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5.1/10
204
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The British Secret Service sends agent 606 to Cairo to collaborate with an American colleague in searching for a stolen anti-radar device. Arriving in Egypt, he finds that agent A008 is actu... Read allThe British Secret Service sends agent 606 to Cairo to collaborate with an American colleague in searching for a stolen anti-radar device. Arriving in Egypt, he finds that agent A008 is actually an attractive female.The British Secret Service sends agent 606 to Cairo to collaborate with an American colleague in searching for a stolen anti-radar device. Arriving in Egypt, he finds that agent A008 is actually an attractive female.
Ivano Staccioli
- Kemp
- (as John Heston)
Sal Borgese
- Killer with Black Glove
- (as Mark Trevor)
Omar El-Hariri
- Captain Yussuf
- (as Umar El-Hariri)
Fortunato Arena
- Kemp's Henchman
- (as Lucky Arena)
Domenico Ravenna
- Professor Hans Meinz
- (as Johnny Ravenna)
Iver Gilborn
- American Intelligence Boss
- (uncredited)
Cho Cha Lung
- Tenaki's Servant
- (uncredited)
Amerigo Santarelli
- Taxi Driver
- (uncredited)
- …
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This film begins in Cairo where a special weapon has just been created that distorts long range radar making it difficult for ships to navigate correctly. As a result, the British decide to send an agent by the name of "Frank Smith" (Alberto Lupo) to Egypt where an American agent named "MacDonald" (Ingrid Schoeller) is waiting to greet him. At first, Frank is surprised to find that his American colleague is female and this creates a certain amount of sexual tension from that point on. However, what makes matters even more difficult for the two of them is the fact that the people who possess the anti-radar device know all about the identities of these two and have already made plans to terminate them upon sight. Now rather than reveal any more I will just say that this wasn't one of the better "James Bond clones" ever made due in large part to the fact that neither Alberto Lupo nor Ingrid Schoeller had the same on-screen presence as many of the actors in a similar role. As a result, the sexual tension wasn't that acute which rendered most of the film somewhat dry and lifeless. That being said, this wasn't necessarily a bad film necessarily and for that reason I have rated it accordingly. Slightly below average.
The bravura euro-crime director, and part-time cannibal fetishist Umberto Lenzi takes a strident foray into the heady, glamorous, if not a little silly, cinematic imaginarium of the 60's euro-spy actioner; and, to be fair, he certainly gives it his best shot. While it isn't quite up there with Lenzi's uber-kult offering 'Kriminal', the film certainly makes for an adequate time-waster, and would be much appreciated by those individuals who enjoy this especially frivolous, and day-glo coloured genre. '008-Operation Exterminate' is a fun ride, and makes a rather lissome, highball quaffing companion to Jess Franco's 'Lucky The Inscrutable'.
Ingrid Schoeller becomes the first female to headline a Eurospy movie (at least as far as I know so far).
This was Umberto Lenzi's first attempt at Eurospy, made just before he began teaming up with Roger Browne. It is set mainly in his perennial favourite exotic location, Cairo, and includes much of the stock footage that he would continue to recycle across all his Eurospy movies;- panoramas of the Nile, pyramids, markets, black & white taxis' and dubious cabaret acts. Also the customary stock footage of Westminster from the Thames that always precedes the mission assignment scene. Zermatt rounds out the locations and provides a contrast of scenery for the finale.
Ingrid is 008, an American agent, who is teamed with British agent 006 and a half, played by Alberto Lupo, who doesn't look remotely British. 007 James Bond is also mentioned several times in passing. She's vivacious, insightful and competently deals with all the usual spy action, including fighting and defeating no less than 4 henchwomen at the Institute of Beauty, while also good naturedly fending of the attentions of Alberto (once even resorting drugging him to sleep, when they are sharing a room and posing as husband & wife). Meanwhile Alberto seems to have trouble keeping his mind on the mission, expends plenty of energy, but often ends up needing to be saved by Ingrid.
Evano Staccioli makes for a memorable villain and swarthy, dimple chinned, Sal Borgese takes a turn at being lead henchman, equipped with a black glove that can fire knives.
