A Stitch in Time

A Stitch in Time is directed by Robert Asher and collectively written by Jack Davies, Norman Wisdom, Henry Blyth and Eddie Leslie. It stars Norman Wisdom, Edward Chapman, Jeanette Sterke and Jerry Desmonde. Music is by Philip Green and cinematography by Jack Asher.

Although not prime Wisdom, A Stitch in Time holds the secrets as to what made the diminutive star so popular. Obviously his style of slapstick and malarkey for laughs isn't for everyone, but Wisdom's career blossomed because the feel good factor in his movies was always so high. While there was nearly always a sweet thread in his movies, where the harsh critics would cite schmaltz or sappiness, others rightly point to the honest escapism factor, a chance to forget the world and its troubles for a brief moment in time.

A Stitch in Time sees Wisdom as Norman Pitkin, the young assistant to Mr. Grimsdale (Chapman) at the town butchers. When Grimsdale is hospitalised, Pitkin is determined to help wherever possible, which unfortunately means chaos will follow. This set-up allows Wisdom to indulge in a number of high spirited sequences involving motorised beds, teeth extractions, stretcher bearing, ambulance surfing, marching band chaos and even dressing up in drag. The "tender" sub-plot involves an orphan girl who after losing her parents in a plane crash, refuses to talk or smile, but Norman is on that case with the message being the innocence of unprejudiced kindness. That's that, really, all wrapped up in just under an hour and half of film.

Harmless and innocent fun for those who want to escape their blues. 7.5/10

Very funny and surprisingly well made film. Norman Wisdom does not put a foot wrong, well he does but he's supposed to! What is particularly gratifying here is that whilst Wisdom is his brilliant self, everybody else puts in excellent and thoughtful performances. There is none of the 'prima donna' stuff we tend to get in the 'Carry On' films of the period and everybody is mainly interested in making themselves look good. Peter Jones, for instance puts in a magnificent performance as a St Johns Ambulance Brigade leader in a little scene that becomes central to the whole film. From the very beginning in the butcher's shop the slapstick is immaculate and typified by the hospital trolley race, Wisdom's tone is some magical mix of the male desire to prove himself and wanting to be a little boy again.

Even if the story is pretty standard and some parts get a little sentimental, A Stitch in Time is still a charming and funny slapstick comedy. A Stitch in Time is very well made, with nice cinematography and the film overall looks beautiful. The music by Phillip Green is beautiful as well, while there are some nice and funny touches in the screenplay. Not only that the set pieces are efficiently done and just add to the fun, with the slapstick very well timed. The pacing is just fine, the direction is good and the length I had no problem with either. And the acting is little to gripe about; Norman Wisdom is very winning in the title role, very innocent and likable, while Edward Chapman and Jerry Desmonde almost come close to stealing the film and Jeanette Sterke is really beautiful. Overall, classic slapstick comedy, that is very nice to watch while being funny as well. 8/10 Bethany Cox

Norman Pitkin works for Mr Grimsdale in a butcher shop. When a robbery goes wrong Mr Grimsdale is put into hospital to recover. While in the hospital he and Norman decide that they have been `called' to serve as doctors. While visiting Norman makes friends with a lonely young girl in the children's wing, even giving her Mr Grimsdale's gold watch to cheer her up. However a series of misunderstandings leads Sir Hector to ban Norman from the hospital. However he tries many tricks to get in to visit the girl.

Norman Wisdom films rarely surprise - you pretty much know what you're going to get and this is no different. Here his wide eyed innocent gets into a raft of comical misunderstandings around the hospital. His innocent act still works well and many of the set pieces are funny and well handled. The actual scenes with the little girl are too cute and sweet to be totally enjoyable but they do set up the usual `message' at the end - this one (as with so many others) allows Norman's working class fool to challenge the selfishness of the upper classes.

Wisdom is good, he still manages to carry off the likeable innocent. Wisdom regulars Jerry Desmonde and Edward Chapman are both good and as usual the rest of the cast is filled out by reasonable attractive girls eager to fall for Norman's charms.

Overall fans of Wisdom will not be disappointed and people who enjoy physical comedy with no nasty or cynical edges will find much gentle charm to enjoy here.

I have a fairly pathological hatred of dentists, and I can't help but wonder whether screenings of this film on BBC2 in the early 1970s might have been the cause! Indeed, for a few scenes here Norman Wisdom manages to create a sense of peril that easily outdoes anything the horror genre can illicit! Add to that the fact that he works in a butcher's shop and, well, anyway... "Pitkin" is employed by the long-suffering "Mr. Grimsdale" (Edward Chapman) and it's an accident in that shop that sees them both in the hospital of the fastidious "Sir Hector" (Jerry Desmonde) and the altogether nicer nurse "Haskell" (Jeanette Sterke). Needless to say, everything he touches turns to chaos and he finds himself repeatedly chased from the premises, even barred, but he wants to return to help out the traumatised "Lindy" (Lucy Appleby) whose parents were killed in a plane crash and who hasn't uttered a word since! Of course the story is all predictable but as ever, Norman Wisdom made the slapstick comedy at which he excelled look effortless and natural. He easily puts the lutz into clutz as he skates around on the floor of the hospital ward, he clings for grim death to the roof of a speeding ambulance and he even has a go in a marching band playing in a key hitherto undiscovered - and all along he has the redoubtable Chapman to provide just enough of a foil to keep the pace racing along entertainingly for ninety minutes. It's also quite a charming little showcase of life in London in the early sixties with the fashions, the cars and some glass half full attitudes and I did quite enjoy it.