Rio Conchos

This really was the last good conventional western action film, just before Sergio Leone and Sam Peckinpah opened the gate to a new genre. It is a very violent film, if you watch it closely, though not as graphic as what came a couple of years later. It is worth watching for the scenery, action, and most of all, a tremendous cast.

The great Jimmy Brown, Richard Boone, Tony Fransiosa, and ....Stuart Whitman. Wait...Stuart Whitman?!...no...he stinks. hes got no charisma, no screen presence. hes dull, flat...He stunk in everything. But I heard hes one of the richest men in California, so he wouldnt mind my saying so.

Actually, Stuart Whitman, the dullest of the major characters, is not needed at all. The screenwriters should have had the guts to transform the character into Jim Browns role...even make him a black officer. That could have been historically accurate, and even have set up a whole dynamic of tense racial relationships, especially when confronting Boones ex-Confederate racist character. Alas, nobody had the guts in 1964, but it would have been interesting, and the film would be even more highly regarded today.

The film ends abruptly and strangely, but it fits. Pay attention to Wendy Wagner as the Apache chick, shes hot, hot hot! I would have liked to have seen more of her.

Remember, if anybody wants to win trivia contests, "The Dirty Dozen" was not Jim Browns first film. "Rio Conchos" is!

I was kinda expecting a black hats/white hats movie but that's not what this is. The heroes are pretty rotten men themselves. Richard Boone, Stuart Whitman, Jim Brown, and Anthony Franciosa play four rather ruthless characters trying to track down the man selling guns to the apache. Boone in particular is outstanding as the Indian hater who just murders apache on sight! Franciosa is a smiling Mexican who can't be trusted for a second. Whitman and Brown are not quite as bad but they certainly aren't likable either. One of the real attractions in this movie is Wende Wagner who plays this sexy Indian girl. Not an important character and she never speaks a word of English, but you can't take your eyes off her.

An eclectic cast rounds out this rather rugged western film. Craggy Boone stars as a man who hates the Apaches because they slaughtered his wife and child (hardly an original background for a character.) When he is found using a certain rifle to kill his prey, he is arrested and thrown in jail with knife-wielding Franciosa, who is set to hang for murder. It turns out that the rifle is one of a huge shipment that has gone missing and it's up to cavalry captain Whitman and his sergeant Brown to retrieve them. Boone and Franciosa join them in order to aid the mission (and set up dramatic conflict within the contingent.) The foursome travels the dusty terrain of Utah and the American Southwest, encountering Indians and Mexican bandits along the way, all the while mistrusting each other. They believe the guns are in the possession of a dethroned Confederate Colonel (O'Brien), who wants to rebuild the South in all it's glory out West! (He even builds a mansion-like plantation home out of timber with fine furnishings and curtains in the windows, but no ceilings and, in most cases, no walls!) On the way to O'Brien, the quartet also picks up a spitfire Apache girl (Wagner) who tried to do them in with a gang of pals, but failed. If it all sounds pretty standard and pat, it is to a point, but thanks to the entertaining cast, the captivating Jerry Goldsmith score, the location scenery and the rough edges of the story, it manages to be an entertaining film. Boone puts a lot of compelling flavor into his role. Whitman is less impressive, but does a nice enough job. Franciosa is very hammy and indulgent, but keeps it interesting anyway. Brown (a man with an unbelievable physique) has almost nothing to say or do, but still comes across as warm and thoughtful, not to mention strong! He retains his dignity at a time when racial tensions were beginning to start their boil-over. O'Brien has a lot of fun with his outre character. Wagner is nearly unrecognizable in a sketchy character. Her loyalties are divided and her reasoning isn't always clear. (Her character speaks no English in the film.) She would soon enter pop culture history as the loyal assistant to "The Green Hornet" on TV. Several memorable moments occur in the film including a standoff between the men and some Apaches at a deserted house, a torture sequence in which the men are dragged by horses and flogged with straps and the sight of O'Brien's surreal timber estate. This isn't a particularly well known western, but it certainly has merit as it demonstrates the changing level of content in the genre and contains some solid acting.

The western was still a going commercial concern when Gordon Douglas made this decent example of the genre in 1964. Within a few years, of course, Peckinpah, Leonne and latterly Clint Eastwood amongst others would completely overturn the genre, giving new meaning to the term 'revisionist'. Douglas was no auteur but a good jobbing director, professional enough to tell a good yarn. There is nothing terribly original about this yarn, (it's really a rehash of "The Commancheros"), as potential enemies Richard Boone, Stuart Whitman, Tony Franciosa and Jim Borwn join forces to find a shipment of rifles stolen by the Indians. There is plenty of sage-brush and desert in the action sequences providing the requisite pleasures we associate with a good horse-opera, even if this one turns surprisingly cynical and bitter. There is a scenery-chewing supporting turn from Edmond O'Brien and Tony Franciosa enjoys himself as a Mexican Lothario whose way with a knife comes in very handy. And Jerry Goldsmith's score is first-rate.

"Rio Conchos" is a tough, fast-paced, action-packed western, with good performances by all concerned. If the story--Union soldiers go undercover to find the men who are supplying guns to renegade Indians and outlaws and come across a Confederate plot to carve out territory in the West--seems familiar, that's because it's a variation of John Wayne's "The Commancheros" of a few years earlier, and it's almost as good, and in some ways better. Richard Boone gives a very flavorful performance as the tough major in charge of the operation, in conflict with subordinate Stuart Whitman. Jim Brown, in his film debut, is a bit stiff, but otherwise acquits himself quite well. Anthony Franciosa, playing a Mexican outlaw paroled to accompany them on the mission, doesn't quite pull the characterization off, but handles the action scenes very well. Director Gordon Douglas, an old pro at this kind of picture, keeps things going at breakneck speed, with exciting action scenes and good byplay between the characters. This is one of the best-made action westerns of the '60s, with good plot twists, and is consistently interesting all the way through. Highly recommended for western fans.