IMDb RATING
7.0/10
3.4K
YOUR RATING
A petty criminal seeks refuge in a house owned by two wealthy American women.A petty criminal seeks refuge in a house owned by two wealthy American women.A petty criminal seeks refuge in a house owned by two wealthy American women.
Georges Douking
- Le Clochard
- (as Douking)
7.03.4K
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Featured reviews
Jane, Alain and Lola
A story of twists and turns with a sticky sexual link. Jane Fonda and Alain Delon are reason enough to enjoy this French noir but there is more. Lola Albright for instance. Wow! She's a retro futuristic femme fatale. Then Rene Clement, the director of "Purple Noon" knows how to keep us on the edge of our seats without sacrificing that elegant center that makes the whole think work beautifully. "Joy House" was made a few short years after Delon starred in Luchino Visconti's "Rocco And His Brothers" This were Delon's superstar years and he uses the power of his stardom to confuse us and tease us to death. I'm not going to spoil it for you so I don't intend to reveal it but it has one of those endings that's not just fun and clever but totally unexpected. A very enjoyable semi-precious gem.
Why the film is a 9/10 and should be a cult film.
Les Felins is a very advance for it's time with uniqueness, the modern theme and twisting multi-plots. It's been so very underrated but in a way this protected it from being commercially spoilt, which had kept it's class and intelligence.
The film is a marriage of french elegant dark film and new wave raw but done in a so stylish but not too arty, in a very balance cinematic intrigue and pleasure. With the surprising humours, quirky action and thriller drama between characters.
Almost all the characters have great presence, acting and perfectly cast. Even the mafia gang (like the 60's rat pack) hunting down Marc have such an appeal to suave henchmen.
Example the main ones are Alain Delon as Marc (gigolo, living off women, fugitive from American mafia, while in hiding he is being a seducer chauffeur)- Delon himself cannot be refuted to be perfect epitomize of magnetic don juan. Lola Albright as Barbara (philanthropist, cougar, millionaires, mistress of the estate)- Albright even at middle age can rival hotness in class, elegance and beauty any top vogue models. Jane Fonda as Melinda (charity worker, niece of Barbara, playing the maid, love struck of Marc)- Fonda is such a great pleasing to the eyes of any male seeing her at this age and her very alluring attractive female hotness. Overall the three of them have such appeal of sexiness that it actually transpire into cinematic pleasure, on top of their top acting abilities.
Rene Clements have really captured a great almost perfect flow of how this story evolve. He had few modern for it's time elements (not to mention objects)that created distinct actions, dialogue, close interactions and developments of suspense to antithesis to demise of thriller story.
The critic to this is that you will wish it was also released dubbed in English, the film was in colour and added more scenes.
The film is a marriage of french elegant dark film and new wave raw but done in a so stylish but not too arty, in a very balance cinematic intrigue and pleasure. With the surprising humours, quirky action and thriller drama between characters.
Almost all the characters have great presence, acting and perfectly cast. Even the mafia gang (like the 60's rat pack) hunting down Marc have such an appeal to suave henchmen.
Example the main ones are Alain Delon as Marc (gigolo, living off women, fugitive from American mafia, while in hiding he is being a seducer chauffeur)- Delon himself cannot be refuted to be perfect epitomize of magnetic don juan. Lola Albright as Barbara (philanthropist, cougar, millionaires, mistress of the estate)- Albright even at middle age can rival hotness in class, elegance and beauty any top vogue models. Jane Fonda as Melinda (charity worker, niece of Barbara, playing the maid, love struck of Marc)- Fonda is such a great pleasing to the eyes of any male seeing her at this age and her very alluring attractive female hotness. Overall the three of them have such appeal of sexiness that it actually transpire into cinematic pleasure, on top of their top acting abilities.
Rene Clements have really captured a great almost perfect flow of how this story evolve. He had few modern for it's time elements (not to mention objects)that created distinct actions, dialogue, close interactions and developments of suspense to antithesis to demise of thriller story.
