Robinson Crusoe on Mars

I had to beg my mom to take me to see it. Until then (in 1964), the only films I got to see in the theaters were Elvis movies and the occasional Rock Hudson/Doris Day flick. But I always had a penchant for films about space (some people say I have a head full of it). And this film represents much of what I like about a good space flick. Its all about the adventure of encountering truly daunting obstacles in the hostile environments we must face once we leave the sheltering atmosphere of mother earth. The struggle of an astronaut trying to keep his fragile human existence from being extinguished on a distant planet is the ultimate game of survival. And I think the first hour of this film, for its time, realistically tries to depict this. Probably the biggest risk the film takes is that for the first hour its a one man show, and actor Paul Mantee acquits himself well. (I remember all the talk about the movie Castaway , and how they were worried about Hanks on screen by himself for most of the movie...would people accept it? What a bunch of hooey!...if its a good story, of course they would). The second half turns into sort of a pulp sci-fi adventure , with Friday's arrival, and it does liven the film up a bit. Its almost as if you have two separate films....the fairly plausible, fight-for- survival first half, and the sci-fi fantasy second half. Somehow it still works. On repeated viewings, the things I admire most about the film (and what I think makes the film work so well) are the small touches that make the one-man show portion of the film work. The idea of having the unmanned, derelict mother ship periodically screaming across the martian night sky to haunt the astronaut is a master stroke. Not only is it a great taunt, since it has supplies but no fuel left to make a remote control landing. But it also serves as a great segue device between scenes, as are the imaginative aurora-borealis type lights that brings beauty to the nights of this hostile world. Its as if the filmmakers knew that the planet Mars had to be a costar in the film. Which brings me to probably the main reason the film has endured, and thats the brilliant cinematography by Oscar-winner Winton Hoch. A master of scenic shots (The Quiet Man, She Wore a Yellow Ribbon), Hoch makes a convincing martian landscape out of Death Valley. Almost every critique I've ever read of the film acknowledges the polished look of the martian scenes. Even recent, expensive films, like Red Planet, don't measure up (even though they may look closer to how the actual planet looks....ugly).....All in all, considering the paltry budget (just look at the old Destination Moon spacesuits used by the Alien slave masters), this is an intelligent space movie (and they are in short supply). Of course, to some extent, I realize that I still see this film through the eyes of the child I was, and I'm glad for that.

Even though this movie was made in 1964, it puts to shame the more recent (and astronomically more expensive) "Mission to Mars" and "Red Planet".

The characters act much more like real people/enslaved extraterrestrials than was common in sci-fi films of that era. Mantee is well-trained and resourceful, handling most problems (with the exception of his forced isolation) with reasonable aplomb. He is much closer to what we expect an astronaut to be than the ridiculous characters from MtM and RP.

The equipment is also a notch above the usual 60s fare, with real cables, actual dials and knobs, and that utilitarian look so common in military hardware. I have to give this film and extra half-star just for the realistic technology.

Overall, a good, solid sci-fi film from the golden age. Like many others, I'm waiting for the DVD.

*** out of *****

1950's and 60's sci-fi movies can be easy targets. They were usually cheap, cheerful and woodenly acted by square-jawed male leads and big- eyed supporting women. They also reflected the attitudes, and usually the fears, of the society of the time. The heightened paranoia and fear of the unknown that plagued 1950's society was clearly reflected in films such as This Island Earth and Earth Vs. Flying Saucers, where America would be unwillingly attacked by an deadly force from outer space. Japan's post-Hiroshima movies portrayed a country under attack by horrific mutations caused by radioactivity in Japan's oceans, most famously in Ishiro Honda's quite excellent Gojira (or Godzilla), and were a massive amount of fun with a quite brutal and sobering undertone. Yet audiences and filmmakers alike seemed to lighten up in the 60's and focus less on the satire, and more on the science and fantasy aspects of the genre.

