Code 7, Victim 5

Looks as if the otherwise meaningless 'Code Seven' in the title was there solely to try and tie this in with the then burgeoning spy craze, as producer Harry Alan Towers' script (as Peter Welbeck) is, for by no means the last time, in the mode of Edgar Wallace in a tale of murder and revenge. Some superb filming of the picturesque South African backgrounds from Nic Roeg is matched by the underwater photography of Egil Woxholt who worked on several of the Bond films. Lex Barker is ideal as the New York investigator looking into threats on the life of wealthy businessman Walter Rilla, Ronald Fraser is a quirky police chief with an eye for the ladies and Ann Smyrner makes an attractive heroine. Victim Five has no pretensions other than to be an enjoyable 'B' picture and succeeds.

The influence of Bond is writ large in this very cheap and Mystery Science Theater-worthy thriller (cf Agent for H.A.R.M.). Lex Barker saunters through most of the action as Steve Martin, hand in pocket, careful not to take things too seriously and mostly incredulous at the unmotivated action that unravels around him.

From the moment he disembarks at Cape Town harbour he is beset with snooping policemen, eager women and danger. As a Capetonian, it is really funny watching Helga (Ann Smyrner) drive Steve along the Atlantic seaboard while driving over picturesque Chapman's Peak (twice) which is on the opposite side of the mountains. Of course, the reason for this is to throw in an action-packed car-chase.

Seductive and dangerous woman (check), villain with a foreign accent (check), innovative but failed assassination attempts (check, including underwater scuba manoeuvre), dramatic exterior set-pieces (check, including unnecessary trip to the Cango Caves and game park), dangerous animals (check), racist exploitation of local scenes and people (check).

The opening scene (which uncannily foreshadows Live and Let Die)is great and gives viewers a chance to see District Six on screen. This was just before the apartheid government began its program of forced removals. The Table Mountain climax - the film's alternate title is Table Bay - is both laughable and spectacular, and so badly edited you wonder if everyone was enjoying Cape Town's beach action a little too much. Still, it's a curiosity for those keen to see Cape Town in a previous era, or to see the influence of the espionage genre in the wake of James Bond.

Here we have another fine script by the very talented Peter Yeldham. The dialogue is crisp and often witty. As for the actors, they are all good. As an American, I noticed a lot of European accents, but that was interesting, not a flaw.

The plot has good action and it never drags. And, there is great South African scenery throughout the movie! The music is also very good, bouncy and zestful. Lex Barker does very well in the lead role. Having just watched a superb blu-ray print, and having really liked the movie, I have no hesitation in recommending it. The action, mystery and love interest elements are nicely balanced. This is a very watchable movie.

Entertaining thriller,part adventures and part whodunit; nice cinematography with a good use of wide screen; the photograph trick is a variant on the "and then there were none" pattern but it provides private eye Barker with vital clues ;some scenes are pretty good for a B-movie: the prologue where the butler is pursued by three masked men who look like clowns is effective ;besides the directing takes advantage of the magnificent caves and the shadows on the wall increase the suspense ; on the other hand ,the cable car sequence is not fully exploited. The official cop serves as a foil to sleuth Lex.,then very popular in Germany thanks to the "Winnetou " movies.

CODE 7, VICTIM 5 is now available in a cheap DVD, and for a few dollars (mine cost $3 US), it's passable entertainment, mostly for the presence of Lex Barker as private eye "Steve Martin" (same name as Raymond Burr's character in GODZILLA). This is a typical Harry Alan Towers production--find an out-of-the-way country where the pound/dollar goes a long way and without powerful unions, hire a lot of locals in small roles, use a lot of free locations to give the film "color," have Towers himself pen a by-the-numbers script over dinner or during a flight. South Africa photographs well (the film was shot by Nicholas Roeg, so it's no surprise), and is so unfamiliar to this American that the background almost becomes a character. The plot is the standard "someone is killing off one by one the members of a group from a previous time" and ex-Nazis are even dragged in. Ronald Fraser (best known in the USA for FATHOM, with Raquel Welch and the late great Tony Franciosa) does a good job as the local police inspector who finds jet-setting detective Barker to be a bit of a pest, but eventually realizes Barker's honesty and professionalism--Fraser and Barker are the perfect foils for each other. Nothing special here--probably of interest mostly to the Barker fan (or those who want a quick three-dollar travelogue of South Africa).