When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.
- Awards
- 1 nomination total
Giacomo Rossi Stuart
- Ben Cortman
- (as Giacomo Rossi-Stuart)
Umberto Raho
- Dr. Mercer
- (as Umberto Rau)
Antonio Corevi
- Governor
- (as Tony Corevi)
Ettore Ribotta
- TV Reporter
- (as Hector Ribotta)
Rolando De Rossi
- TV Reporter
- (uncredited)
Vito Fasano
- Man Chasing Morgan
- (uncredited)
Giuseppe Mattei
- New People Leader
- (uncredited)
Enrico Salvatore
- TV Reporter
- (uncredited)
Alessandro Tedeschi
- Passerby
- (uncredited)
Featured reviews
My goodness, this movie holds up well. First watched it some 5 years ago, watched it again tonight, and I am beginning to realize how influential it is. As observed by many other posters, many films/directors are in debt to this movie. The list would begin but not end with "Night of the Living Dead", "Omega Man", "28 Days Later", and "Day of the Dead". There is also that very good Australian (?) movie, "This Silent Earth." That is to only mention the good movies. Countless crappy movies also owe their profits to this woefully unknown gem. Sure, as a Vincent Price fan I am biased. But the quality of this movie - from the script to the photography to Price's glorious intonations - is hard to deny.
When a plague devastates life on Earth, the population dies or becomes a sort of zombie living in the dark. Dr. Robert Morgan (Vincent Price) is the unique healthy survivor on the planet, having a routine life for his own survival: he kills the night creatures along the day and maintains the safety of his house, to be protected along the night. He misses his beloved wife and daughter, consumed by the outbreak, and he fights against his loneliness to maintain mentally sane. When Dr. Morgan finds the contaminated Ruth Collins (Franca Bettoia), he learns that there are other survivors. He uses his blood to heal Ruth and he becomes the last hope on Earth to help the other contaminated survivors. But the order of this new society is scary.
"The Last Man on Earth" is a frightening and dark view of the fate of mankind. In those years, the preoccupation with radiation and biological weapons due to the cold war leaded people to this type of fear and preoccupation; later with AIDS; and presently with the disease in chickens. Fortunately science has developed means to cure or at least avoid epidemic situation, but we do not know how far we might be from such sad end of mankind. Vincent Price has a great performance in this movie, particularly in the beginning of the insanity of his character showed when he sees a photo of his family. The screenplay is very well developed, but the violent conclusion is weird. I always thought that George A. Romero was the creator of the "zombies", because of his excellent 1968 "Night of Living Dead". But now I can see that the origin of these creatures was in "The Last Man on Earth".
When I was a teenager, the remake "The Omega Man" was a very successful film in the movie theaters. I had not had the chance to see the original movie, since "The Last Man on Earth" (and "The Omega Man") had not been released on VHS or DVD in Brazil. Fortunately a minor Brazilian distributor has just released "The Last Man on Earth" on DVD, giving me the chance to see this great unknown movie. My vote is eight.
Title (Brazil): "Mortos Que Matam" (Dead That Kill")
Obs: On 25 May 2008, I watched this great classic movie again.
On 15 March 2014, I saw this movie again.
"The Last Man on Earth" is a frightening and dark view of the fate of mankind. In those years, the preoccupation with radiation and biological weapons due to the cold war leaded people to this type of fear and preoccupation; later with AIDS; and presently with the disease in chickens. Fortunately science has developed means to cure or at least avoid epidemic situation, but we do not know how far we might be from such sad end of mankind. Vincent Price has a great performance in this movie, particularly in the beginning of the insanity of his character showed when he sees a photo of his family. The screenplay is very well developed, but the violent conclusion is weird. I always thought that George A. Romero was the creator of the "zombies", because of his excellent 1968 "Night of Living Dead". But now I can see that the origin of these creatures was in "The Last Man on Earth".
