IMDb RATING
7.3/10
6.5K
YOUR RATING
An American destroyer Captain is determined to confront a Soviet submarine caught violating territorial waters. Perhaps too determined.An American destroyer Captain is determined to confront a Soviet submarine caught violating territorial waters. Perhaps too determined.An American destroyer Captain is determined to confront a Soviet submarine caught violating territorial waters. Perhaps too determined.
- Director
- Writers
- Stars
- Nominated for 1 BAFTA Award
- 1 nomination total
James MacArthur
- Ens. Ralston
- (as James Macarthur)
Mike Lennox
- Lt. Krindlemeyer U.S.N. - Bridge
- (as Michael Graham)
Stephen Schreiber
- Seaman 2nd Class - Bridge
- (as Stephen Von Schreiber)
- Director
- Writers
- All cast & crew
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Featured reviews
I must confess I'd not heard of this film as it was off my radar (no pun intended) despite starring those two fine actors Sidney Poitier and Richard Widmark in the leads and the solid Martin Balsam in support. More fool me as it proved to be a fine, gritty Cold War thriller, highlighting explicitly then and still, I'd contend, now, that one wilful or accidental action in the heat of the moment could lead to catastrophe for the world. The film skilfully combines a study of men under pressure with the wider political picture, at the same time cleverly invoking the classic story of Moby Dick, with Widmark's Captain Freelander as obsessed with catching a fleeing Russian submarine as old Captain Ahab was his pesky whale.
All the action takes place on Freelander's US navy destroyer encompassing a gradually increasing character examination of the wilful Captain, driving his crew to exhaustion and the end of their wits by keeping them constantly at attention or GQ as it's called here, so that in the end a simple misunderstanding by a pressurised, even terrorised young officer of a phrase used by the captain in conversation leads to disaster. The abrupt ending is particularly memorable, the better for being so inevitable and brutal.
Widmark as the crusty old captain is excellent in his portrayal of this particular single-minded sailor, while Poitier is also fine as the journalist who by questioning the captain's methods effectively acts as the conscience of the film, for once his skin colour having no bearing on his character''s relevance to the plot. Balsam too steps up as the passed over new medical officer who yet predicts the climactic outcome from way back.
Tautly directed in black and white, the tension is palpable as the American ship closes in on its prey and nerves become frayed to breaking point on the bridge, in so doing making an early case for greater psychological consideration due to crew members as advocated by Balsam's character.
Topical and relevant, especially with recent events echoing even today in Syria, this is an unflinching and superbly acted contemporary thriller which deserves to be better known.
All the action takes place on Freelander's US navy destroyer encompassing a gradually increasing character examination of the wilful Captain, driving his crew to exhaustion and the end of their wits by keeping them constantly at attention or GQ as it's called here, so that in the end a simple misunderstanding by a pressurised, even terrorised young officer of a phrase used by the captain in conversation leads to disaster. The abrupt ending is particularly memorable, the better for being so inevitable and brutal.
Widmark as the crusty old captain is excellent in his portrayal of this particular single-minded sailor, while Poitier is also fine as the journalist who by questioning the captain's methods effectively acts as the conscience of the film, for once his skin colour having no bearing on his character''s relevance to the plot. Balsam too steps up as the passed over new medical officer who yet predicts the climactic outcome from way back.
Tautly directed in black and white, the tension is palpable as the American ship closes in on its prey and nerves become frayed to breaking point on the bridge, in so doing making an early case for greater psychological consideration due to crew members as advocated by Balsam's character.
Topical and relevant, especially with recent events echoing even today in Syria, this is an unflinching and superbly acted contemporary thriller which deserves to be better known.
Channel surfing, I stumbled across this movie on TCM and must say, "Wow!" As a child during the Cold War, I remember the tension between America and Russia, which this film captures well -- at least from the U.S. perspective. Richard Widmark's performance tops that of Humphrey Bogart in "The Caine Mutiny," strawberries or not. Sidney Poitier fits his role like a glove -- the scene between Poitier and Widmark in the latter's cabin is splendidly acted, allowing the viewer to get inside Widmark's head while not giving away too much -- and Martin Balsam gives another example why he was one of the screen's greatest supporting actors. It's better than "Fail Safe," sparing us Henry Fonda's hysterics as president. The tension builds aboard ship until a breathtaking climax. One worth watching.
Having served aboard this very class of ship during the late 60's and early 70's, I can attest that the events, from a technical standpoint, are frighteningly real. The Queeg-like personality of the Captain is a bit of a stretch, but the events in the movie come right out of the battle plans of the Navy (at the time).