The critic to this is that you will wish it was also released dubbed in English, the film was in colour and added more scenes.
Probably Clement's best thriller...
...only "Plein Soleil" ("Purple noon" -the talented M.Ripley first version- ,a first Delon/Clement collaboration ,is superior.
The director's other thrillers were marred by unbearable metaphysical pretensions ("La Maison Sous les Arbres" " la Course du Lièvre à Travers Champs" "Babysitter" ...)which the use of American actors did not help.
A black and white film ,a strange choice for a story which takes place in a luxury mansion on the Cote d'Azur ,the cinematography is in direct contrast to that of "Plein Soleil" .Whereas the former work was often filmed in open air ,at sea,in "les felins " ,we almost never go out of the Fonda/Albright's place.The screenplay is absorbing ,a la Boileau-Narcejac (who wrote "Diabolique" and "Vertigo" ) and the suspense is sustained throughout the story. (I particularly dig the scenes with the car at the end).
It was actually René Clément's last good movie.All that follows is virtually disposable.
The director's other thrillers were marred by unbearable metaphysical pretensions ("La Maison Sous les Arbres" " la Course du Lièvre à Travers Champs" "Babysitter" ...)which the use of American actors did not help.
A black and white film ,a strange choice for a story which takes place in a luxury mansion on the Cote d'Azur ,the cinematography is in direct contrast to that of "Plein Soleil" .Whereas the former work was often filmed in open air ,at sea,in "les felins " ,we almost never go out of the Fonda/Albright's place.The screenplay is absorbing ,a la Boileau-Narcejac (who wrote "Diabolique" and "Vertigo" ) and the suspense is sustained throughout the story. (I particularly dig the scenes with the car at the end).
It was actually René Clément's last good movie.All that follows is virtually disposable.
Thriller-Chiller by Rene Clement!
Alain Delon has the perfect role as the ne'er do well young man, Lola Albright (sad & wonderful in LORD LOVE A DUCK) has commanding screen presence, and Jane Fonda is youthful beauty personified. Ms. Fonda was never more gorgeous than in this creepy little French Film. Those eyes. Nice job with the French language as well. Cool house. Interesting quirky musical score by Lalo Shifrin. Great B/W cinematography and strange "plot".
A 6 out of 10. Best performance = Jane Fonda. It's hard to describe what goes on in this one, but I couldn't get it out of my head for days. Nice atmosphere.
A 6 out of 10. Best performance = Jane Fonda. It's hard to describe what goes on in this one, but I couldn't get it out of my head for days. Nice atmosphere.
10sutul3d
An absolute delight!
This movie is wonderful! Very suspenseful, sexy and well acted. Jane Fonda is great and Alain Delon just freezes the screen with his coolness. Action packed and full of twists and turns. Get this movie if you can! You will not guess the ending. If you like cool cars, great B&W shots, 60's seduction and French movies in general this is the one for you. Everything that was missing from THE TALENTED MR. RIPLEY is in this forgotten gem.
Did you know
- TriviaAppearing on Jane Fonda, Candice Bergen & Mary Steenburgen (2023), Jane Fonda revealed that filmmaker René Clément tried to have sex with her but she refused. He was 51 at the time, while she was only 27. He told her he wanted to do it because her character had to have an orgasm in the movie and he needed to see what Fonda's orgasms were like. While Fonda previously told this story to CNN, this is the first time she specifically named Clément as the perpetrator. She also said that despite the fact that she refused to have sex with him, René Clément did not proceed with further harassment and was very kind with her for the rest of the shoot.
- GoofsWhen the car with two people goes over the cliff in the convertible, you can clearly see that only one person (the driver) is in the car.
- ConnectionsFeatured in Filmmaking on the Riviera (1964)
- How long is Joy House?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- The Velvet Cage
- Filming locations
- Gare de Nice-Ville, Nice, Alpes-Maritimes, France(train station)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 2.39 : 1
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