simply because they had a big house to make it in, the story being just an afterthought. It's mildly interesting at first, but there's not enough going on, and a whole lot of static scenes with nothing much happening. This all leads up to about 5 minutes of wrap-up at the end that pretty much negates any "horror" involved.

Actually, the one, true point of interest is the all-too-brief- appearance of Richard Kiel (about 2 minutes of screen time)...

Estranged couple Richard Crane and Erika Peters have just taken possession of a creepy old mansion which has a few interesting legends attached to it and a murder allegedly committed there by the wife of a past owner who is in a loony bin.

They've invited architect Ron Foster and Merry Anders who is Foster's wife for the weekend to look over the place to decide on needed changes and repairs.

But someone or a few is scaring the two couples pretty good and such is the basis of our plot.

I won't say any more, but think of the great Tod Browning classic Freaks and you'll know a great of what is happening.

Because of that connection this film had the germ of a good idea for a movie. Sadly a mediocre production and a substandard script fixed that.