Twilight of Honor

This is the infamous film for which Nick Adams was nominated for Best Actor in a Supporting Role Oscar owing to his spending a great deal of his own money and time campaigning. He had promised best friend, actor Robert Conrad, that he was going to be the first TV actor to get a nomination and he did, after sparing no effort to browbeat Academy members. According to Hollywood legend, he even invited a bunch to his home for a big party and then fell asleep just as they arrived. Also, he was supposedly dumbfounded when Melvyn Douglas received the award for his old cowboy in Hud. Adams is okay, nothing more, in this film - he actually should have campaigned for another film he did that year, The Hook with Kirk Douglas, because that was his best role ever in a film. Here, he wears a black leather jacket and does a James Dean routine (they were in Rebel Without a Cause together, Dean with the lead, Adams with one line) as a misunderstood loner he gets accused of murder. His love interest, a wild child, is played by Joey Heatherton, who had been depressed ever since her father, TV's Merry Mailman, refused to let her play the title role in Lolita - which is pretty much what she does here, only doing so after Tuesday Weld passed up the part in this film. Richard Chamberlain, in his bland leading man days before he learned to act by doing Hamlet in London, is the defense lawyer, Joan Blackman his classy girlfriend, and the great Claude Raines provides the real reason for watching as an older lawyer. Watchable but routine, and not very different from any halfway decent TV lawyer show of the time except that it runs twice as long.

This is, though entertaining, far from a good movie. It comes across as a long television show. And no wonder! The director did mostly TV. At the time, star Richard Chamberlain was known primarily for his Dr. Kildare series.

The supporting cast is lots of fun. It runs the gamut from -- OK, ready? Pat Butram .... to Joey Heatherton ... to Claude Rains. Yes, in the middle of this tale of a poor low class kid (Nick Adams, suitably confused looking) caught in the midst of a class-conscious small Southern town, Rains is the patriarchal retired lawyer. Yes, Claude Rains.

He looks frail and certainly doesn't seem especially Southern. But here was a man who never turned in a bad performance.

Chamberlain is good, too, and Jeanette Nolan is touching as the wife of the man Adams is accused of murdering.

"Twilight of Honor" is a film with a rather mediocre overall score on IMDB of 6.3. Well, after seeing it, I cannot believe the film has such a rating, as it's a top-notch courtroom drama....and a film you'd likely appreciate.

This film is Richard Chamberlain's first starring role in a movie, though he'd done TV before this. He plays a young and very inexperienced lawyer who is set to defend a rather dim man for murder....and the town's atmosphere is definitely hostile towards him. On top of this, the state has brought in a cocky special prosecutor (James Gregory). All the young lawyer has is his idealism and some advice from his mentor (Claude Rains). Can he possibly get a light sentence or a verdict of not guilty with so many things working against him?

This is a very intelligent and well written drama...one that never was dull and managed to get the viewer to care about the dumb schnook on trial for his life. All in all, a nice little film well worth your time.

Always enjoy viewing this film mainly because Joey Heatherton's father was a mail man and delivered the mail to my home at the time in Nassau County, Long Island, New York. Richard Chamberland,(David Mitchell),"The Pavilion",'99, was a lawyer in this picture and wound up having to defend Joey Heatherton's (Laura Mae Brown), husband from a crime he was accused of performing on a police officer. The police officer was found not breathing in the bed in which Laura Mae shared herself. Laura is a very sexy hot to trot gal and performs all sorts of wild movements with her body in a bar next to a classic jukebox in the 1960's. Claude Rains,(Art Harper),"The Invisible Man",'33 makes a brief appearance and adds a good supporting role. This is a very entertaining film in Black and White and held my interest from beginning to the very end.

OK courtroom drama from Perlberg-Seaton, with MGM capitalizing on Richard Chamberlain's TV success by casting him as a rather Kildare-like defense attorney. He's recently widowed, and he's given the unenviable job of defending sleazy-but-polite Nick Adams, who's already confessed, twice, to murdering Pat Buttram, a well-liked local politico who was trying to make time with Adams' sluttish wife, Joey Heatherton. Chamberlain's OK, and so are the courtroom exploits, with a screenplay that seems to delight in pushing the envelope a bit in terms of sexual conversation circa 1963. There's discussion of impotence, sleeping nude, and prostitution, and several sequences of Joey Heatherton twitching luridly next to a jukebox. But the best reason to watch is Claude Rains, as Chamberlain's former professor and current legal adviser. He looks genuinely unsteady and hasn't many good lines, but it's a beautiful, modest, underplayed performance. Joan Blackman is on hand as his daughter, to provide the rather tepid romantic interest, and Jeanette Nolan is good (when wasn't she) as Buttram's protective widow. The flashback format is unwieldy, and Boris Sagal directs it like it's a big TV show, but it keeps your interest pretty steadily, especially as a barometer of what was and wasn't permissible on screen in1963.