The Haunted Palace

Charles Dexter Ward (Vincent Price) arrives at a small village to visit the house he inherited from his ancestor (also Price) who died there 110 years ago.

The full title of this film is "Edgar Allan Poe's The Haunted Palace", which is not only incorrect and misleading to the audience, but an insult to H. P. Lovecraft, who had virtually no films made of his stories up to this point. Sure, in the 1980s and after Stuart Gordon championed Lovecraft... but hardly a peep before that!

Where else are you going to hear the words Cthulhu, Arkham, Necronomicon and more in one film? Talk about the Elder Gods? You are not, at least not in the 1960s. This film was groundbreaking, and Corman deserves a lot of credit for bringing the Charles Dexter Ward story to a bigger audience.

Vincent Price looks great in this film, perhaps better than ever. Certainly, this is among his most menacing roles, not only killing but threatening sexual assault. This was Debra Paget's final role, and she did excellently as the story's heroine. As Ivan Butler says, Corman has a "skill in finding beauty in the conventional misty landscapes, huge baroque rooms, unending stone-flagged passages" and more. AIP and Corman never failed to give us some beautiful sets and costumes.

Howard Maxford says the film "never quite shifts into first gear." I see his point, as the suspense is not strong and the movie seems to idle for quite a bit (to continue his analogy), but I think this can be overlooked by the great things this film has to offer. For example, the child called "it" is pretty great. So much potential here.

While this is not my favorite Corman-Price collaboration (that award goes to "The Raven"), this is still well worth checking out. Price never disappoints, and this has all the trappings of a decent film, both for its time and today. I am sad such films do not get made anymore, and that this one seems to be among the least known and appreciated among Corman's "Poe" series.

The story was not flawless but the film is beautiful. The sets, the disfigurement looks, the costumes. The only thing that was not so beautiful was the green skin looks could have used some work, however I would also counter that the improfection there helped add to the discomfort you were supposed to feel with those characters. It is a slow burn that is a great example of classic Gothic horror.

Roger Corman rarely gets the credit he deserves. While best known for the dozens of schlocky exploitation movies he was involved in as a producer, he also directed several underrated films, including his excellent Edgar Allen Poe series in the 1960s. 'The Haunted Palace' is really only a part of that series in name only. It takes its title from a Poe poem, but it's plot is (very loosely) adapted from H.P. Lovecraft's 'The Strange Case Of Charles Dexter Ward' by Charles Beaumont. Beaumont, a talented writer of short stories also scripted Corman's best Poe movie 'The Masque Of The Red Death'. As I said this is only loosely based on Lovecraft's original source material (a slightly more faithful version can be seen in Dan O'Bannon's 'The Resurrected', also recommended), but I'm sure most Lovecraft buffs will get a kick out of watching this, which is as far as I know the very first movie inspired by his fiction. Vincent Price stars in a duel role of Ward and his ancestor Joseph Curwen, and gives an enjoyable performance. Price really seemed to like working with Corman and gave the director some of his best work. I watched an old VHS print of this, but, like the Poe movies, it still looked like another great effort for a very limited budget. The supporting cast is worth noting - the beautiful Debra Paget, and legendary character actors Lon Chaney ('Spider Baby'), Elisha Cook, Jr ('The Killing') and Leo Gordon ('Kitten With A Whip'). 'The Haunted Palace' is another excellent Corman movie that still has a lot of entertainment value. Highly recommended to all Vincent Price and H.P. Lovecraft fans.

The darkest of Roger Corman's Poe chillers, though this yarn owes more to HP Lovecraft than Edgar Allan's poetry. Vincent Price gives his all time greatest performance in a dual role as possessed and possessor, aided by a wonderfully literate script by Charles Beaumont. It gives Price no leeway to indulge his tendency to sometimes ham it up.

Here, he keeps tight dramatic restraint on himself, making his gradual transformation from kindly innocent to the reincarnation of his warlock ancestor a virtuoso portrayal of inner turmoil overwhelmed by fiendish evil. Corman even provides a last good role for Lon Chaney Jr (as he'd done previously for Boris Karloff, Peter Lorre and Basil Rathbone) as a ghoulish henchman.

Undeniably, 'The Haunted Palace' does have a rather ponderous pace and music score that makes the film seem stretched as Price wanders down just one more hidden corridor. Floyd Crosby's widescreen cinematography is also unrelenting, capturing the drab, muted blue and brown pastels of a Puritan village plagued by witchcraft. And the barely glimpsed green demon lurking inside the vault was perhaps a mistake.

But Corman's skill on a 15-day schedule and a cheap budget is evident throughout. He introduces Chaney in a splendidly done sudden shock appearance that will still make unwary audiences jump (asked why he is preparing a room in the dark, he tells Price, "One becomes accustomed to the darkness... here").

True Corman fans will rank this chilling piece of American Gothic among his best. Not least where an exasperated Chaney asks the possessed Price when he will be satisfied avenging himself on the descendants of those who burned him at the stake. "Not until this village is a graveyard," Price promises Chaney sibilantly. "Not until they too have felt the kiss of fire on their soft flesh... all of them."

Roger Corman directed this film in the midst of his Poe cycle. It has most of the typical features of those films. Lots of eerie atmosphere, swirling fogs, and wonderfully painted back-drops, a fine acting troupe headed by the incomparable Vincent Price, and ably assisted by a sober-looking Lon Chaney Jr. and a beautiful Debra Paget, a fairly tight script, a marvellous score by Ronald Stein, and always the look of a lot of money spent despite the knowledge that you know it was cheaply made. The film is titled based on a small Poe poem found within "The Fall of the House of Usher" and this film has little to do with it. It really is much more of an H. P. Lovecraft film as its main protagonist is called Charles Dexter Ward(Price), but also bears little relation to that great story. It does, however, incorporate many Lovecraftian touches. The names of characters and the town(Arkham) come from the works of Lovecraft, as does the plot thread dealing with an elder god of sorts in a well for the purpose of breeding and the fabled book of supernatural knowledge, the Necromonicon. Despite the complexity and borrowing nature of the script, the story makes sense and is entertaining. Vincent Price plays a man with two personalities, and he does so brilliantly. As always, he is a joy to watch. The rest of the cast is very good. One scene in particular stands out as Price and Paget walk alone in the streets of Arkham only to be slowly surrounded by human mutants. The scene is quite eerie with all its swirling fog, and creeping pace.