Instead of us fine Earthlings being attacked on our own doorstep by those laser-wielding bastards from outer space, we began venturing out and seeking adventure. Inspiration seemed to be taken from popular literature. Mysterious Island (1961) was (albeit very loosely) based on Jules Verne's novel, er, The Mysterious Island which followed a group of Union soldiers from Civil War-era America being washed ashore an unknown island inhabited by giant beasts. The Time Machine (1960) was an adaptation of H.G. Welles' fantastic book about a man who travels forward in time from Victorian England to encounter a very strange future world. Bringing me eventually to Byron Haskin's Robinson Crusoe On Mars, based of course on Daniel Defoe's classic novel.

Quite possibly having one of the best titles in cinema history, the film is a surprisingly effective adventure film. Two astronauts seemingly surveying the surface of Mars (played by Paul Mantee and TV Batman's Adam West, respectively) are forced to abandon ship to avoid a collision with an asteroid heading directly for them. Kit Draper (Mantee) lands successfully and begins to explore the barren landscape, only to eventually discover that McReady (West) didn't make it. The ship's pet monkey, however, did survive and joins our hero on his bid to survive this alien world.

Surprisingly, the majority of the film is a one-man show, with Mantee carrying it admirably. The film takes a serious scientific approach to his survival, as he must find ways to live without a constant supply of fresh oxygen, find a heat source, and a supply of food before his own runs out. Luckily for Draper, the air is breathable for short periods of time before he requires to take a 'booster' of oxygen, Mars' rocks seem to be able to burn, and the planet offers it's own food source in the shape of a half-plant, half-sausage thingy. Of course, the 'science' behind it all is a load of b******s, but it is refreshing to see it being taken seriously, and not ignoring it for the benefit of telling an easy story.

But where there's Mars there's going to be some of those bloody aliens, and here they seem to be in the middle of a kind of mining war with of tribe of human-shaped alien slaves. Draper rescues one during an attack and names him Friday (Victor Lundin). The two develop a comical and often rather sweet relationship, as the two attempt to mix and explain their cultures, and Friday makes an attempt to learn English (and he's an extremely fast learner!). Friday is constantly being tortured by two disc fitted around his wrists, which the aliens use to lure and physically effect Friday. When the aliens discover Draper and Friday's hiding place, they attack and force our heroes to flee.

A surprisingly slow-paced and interesting sci-fi flick that is low on cheesy action and bad acting, and high on good writing and wit. Haskin's direction is also solid, similar to his fantastic adaptation of The War Of The Worlds. Recommended for sci-fi buffs and fans of a good story. It also has Adam West and a sidekick monkey - what else do you want?

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What vistas are left for man to explore? The first answer usually shot back quickly is space, and in the 1950's and 60's space was the place to be the subject of countless science fiction films. Many of these films were little else than pure hokum or a means to show exploitation, but Robinson Crusoe on Mars was not either of those. This little film(little in that it receives little recognition for its obvious merits) tells how one man and his monkey survive the rigours of life on the angry red planet. Paul Mantee plays the protagonist that crash lands on Mars with simian friend Mona. He must learn to live using the resources of the planet. His exploration and discoveries are very much like what Daniel Defoe's titular character Robinson Crusoe had to go through under very different circumstances on an island. I guess I am one of the few reviewers that actually likes the title, as I think is a wonderful and very apt allusion employed. Anyway, the methods of exploration and discovery used by Mantee are extremely creative and original(although have little scientific merit) and we the audience find ourselves caught up in his plight to survive. I had heard many things about this film before I got a chance to watch it, and I must say that I am most impressed with its scope and vision, its underlying theme about the inner strength of man's need and will to survive and create, and its almost claustrophobic atmosphere despite being filmed in wide open spaces.

As we get closer to traveling to other planets, this is one story that could wind up being real. This story pretty much follows the original Robinson Crusoe story, only it takes place on another planet and not on a desert island. Paul Mantee puts in a credible performance as the astronaut who must learn how to cope without being around his fellow man. The scene that is especially interesting is when he hallucinates after getting food poisoning and seeing his dead fellow crew member. This shows the effect that isolation can have on a person and how it can drive a person mad. Luckily he did find a companion in the alien he named Friday. I recommend this film heartily.