The Battle of the Villa Fiorita

Maureen O'Hara has a perfect husband (Richard Todd) and two lovely children, a boy and a girl, in a splendid estate outside London, when she falls in love with an Italian (Rossano Brazzi) and decides to leave her family with him. He brings her to his fabulous estate by the Lago di Garda in Italy (with Gabriele d'Annunzio's working place in sight), where they lead a luxurious life in splendour, until we learn that he also has a child, a daughter (Olivia Hussey in her first part), whom he brings to the villa, shortly after Maureen O'Hara's two children have come there on their own, on a special mission to fetch her back to their father in England, entirely on their own initiative - we never learn that Richard Todd was ever informed about it. Now, what is wrong in all this? That's what the battle of the Villa Fiorita is about, the children fighting hard to separate their parents from their lovers, and they will go to any length. This provides the drama of the film, which actually reaches rather critical heights. Rossano Brazzi, this great invincible lover and he-man, has to finally admit, that the children (especially Maureen's very determined daughter) won the moment they showed up at his house. The film is beautifully made, with gorgeous music all the way by Mischa Spoliansky (Rossano plays a successful composer and pianist, and it's Spoliansky's music he is playing,) with splendid colours and cinematography, but the interesting part is the acting of the children. They take charge of the film and their parents and lead them right, in spite of their almost equally determined resistance. It's a great film and story for child psychology, and as all true and good parents know, children always know better.

Dissatisfied British housewife Moira Clavering (Maureen O'Hara) falls for visiting Italian pianist Lorenzo Tasara (Rossano Brazzi). She leaves her cold husband and their two children. She decides to join Lorenzo on his Italian estate. The kids go to break them up with help from Lorenzo's daughter (Olivia Hussey).

This is like a twisted Disney kids' movie. I'm making it sound better than it is. First, this starts with Moira and sells the audience on this affair. The kids' journey has some wish fulfillment as they travel by themselves. It is completely unreasonable. Then the trip turns into a guilt trip and I am really annoyed at the boy. The two girls are more compelling. There is some good drama between them. I'm not saying that I want this affair or not. Lorenzo gets worst. I certainly wouldn't push her back to her husband. All paths are rather muddy. I have a solution, but it's a different time. The locations are lovely. The movie is problematic.

Delmer Daves created some of the great lush romantic dramas of my youth such as A Summer Place, Parrish and Rome Adventure all starring Troy Donahue, and then also at WB directed Spencer's Mountain starring Henry Fonda and Maureen O Hara. Daves then cast the beautiful Maureen in this film shot in Italy. In her book 'Tis Herself Ms. O Hara said she was simply aghast when seeing the rushes she noted that her face was shot with shadows. At first I did not believe a major star would be photographed against her wishes and that the veteran renowned cinematographer Oswald Morris held a grudge against the lovely star because of a football bet! Whether this is true or not, the fact is that La O Hara one of the cinema's great beauties has some scenes that back up her complaint.

I thought the film was fine and the casting of Ms. O Hara with Rosonna Brazzi who was in Daves' Rome Adventure as well- also very fine. The location shot were gorgeous.

Maureen O'Hara and Rossano Brazzi are glowing middle-agers in love whose romance is thwarted by their respective pre-teen children: his haughty Italian daughter and her stubborn, bratty British boy and girl. Stories of kids meddling in their parents' love lives are usually successful if played as comedy; here, the melodrama gets to be too much, with the adults continually exasperated and the kids unlikably victorious in their immature pranks. The familial arguments which arise are probably realistic, but here they dissipate interest in the movie, particularly since the love affair between the grown-ups is much more interesting than the finger-pointing. ** from ****

Watching The Battle Of The Villa Fiorita I was struck at how similar this was to another Maureen O'Hara film, The Parent Trap. This is a great example of how one can take the same plot situation and treat it either comically or quite seriously. In this case the comic treatment was far better.

Maureen O'Hara is a 40 something wife and mother who experiences a mid life crisis. While part of a welcoming committee for concert pianist Rossano Brazzi the two of them begin an affair that breaks up Maureen's home and hearth, the one she shares with husband Richard Todd and children Martin Stephens and Elizabeth Dear.

Todd's not happy, but willing to let things go. But the kids are determined one way or another that the Brazzi/O'Hara marriage will never take place. Curiously enough when they hitchhike to Italy they find a willing ally in Olivia Hussey who is Brazzi's daughter. Brazzi is a widower, still Hussey wants no one taking her mother's place.

The kids use all kinds of wiles and strategies to break their parents up. Nothing with any parent trap like cuteness, this film never would have been done for Disney. It ends with an uncertain future for all concerned.

If there's a message here it misses the mark considerably. If you think you'll be seeing Maureen O'Hara after reading the description in another Parent Trap than The Battle Of The Villa Fiorita will disappoint you greatly. It doesn't quite cut it as drama either.