Matango

Toho are mostly known for their dark bleak period pieces and their goofy monster flicks, but every once in a while they delved into something else and Matango is a great example of this.

Well ahead of its time it tells the story of ship wreck survivors trying to make it until help comes, but they don't appear to be alone on the island and tensions are beginning to build.

So okay I admit the concept is daft, the antagonists are a bit silly but lets be honest they aren't a million miles from those in The Last of Us (2013). Despite this they actually do the job quite well and look considerably better than you'd imagine considering this was the early 60's.

The film is a real slow burner and very little of it features the antagonists at all, the majority is the turmoil between survivors but it does this to a passable degree.

Though not everything it could have been there is a lot to be impressed over in Matango and it's a neat little forgotten Toho movie that deserves attention.

The Good:

Looks excellent for its time

Some good ideas

The Bad:

Cast and characters are pretty forgettable

Very slow burn

Things I Learnt From This Movie:

An opportune time to tell a woman you love her for the first time is straight after hitting her

Could easily have had a sequel about killer cheese people

If you look around on the Internet you can see that almost all the entries for this movie, are above average and there are probably a million different reasons for that. I think they all have in common that somehow this movie really gets people on a sub-conscious level and represents something.

I remember seeing this movie at various times growing up on the late night horror shows, in Houston, Texas, called "Weird" and "Late Wierd", and then in California on "Creature Features".

There is something about watching this movie about a groups of somewhat related friends who are out on a cruise in their rich friends sailboat, well, actually the exact details escape me, and I am not sure that the English tranlation accurately tells what was supposed to be going on in the original story.

The boat is caught in a storm, and they drift through heavy fog to a deserted island where everything is misty, moist, and fungus ridden. To survive they look for food, and find that people have been to the island before, in fact a large group of people on a freighter ship that has wasted away.

There are some clues on the ship as to what happened, and some strange goings on that stress these "friends" to the breaking point, and their cohesion starts to unravel.

There is just something special about this eerie and fun movie that if I ever see it in DVD format I will pick it up.

Purely because not all their contemporary monster movies could feature big mutated lizards (Godzilla), flying turtles (Gamera) or humongous moths (Mothra), the Japanese also made a monster movie with giant … mushrooms! Well, I say "the Japanese" but basically it's once again just the one and only legendary director Ishirô Honda who was responsible for yet another imaginative and extremely entertaining cult classic. Honda was an amazingly talented director and he single-handedly directed Japan's finest genre milestones. So… mushrooms! Yes I know this sounds incredibly idiotic and the international title "Attack of the Mushroom People" also strengthens the suspicion that we're dealing with a silly and light-headed B-movie, but this honestly is a very competent and admirably atmospheric tale of terror! Seven prominent citizens, including a university professor, a writer and a famous pop singer, turn their back on the stress of Tokyo for a holiday on a luxurious sailing yacht. There's a lot of flirting, laughing and "La La La La" singing on board, but then a massive thunderstorm turns their yacht into a heavily damaged piece of driftwood and the group washes ashore a mysterious fog-enshrouded island. With a food supply of barely one week, the group rapidly falls apart due to intrigues and selfishness, and what's the deal with those ominous mushrooms that grow all around the island? They also stumble upon a large and stranded research vessel that is overgrown with fungus and the same damn mushrooms! The survivors instinctively know they shouldn't eat them, but what else are they supposed to do when there's no more food? I consider myself very lucky and privileged because I was able to see the original Japanese-language version of "Matango" on a big cinema screen, during a little festival in my country with a focus on botanical- themed horror movies. Granted, the picture quality was quite creaky and the film was interrupted every 10 minutes due to technical reasons, but the charm and nostalgia value of an early '60s film on the big screen is irreplaceable! The concept of the film is one of the most original in horror cinema history, and director Honda maintains an unsettling atmosphere throughout. He achieves this thanks to subtle camera work, eerie sound effects & music, embittered character drawings and frightening monster designs and set pieces. Yes, the mushroom-monsters definitely DO look creepy and the large vessel is truly nightmarish!

I have noticed that many of the commentators in this forum have stated that this film gave them nightmares. No wonder. This film based on William Hope Hodgson's novel "The Voice in the Night", has a plot that is so bizarre that it could only have been inspired by someone's nightmares. The premise of intelligent fungus luring people to eat them and then the people slowly turn to "mushroom people" is so nightmarishly creepy that I can't imagine that Hodgson (or anyone else) could of dreamed this idea up when he was wide awake.

MATANGO (aka ATTACK OF THE MUSHROOM PEOPLE) is a surprisingly low key atmospheric Japanese horror fantasy. The film is a bit slowly paced at times and too much time is spent on the castaways bickering amongst themselves. There are some elements that I suspect were better developed in the novel. One scene has the two female castaways hearing the voices of dead relatives trying to lure them into the rainforest. This never occurs again and leads nowhere. I'm sure the stuff about nuclear experiments was not in Hodgson's novel. However, the art direction is excellent, the music creepy and the final sequence memorable. Overall, the boys at Toho did a good job.

I don't care what the Medvids think of this film, or the pseudo hip MST3K crowd thinks either, your old pal jim says, see this one.

First of all, it takes guts on the part of the filmmakers to make a commercial movie about people turning into giant mushrooms. It's all a big modern morality fable. Once the characters get to the island, we the audience are sucked into a horrific world of constant rain where the only food that grows is fungus. The characters try to resist but most eventually give in to the temptation. This film is very creepy and maintains an atmosphere of dread. Even the final evolution of the mushroom people is convincing enough to keep you wrapped up in it. It starts off slow but give it a chance. It's a beautifully made and memorable little masterpiece of horror that rightfully seems to have been born of nightmares. It's too bad that even in our supposedly enlightened, politically tolerant world that there is no American distributor for the uncut Japanese version of this film. This film is hard to locate but well worth the effort. I even saw the American International Pictures version that is badly dubbed and it is still a powerful and original film. See it at all costs if you are a fan of Japanese horror films.