The plot, dialogue, direction and music are all solid by Eurospy standards and played at a "Roger Moore-esque" level of seriousness. There are a couple of minor twists at the end, as Ingrid outwits Alberto to take sole possession of the McGuffin.
As is customary in a Lenzi spy movie there is a humorous epilogue, which signs off with Ingrid and Alberto about to embark on another joint mission.
This was Umberto Lenzi's first attempt at Eurospy, made just before he began teaming up with Roger Browne. It is set mainly in his perennial favourite exotic location, Cairo, and includes much of the stock footage that he would continue to recycle across all his Eurospy movies;- panoramas of the Nile, pyramids, markets, black & white taxis' and dubious cabaret acts. Also the customary stock footage of Westminster from the Thames that always precedes the mission assignment scene. Zermatt rounds out the locations and provides a contrast of scenery for the finale.
Ingrid is 008, an American agent, who is teamed with British agent 006 and a half, played by Alberto Lupo, who doesn't look remotely British. 007 James Bond is also mentioned several times in passing. She's vivacious, insightful and competently deals with all the usual spy action, including fighting and defeating no less than 4 henchwomen at the Institute of Beauty, while also good naturedly fending of the attentions of Alberto (once even resorting drugging him to sleep, when they are sharing a room and posing as husband & wife). Meanwhile Alberto seems to have trouble keeping his mind on the mission, expends plenty of energy, but often ends up needing to be saved by Ingrid.
Evano Staccioli makes for a memorable villain and swarthy, dimple chinned, Sal Borgese takes a turn at being lead henchman, equipped with a black glove that can fire knives.
The plot, dialogue, direction and music are all solid by Eurospy standards and played at a "Roger Moore-esque" level of seriousness. There are a couple of minor twists at the end, as Ingrid outwits Alberto to take sole possession of the McGuffin.
As is customary in a Lenzi spy movie there is a humorous epilogue, which signs off with Ingrid and Alberto about to embark on another joint mission.
Two secret agents join forces in Egypt (and later in Switzerland) to locate & destroy an anti-radar device, and retrieve the plans of its design. One is a British male; the other is an American female. Her code name is 008, and, as the title suggests, she is actually the central hero(ine) of this film, quite atypically for its day. The two agents have an equal partnership, but if anyone is closer to the "sidekick" role, it's the man. Ingrid Schoeller plays what is quite possibly the first attempt of international cinema to create a female James Bond-type character: she is beautiful, curvaceous, sweet, intelligent, armed with gadgets, expert with a gun, and can handle herself in a fight without needing a man to rescue her (as she proves in a daring escape from an enemy-riddled beauty saloon). All this, combined with the lively banter between the two leads and the crazy double-twist ending (the first twist is smart; the second nonsensical!), make "A 008: Operazione Sterminio" one of the most enjoyable Eurospy movies of the period. **1/2 out of 4.
Spies movie that is able to interest the viewer in its simplicity.
It is not something transcendental but it makes a good impression.
I can't believe how many movies of this type have come out in those years.
It is not something transcendental but it makes a good impression.
I can't believe how many movies of this type have come out in those years.
Did you know
- TriviaA paradise for those who cater for Egyptian antiquities: a long scene inside the Cairo Museum (since then, much altered), showing in detail the monumental statue of Amenhotep III and Queen Tiye, and several minor statues, one of them close enough to identify a stylized engraving of the Mother Goddess Hathor. Plus a walk around the Great Pyramids and the Sphinx of Giza, with plenty of camels for rent, as the 21st century will never see them again.
- ConnectionsFeatured in Best in Action: 1965 (2021)
- SoundtracksGood Bye to Cairo
Written by Angelo Francesco Lavagnino (as Lavagnino) and Ingrid Schoeller (as Schoeller)
Performed by Ingrid Schoeller (uncredited)
edizione musiali Nazionalmusic Milano
Details
- Release date
- Countries of origin
- Language
- Also known as
- Heiße Grüße vom C.I.A.
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 24m(84 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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