Spider Baby or, The Maddest Story Ever Told

'Spider Baby' is a wonderfully inventive and original b-grade movie full of mad fun. Writer/director Jack Hill began as a Roger Corman protege, co-writing 'The Terror' and also working on Coppola's underrated 'Dementia 13', before striking out on his own with 'Spider Baby', a movie which became embroiled in a legal dispute and took four years to get released. Hill went on to direct Pam Grier movies and the trash classic 'Switchblade Sisters' in the Seventies, but it's arguable whether he ever surpassed this cult favourite. Horror legend Lon Chaney, Jr stars with a very thoughtful performance(!), and 'Dementia 13's Mary Mitchel and Karl Schanzer, and 'The House On Haunted Hill's Carol Ohmart are among the supporting cast, but the real stars are newcomers Jill Banner as the bewitching Virginia, and the remarkable Sid Haig as the unforgettable Ralph. Banner went on to appear in the dazzling 'The President's Analyst' before her untimely death, while Haig's ongoing career included several movies with Jack Hill, including blaxsploitation classic 'Coffy', and Lucas' 'THX 1138'. 'Spider Baby' is a brilliant example of what can be achieved on a small budget with some originality and willingness to take risks.

There's a blase, desensitised, black-comedy sensibility to the treatment of horror, violence and sex in this movie which not only anticipates "Night of the Living Dead" a few years later, but also Tarantino's approach decades later, let alone the lesser inheritors of that approach.

There are plenty of moments in this extremely strange little picture which capture the same nightmare-logic of the family banquet scene in "Texas Chainsaw Massacre", or pretty much the whole of "Eraserhead". While "Spider Baby" is funny in a lot of places, and intended to be, the choice of a hereditary neurological disorder as the source of the horror elements, rather than one of the standard horror movie devices (vampire, werewolf, mad scientist, whatever) gives the movie a case of the creeps that starts early and never goes away.

The most bizarre thing in the movie, isn't the weird members of the central family (although they're plenty weird enough to be going on with), it's how director Jack Hill does some things efficiently, some with amazingly ambitious creativity, and others with an equally mind-boggling klutziness. Blame the budget for the latter, I'd guess.

Amidst some amazing performances, (the two sisters and the brother), some blaringly cheesy ones (most of the "straight" roles), Lon Chaney Jr and Carol Ohmart stand out. Chaney, who is evidently not in tiptop physical condition for (ahem) some reason, nonetheless plays completely straight, in a strange, tender-hearted role (particularly in the black comedy context here) which is probably his best work other than "Of Mice and Men". Ohmart has a blowsier version of the strange, nasty, sexy role she played as Vincent Price's wife in "The House on Haunted Hill", and she is one of the most unusual screen presences you'll ever see. One good character part in a moderately-budgeted studio picture with a decent director would have been enough to make her more than a footnote name known exclusively to horror movie nuts.

Sustained weird atmosphere, and a movie unlike any other. Rather than a horror movie, or black comedy per se, it's an exceptionally twisted adult fairy tale. Probably not as good-hearted as "Curse of the Cat People" or "Edward Scissorhands" in the same rough ball-park, but at least as memorable as either.

I am amazed at some of the earlier comments on this board concerning this picture. One wonders why the people who hate it with such a passion bothered to contribute to the comments at all? This film is an acquired taste to be sure but I happen to like movies of this sort.

Admittedly Lon Chaney did very few things in the 60's that could be called "memorable". THE HAUNTED PALACE and WITCHCRAFT are the only things that come to mind. (Let us forget about FACE OF THE SCREAMING WEREWOLF entirely and that story about Edward D. Wood directing the scene of Chaney climbing the outside of the building is probably hooey.)

Any movie that opens with Lon singing the title song (it was released as a .45 with Bobby Pickett's 'Monsters Holiday' on the "A" side)moves on to a cameo by Mantan Moreland who pops up long enough to get himself killed and which quickly segues to Chaney as surrogate patriarch to a totally insane family can't be all bad. The Merrye Family is definitely one that you would not want to live nextdoor to. I get the feeling Rhoda Penmark from THE BAD SEED would enjoy hanging around with the 2 sisters (Beverly Washburn and Jill Banner) and Ralph (Sid Haig) can cause shudders just by entering a room.

Is this movie a cult classic? Yes! Some people will not take to it right away (qv, some of the other comments on this board) but if you go into it expecting black comedy you will not be disappointed. Sure go ahead and rent this one. It may take more than one viewing but I think, if you keep an open mind, you might learn to like it.

PS: If you want to catch one of Beverly Washburn's earliest performances check out SUPERMAN AND THE MOLE MEN. She is the little girl whose home is visited by the creatures from beneath the Earth. If you want to see more of Jill Banner, start watching reruns of 'Dragnet'.

The film opens with one of the most horrific murders ever shown on film; the rest of the movie is never again quite this frightening or startling, but is enjoyable nonetheless as a horror-comedy of the same ilk as "House on Haunted Hill" or "Bucket of Blood." The story concerns a family of inbred Southern degenerates who were once proud and powerful but whom years of inbreeding have reduced not only to childlike idiocy but savagery; some distant relatives out for money decide to meddle with dire, predictable results. The movie, complete with a loyal retainer, cute but deadly kids, and some even deadlier aunties and uncles kept tucked away in the cellar is essentially an extended version of an Addams family episode (the drawn out dinner scene is a bit too sitcomish). However, there are enough funny-scary moments to keep things moving along: the more memorable of these being when bitchy ice queen Emily succumbs to brother Ralph's caveman charms and when sister Virginia, the spider baby of the title, gives her long dead father a good night kiss—a scene with a weirdly poetic quality like something out of Poe. Perhaps the best part of the movie is Lon Chaney Jr. in his touching portrayal of Bruno, the kindly chauffeur who is genuinely devoted to his savage and hopeless surrogate family.

A cult film that deserves its status.

Admittedly, I'm not as up-to-par on horror films of the 60's and older decades (other than some H.G. Lewis splatter) as I'm a child of the 80's and typically prefer blood, guts, tits, and ass over the black-and-white, "atmospheric" stuff - but I did really enjoy SPIDER BABY.

The basic story is about the remaining members of the Merrye family, and their caretaker, Bruno (played brilliantly by Lon Chaney Jr.), and their fight to stay secluded and together against the forces that would split up their "family". The Merrye's have a strange disease that causes them to act strangely (and sometimes murderously...), and some of their extended family want to cash-in on the estate of the now departed father of the family. The kids (including a VERY young Sid Haig) don't want to be separated from Bruno, and will go to any lengths to keep their little "unit" together...

SPIDER BABY is a strange, funny, touching, creepy film that really needs to be experienced as opposed to explained. The performances are all good, especially Chaney Jr., who really is "in character" in this one. Definitely nothing in the way of gore or nudity - but a quirky, interesting and entertaining film nonetheless. In fact, SPIDER BABY has piqued my interest in the films of this era, and I'll probably seek more out after having seen this. Definitely worth checking out - 8/10