When I was a teenager, the remake "The Omega Man" was a very successful film in the movie theaters. I had not had the chance to see the original movie, since "The Last Man on Earth" (and "The Omega Man") had not been released on VHS or DVD in Brazil. Fortunately a minor Brazilian distributor has just released "The Last Man on Earth" on DVD, giving me the chance to see this great unknown movie. My vote is eight.
Title (Brazil): "Mortos Que Matam" (Dead That Kill")
Obs: On 25 May 2008, I watched this great classic movie again.
On 15 March 2014, I saw this movie again.
I'm not sure why this film is as underrated as it is. This is an amazing, depressing and in many ways brilliant film based on the Richard Matheson classic novel "I Am Legend". Vincent Price effectively conveys the terror and despair of being the last living man on an Earth that is now overrun with vampires and/or zombies. The depiction of Price's day to day bleak existence is a moving and powerful thing to behold and the continual menace of the hordes of zombies is creepy in the same way as was later depicted in "Night of the Living Dead". In fact, as noted by others here, one can not watch the scenes where the zombies lay siege to Price's boarded up house and attack his car without recognizing how close these scenes would later be copied by George Romero in his classic zombie films. If you are a fan of horror film history or just looking for a classic and unique film with an interesting story, track down this lost gem.
I like this film, and definitely associate it with my childhood, via the inside cover of an old issue of Famous Monsters that pictured a vampire arm groping around the door for Vincent Price. I gazed at that photo as the magazine wore out, for years before I actually got to see the film.
Vincent Price is always good to see. But as he is not a terribly physical actor, he looks awkward doing some of the things he is called on to do here, like dragging a body to the edge of a pit and heaving it in, pounding a stake into a vampire heart, or hurling a mirror across the room in disgust and despair. Not standing about with cocktail in hand, dressed to the nines and oozing wicked sophistication, he looks about as out of place as Cary Grant would setting a trash can out at the curb.
I ask, in the title of this review, if we like this film "for all the wrong reasons" because, inescapably, I find it pitched at a sort of self-pity, tapping into the allure of images of yourself alone at the center of the human universe, of satisfied contemplation of the stupid folly of Man the Scientist, the Politician, the Warrior, that will bring the end of his own species. --In a word, it seems to inhabit a place that is the near-exclusive province of the truly isolated, disaffected and fantasy-prone adolescent.
Being aware of this demographic skew doesn't invalidate the real and strong emotional place the film creates and enables anybody else to inhabit. But I do wonder about the effusive, near-idolatrous over-analysis this film has been known to elicit. I think it would be a pity if, through the growing cult of this film, we come to be less moved by horror --the whole precept on which Matheson's novel and the film are based-- than seduced by the film's image of post-apocalyptic solitude, which can lapse into full-blown gloating misanthropy with just a slight nudge.
I find Last Man oppressively tragic and sobering and depressing-- and always, always utterly absorbing. Even tenth time watched, it feels like you are watching your own funeral, listening to nothing less than taps being sounded for your own species. This is, not to be too glib, the films greatest strength AND weakness.
Vincent Price is always good to see. But as he is not a terribly physical actor, he looks awkward doing some of the things he is called on to do here, like dragging a body to the edge of a pit and heaving it in, pounding a stake into a vampire heart, or hurling a mirror across the room in disgust and despair. Not standing about with cocktail in hand, dressed to the nines and oozing wicked sophistication, he looks about as out of place as Cary Grant would setting a trash can out at the curb.
I ask, in the title of this review, if we like this film "for all the wrong reasons" because, inescapably, I find it pitched at a sort of self-pity, tapping into the allure of images of yourself alone at the center of the human universe, of satisfied contemplation of the stupid folly of Man the Scientist, the Politician, the Warrior, that will bring the end of his own species. --In a word, it seems to inhabit a place that is the near-exclusive province of the truly isolated, disaffected and fantasy-prone adolescent.
