Witchcraft

In all honesty "Witchcraft" is just an average British horror accomplishment from the sixties, but I'm slightly biased and overenthusiastic because I'm a big admirer of the subject matter (witchery and family curses), the director (Don Sharp also made "Psychomania", "Dark Places" and many other overlooked genre movies) and the notorious cool guy who receives top billing even though he only sporadically appears in the film (Lon Chaney in finally another role that suits his grim appearance). Somewhere deep in the remote en rural British countryside, the centuries old feud between the Whitlock clan and the Lanier family sparks up again. For the big upcoming real estate project of the Laniers, a bulldozer ravages straight through the Whitlock family cemetery and destroys the grave of 17th Century ancestress Vanessa Whitlock, whom was accused of witchery and buried alive by the Lanier family. Well, the accusation wasn't false for sure, as Vanessa promptly rises from the tomb and teams up with the grumpy Morgan Whitlock in order to bring the entire Lanier family down. Several members of the Lanier family die in mysterious circumstances, but complications arise when it turns out that Morgan's little niece Amy is in love with a Lanier enemy. "Witchcraft" is a competent enough and well-paced occult thriller with gloomy black & white cinematography, a couple of original ideas in its screenplay and an extremely tense finale. Lon Chaney Jr. is naturally menacing, but the biggest creeps are provided by Yvette Rees as silent the hypnotically staring witch Vanessa Whitlock. If she would appear behind me on a flight of stairs, I would surely throw myself down from them as well! There are also two very nifty and imaginative fright scenes involving a car and its passenger(s) driving through a bumpy landfill and towards certain death, although in their minds it looks as if they're driving on a safe and cozy lane.

When I finally caught up with it, this turned out to be a nice little mid-1960s thriller, made very much in the style of a Hammer Films production (indeed, as such it makes a suitable double-feature with the film it's paired with on DVD, DEVILS OF DARKNESS)- it makes good use of settings, has a decent script and quite adequate acting (especially a typically hammy late-career performance from Lon Chaney Jr), and evokes a very effective atmosphere of evil. What I was most surprised about (and impressed with) was the striking black-and-white photography and lighting, which really contributed to that atmosphere, particularly in its use of the reawakened witch. Definitely a fun, creepy movie for a rainy Saturday afternoon!

A 300 year long feud between a a coven of witches and a family of wealthy land developers comes to a head when an old cemetery plot is disturbed, unearthing the grave of a witch once buried alive. Morgan Whitlock, head of the coven , now has his means to take revenge on the usurpers of his land and sets the resurrected witch upon them.

A rarely seen and almost forgotten horror, Witchcraft is now available on the MGM / Fox "Midnight Movies" label, paired as a double feature with Devils of Darkness. The big draw for me is that it's one of the last legitimate horror films in the career of Lon Chaney Jr., so seeing it nearly pristine on DVD is a treat I never thought I might indulge in. To my surprise, Chaney's part wasn't quite as big as I hoped, but this is okay as the rest of the cast is made up of mostly British actors, and the Brits rarely disappoint in the realm of horror. Better still is that Hammer Film veteran Don Sharp is at the helm, who has given us Kiss of the Vampire, and Rasputin the Mad Monk, among other genre pictures. Handsomely shot in black and white, Witchcraft has all the atmosphere that both Gothic and 60's contemporary horror fans crave. The mute witch makes for an eerie apparition as she silently stalks her prey, I might liken the scenes of her on the prowl to scenes in A Drop of Water from Bava's masterful anthology.

While it's true that the plot is nothing new I do feel the film has style to burn. Modern viewers will likely doze off as it is bloodless and the pacing is a bit lethargic, however in many scenes this deliberate pacing works very well. 7/10

I remember this being on telly one Saturday night when I was 8 or 9 years old, we were being babysat, and had been allowed to stay up.

The appearance of the witch in the back of the car completely freaked me out then, and it's a memory that I carry with me 50 years later. While it's been completely superseded these days with CGI and a desire for much more in-your-face violence and gore, it's still got a gothic dread about it.

Hard to find these days, but worth watching if you do come across it.

A modest but good British horror film that offers a decent part for aging star Lon Chaney. There has been a feud going on between the Whitlock family and the Lanier family ever since the 17th century when the Laniers denounced young Vanessa Whitlock as a witch and buried her alive. Now in modern day England, the Laniers are part of a land developing business that is running bulldozers over the ancient Whitlock graveyard and disturbing their headstones, much to the protest of head spokesman Morgan Whitlock (Chaney). To make matters worse, Morgan's niece Amy (Diane Claire) is in love with Bill Lanier (Jack Hedley). When the tomb of Vanessa Whitlock gets accidentally desecrated, the angered witch (Yvette Rees) rises to seek vengeance by placing curses on the Laniers. It's nice to see Lon Chaney amidst this devilish action, and he adds dignity to what was one of his last good horror movies. Director Don Sharp (Hammer's KISS OF THE VAMPIRE) sets up a few eerie shots and imbues these black and white proceedings with a haunting atmosphere. This movie would make a fine double feature with HORROR HOTEL (aka "The City of the Dead"). *** out of ****