Maciste contro i mostri

Fire Monsters Against the Son of Hercules (1962)

** (out of 4)

Maciste (Reg Lewis), the son of Hercules, is wondering around when he runs into two members of a tribe that worships the Sun. They are being attacked by large fire breathing monster so Maciste kills it. Flash forward and the Moon worshipers are starting to kidnap the women from the Sun tribe so they go to Maciste for help.

FIRE MONSTERS AGAINST THE SON OF HERCULES, the American title of this Italian movie, isn't a film that is meant to be taken serious. Outside of the Mario Bava film HERCULES IN A HAUNTED WORLD, this is the first in the series that I've seen and from the start I couldn't help but think of the Toho Godzilla series with the poor dubbing and rather silly special effects. Of course, I'm sure many people would say the only way to fully enjoy this or even judge it is by watching the original Italian cut but I don't have that available.

As far as this American edit goes, I thought it was actually entertaining as long as you don't expect too much from it. The performances are pretty much what they are and it's certainly hard to judge them with the atrocious accents and dubbing. Poor Maciste appears to be dubbed by someone simply holding their breathe. The film does contain quite a bit of action, which helps keep it move at a nice pace and it's certainly never boring.

As for the title monster, it's a real doozy and appears to have been made from supplied bought at a dollar store. Yes, it looks incredibly cheap and silly but it somewhat adds to the charm.

I actually quite enjoyed this, even though the production is pretty woeful. Tapping into the mythology, we meet the shockingly wooden but muscular Reg Lewis as "Maxus". He is strolling the land looking for some good to do when he encounters a tribe of sun worshippers who have been brutally attacked by the cave-dwelling moon worshippers. This event was especially annoying for "Aydar" (Lucia Marin) who was just about to tie the knot with the feisty "Moah" (Margaret Lee) who has now gone and got herself taken captive by the evil "Fuan" (Andrea Aureli). Luckily, this young man manages to convince "Maxus" to help them, and so our adventure begins. Nope, the conclusion is never in doubt but along the way we have a sort of Ali Baba-esque cave, loads of maidenly sacrifices, some angry gods, great stone-axe combat and best of all - a dragon! The dubbing seems to be largely over English dialogue, which takes some getting used to and the camerawork is certainly nobody's finest work as it frequently suggests that few of these actors were in the same room at the same time. Much of the limited jeopardy relies on the noisy audio and lively score, but that works if you just take this for what it is. A cheap and cheerful adventure that is decently paced and quite good fun.

Repackaged for American audiences as part of the SONS OF HERCULES series, COLOSSUS OF THE STONE AGE opens with the most fantastically phenomenal theme song of all created time and space! Amen!

A tribe of nomadic, prehistoric types, dressed in fuzzy bathroom throw rugs, builds a village. They should have checked out the neighborhood first, as there's a monster in a nearby lake!

Thankfully, the shirtless mound of muscle known as Maxus (Reg Lewis) arrives in time to slay the creature, and to speak in a voice that's loud enough to set off car alarms, if they had such things in olden times, that is.

It's not long before beautiful village women are dancing around in headdresses, apparently designed by Dr. Seuss. A rival tribe attacks, and several lives and throw rugs are lost.

Good Lord!

The marauding miscreants have absconded with the women! Have no fear! Maxus returns to lead the men on a rescue mission, and to battle those who've wronged them so wrongly. Fighting and more female dancing ensue.

Also, watch for Maxus' struggle against a dragon that resembles a float in the Rose Bowl parade! Annnd, a band of horn-helmeted cannibals!

Fine entertainment for fans of our muscular heroes...

"A hydra is threatening the countryside and the people are terrified for their lives. The people's only hope of survival rests with Maxus, a powerful man who has the strength of many men. Before Maxus can battle the multi-headed monster, he must face other challenges in order to prove himself worthy and to prepare for the fateful battle," according to the DVD sleeve's synopsis.

Actually, the story mainly involves a struggle between two pre-historic tribes: the "Good" or "Sun" worshipers, and the "Bad" or "Moon" worshipers. The "Sun" tribe of Nomads has decided to settle and live in peace; but, they pick land claimed by nearby "Moon" worshiping Cavemen. Bodybuilder Reg Lewis (as Maciste, or Maxus in English) does not belong to any tribe; however, he bonds with "Sun" leader Luciano Marin (as Idar), after saving him (and his woman) from a sea monster. The plot thickens when Mr. Lewis and "Moon" tribe woman Margaret Lee (as Moah) fall in love.

In English, misleadingly reproduced as "Fire Monsters Against the Son of Hercules". The English dubbing is dreadful; in a couple of scenes, two completely different voices dub Lewis. The bleached-blond muscleman throws cavemen around, and poses. Mr. Marin essays his part better than others; but, considering the shoddiness of the production, it's a wasted effort. The best part of the movie is the added-on TV theme song, "The (Mighty) Sons of Hercules".

*** Maciste contro i mostri (4/25/62) Guido Malatesta ~ Reg Lewis, Margaret Lee, Luciano Marin

This particular peplum is a prehistoric item as Maciste goes back to the caveman era and helps out one tribe which has been dislocated by the Ice Age to settle on some new lands. It seems as though the other tribe that was there before isn't happy about these late arrivals hunting in their forests and want them removed.

Bodybuilder Reg Lewis of Mae West's review plays the legendary Maciste here. He's got to deal with all kinds of prehistoric beasts including a multi-headed hydra. One thing I swear I can't understand is how Maciste avoids pneumonia when he insists on going in his usual loincloth while everyone else is bundled up in animal skins. But his body is what the movie-going public is paying to see.

Nothing here you haven't seen in One Million BC and a few hundred other successors.