Being aware of this demographic skew doesn't invalidate the real and strong emotional place the film creates and enables anybody else to inhabit. But I do wonder about the effusive, near-idolatrous over-analysis this film has been known to elicit. I think it would be a pity if, through the growing cult of this film, we come to be less moved by horror --the whole precept on which Matheson's novel and the film are based-- than seduced by the film's image of post-apocalyptic solitude, which can lapse into full-blown gloating misanthropy with just a slight nudge.
I find Last Man oppressively tragic and sobering and depressing-- and always, always utterly absorbing. Even tenth time watched, it feels like you are watching your own funeral, listening to nothing less than taps being sounded for your own species. This is, not to be too glib, the films greatest strength AND weakness.
"The Last Man on Earth" is an English language, Italian production of Richard Matheson's classic horror tale "I Am Legend", starring the great Vincent Price in the titular role.
This story was also done with Charlton Heston as "The Omega Man", and "I Am Legend" with Will Smith.
This is probably the best filmed version of this story I have seen. The black and white photography is fantastic, as is the direction, which really makes you believe you are witnessing a post-apocalyptic scenario. Above all, Vincent Price is surprisingly well cast as the titular last man, haggard, face drawn, less an action hero than a scientist trying to solve the problem of apocalypse.
The creatures in the movie are apparently vampires - they cannot go out in the day time, and they must be "staked" - yet they behave much more like the kind of zombies that George Romero would change the horror landscape with a few years later. I wonder if he was inspired by this film.
This story was also done with Charlton Heston as "The Omega Man", and "I Am Legend" with Will Smith.
This is probably the best filmed version of this story I have seen. The black and white photography is fantastic, as is the direction, which really makes you believe you are witnessing a post-apocalyptic scenario. Above all, Vincent Price is surprisingly well cast as the titular last man, haggard, face drawn, less an action hero than a scientist trying to solve the problem of apocalypse.
The creatures in the movie are apparently vampires - they cannot go out in the day time, and they must be "staked" - yet they behave much more like the kind of zombies that George Romero would change the horror landscape with a few years later. I wonder if he was inspired by this film.
Did you know
- TriviaEstablished by many reviewers (including director George A. Romero himself) as a graphic blueprint for Night of the Living Dead (1968).
- GoofsThe first station wagon Morgan has (a Chevy) turns into a Ford (look for the 4 headlights) and back to the Chevy (2 headlights). He eventually ends up with the Ford after the zombies wreck the Chevy.
- Quotes
Robert Morgan: December 1965. Is that all it has been since I inherited the world? Only three years. Seems like 100 million.
- Alternate versionsMGM's 2005 DVD release does not contain the copyright obstruction found in most prints' opening titles. It reads: "COPYRIGHT 1963 BY ASSOCIATED PRODUCERS INC. ALL RIGHTS RESERVED." It also contains the complete ending sequence, including the dialog with the baby, that is missing from most prints. This release is also digitally cleaned up, presented in wide screen format, features an interview with Richard Matheson, one of the writers, and is paired with the film Panic In Year Zero. It is missing one element common from other prints. The American International Television title card and theme music that starts off most prints is replaced with an inserted sequence of MGM's famous lion roar trademark and the MGM website address. This DVD was initially problematic on its release because of Sony's then recent purchase of MGM. Sony had canceled the entire Midnite Movies line, and, though the DVD was already set to be released, Sony had initial reservations on releasing it at all. Copies managed to accidentally get shipped to some stores, such as Best Buy, in the US and Canada, where they were immediately flagged as "recalled." Most were, either immediately returned by the stores or pulled by cashiers who should have refused the purchases. Some were still sold, regardless, in early May 2005, before they should have been. By September 2005, Sony released the DVD properly into the wide market.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: The Last Man on Earth (1975)
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- I Am Legend
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $300,000 (estimated)
- Runtime
- 1h 26m(86 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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