A Stitch in Time

This one is above average, not Norman's best, but still good.

The scenes at the butchers are good, my wife could not stop laughing, , it was worth seeing it just for that.

This one has Jerry Desmonde and Herbert Chapman both supporting Norman and Jeanette Sterke is the pretty girl, Jeanette is one of the few from Norman's films who is still with us, now aged 87, she retired in 1986.

Lookout for Patsy Rowlands, Frank Williams (he did a few of Norman's films), Cyril Chamberlain and Pat Coombs.

The ending was a bit dramatic, but not too cheesy, it turned from a comedy to a social drama.

The only sickness one could associate with A Stitch in Time would be laughter pains. I've not watched this film for a long time, but it is even funnier then I remember. When a robbery goes wrong in the Butcher's shop Mr Grimsdale lands up in Hospital, while Norman ends up causing mayhem throughout the hospital.

This glorious slapstick comedy had me in tears and fits of laughter, the sheer quality in writing, production, and of course performance transcends time, a film the whole family can enjoy, regardless of age. The wonderfully moving scene where Norman visits the sick girl, to the scream out loud funny scene where Norman dresses up as a Nurse, his performance is sensationally funny, that walk!

A joy from start to finish. 9/10

"A Stitch in Time" is one of the later movies by British comedy actor Norman Wisdom. I think it is one of his better films. In this one, he had some touching scenes on a serious side, but these relate to the humor he brings in a hospital setting.

Norman Wisdom was a star of British cinema in the mid-20th century. He had a little bit of Jerry Lewis, some Red Skelton and come Lou Costello. But his character had much more and was his own. Three things distinguish Wisdom – his perpetual smile and happy attitude, his exceedingly high energy level, and his physical abilities.

In this film, Wisdom plays his familiar character, Norman Pitkin. Many other comedians used hospital settings in movie plots, and one can expect the same types of hilarious situations in this one. A hospital gurney race is one of the funniest I've ever seen. This film has some slapstick comedy to rival the best of early American comedy teams. And the musical ending is special.

This film really does highlight Norman Wisdom at his best and features all the elements that made him such a fantastic screen clown.

Ably supported by Jerry Desmonde and Edward Chapman the film manages to feature all of the humour and the sentiment that make Wisdom's films so special. This one is particular shows him at his best because the sentiment is kept in check and there's none of the silly business of Norman playing multiple roles that perhaps bogged down his later outings.

Although it feels like a combination of sketches at times (Norman as a ST John's ambulance member, Norman as a nurse) they are brilliant ones, and there is enough of a plot to hold them all together. The scenes with Lindy are especially well written and it is perhaps this element that makes 'A Stitch in Time' my favourite of Norman's films.

I have a fairly pathological hatred of dentists, and I can't help but wonder whether screenings of this film on BBC2 in the early 1970s might have been the cause! Indeed, for a few scenes here Norman Wisdom manages to create a sense of peril that easily outdoes anything the horror genre can illicit! Add to that the fact that he works in a butcher's shop and, well, anyway... "Pitkin" is employed by the long-suffering "Mr. Grimsdale" (Edward Chapman) and it's an accident in that shop that sees them both in the hospital of the fastidious "Sir Hector" (Jerry Desmonde) and the altogether nicer nurse "Haskell" (Jeanette Sterke). Needless to say, everything he touches turns to chaos and he finds himself repeatedly chased from the premises, even barred, but he wants to return to help out the traumatised "Lindy" (Lucy Appleby) whose parents were killed in a plane crash and who hasn't uttered a word since! Of course the story is all predictable but as ever, Norman Wisdom made the slapstick comedy at which he excelled look effortless and natural. He easily puts the lutz into clutz as he skates around on the floor of the hospital ward, he clings for grim death to the roof of a speeding ambulance and he even has a go in a marching band playing in a key hitherto undiscovered - and all along he has the redoubtable Chapman to provide just enough of a foil to keep the pace racing along entertainingly for ninety minutes. It's also quite a charming little showcase of life in London in the early sixties with the fashions, the cars and some glass half full attitudes and I did quite enjoy it.