The tension of the situation is palpable. Even at the time, the outcome was in doubt, but the outcome was believable. It still is.
The tension of the situation is palpable. Even at the time, the outcome was in doubt, but the outcome was believable. It still is.
The Bedford Incident is directed by James B. Harris and is adapted by James Poe from the 1963 book by Mark Rascovich. It stars Richard Widmark and Sidney Poitier, with Widmark co-producing. The cast also features James McArthur, Martin Balsam, Wally Cox and Eric Portman, as well as early appearances by Donald Sutherland and Ed Bishop.
The story is set during the Cold War and focuses on the captain and crew of the USS Bedford as it patrols the North Atlantic waters for Russian submarine activities. Capt. Eric Findlander (Widmark) is a tough authoritarian figure who drives his crew hard and keeps them ever ready for any sort of incidents that may arise. They respond loyally to his ethics, this is a crew where nobody ever goes on sick call such is the hard approach instilled in them by their captain. Two newcomers have boarded the ship by helicopter: Ben Munceford (Poitier), a liberal newspaper journalist, assigned to write a story about the Bedford and its grizzled captain and a ship's doctor, Lieut. Comdr. Chester Potter (Balsam), a reserve officer who has volunteered for active duty. Both men are quickly disliked by Findlander, he sees their being there as intrusive and upsetting the tough equilibrium of his ship. When a Russian sub is spotted unlawfully in Greenland's territorial icy waters, Finlander stalks it ready to take action. But the top brass doesn't want a perilous situation arising between the two nuclear powered ships and orders Finlander to sit tight, something he is unable to comprehend and intends to do things his own way. With his hard driven crew at breaking point, this could turn into a catastrophic incident...
Taut, tense and impeccably acted by the cast, The Bedford Incident is a superior psycho-drama that feeds off of the paranoia of the Cold War and cloaks it in military claustrophobia. It offers up the dangers of military aggression fuelled by some sense of patriotic duty, with an intriguing "hunt till we drop" iron fist ethic making for an engrossing narrative thread. The film of course is not alone in the "doomsday" scheme of things, even the previous year had seen the release of Sidney Lumet's Fail-Safe and Stanley Kubrick's Dr. Strangelove (a link here coming courtesy of James B. Harris having been Kubrick's producer for almost ten years), but Harris' movie is more than the equal of any other film with the same thematics. The box office returns for the film at the time didn't do it justice, but time has been kind to the movie. For now it can be viewed as a lesson in jangling the nerves, a reference point in how to script polar opposite characters; thriving on dialogue set in amongst murky military zeal and an unstable political environment. Now more than ever the film serves as a cautionary tale. Tho there's some differences from the book, the film follows the novel fairly closely. However, the big change comes with the ending. I don't consider it hyperbole to suggest that the ending to the film is stunning. A fitting closure to the piece and the ultimate release from the stifling grip that the makers had held the viewers in throughout the story. Shot in stark black and white by Gilbert Taylor and with Widmark at the top of his game, The Bedford Incident is a must see for the serious War movie fan. 8/10
The story is set during the Cold War and focuses on the captain and crew of the USS Bedford as it patrols the North Atlantic waters for Russian submarine activities. Capt. Eric Findlander (Widmark) is a tough authoritarian figure who drives his crew hard and keeps them ever ready for any sort of incidents that may arise. They respond loyally to his ethics, this is a crew where nobody ever goes on sick call such is the hard approach instilled in them by their captain. Two newcomers have boarded the ship by helicopter: Ben Munceford (Poitier), a liberal newspaper journalist, assigned to write a story about the Bedford and its grizzled captain and a ship's doctor, Lieut. Comdr. Chester Potter (Balsam), a reserve officer who has volunteered for active duty. Both men are quickly disliked by Findlander, he sees their being there as intrusive and upsetting the tough equilibrium of his ship. When a Russian sub is spotted unlawfully in Greenland's territorial icy waters, Finlander stalks it ready to take action. But the top brass doesn't want a perilous situation arising between the two nuclear powered ships and orders Finlander to sit tight, something he is unable to comprehend and intends to do things his own way. With his hard driven crew at breaking point, this could turn into a catastrophic incident...
Taut, tense and impeccably acted by the cast, The Bedford Incident is a superior psycho-drama that feeds off of the paranoia of the Cold War and cloaks it in military claustrophobia. It offers up the dangers of military aggression fuelled by some sense of patriotic duty, with an intriguing "hunt till we drop" iron fist ethic making for an engrossing narrative thread. The film of course is not alone in the "doomsday" scheme of things, even the previous year had seen the release of Sidney Lumet's Fail-Safe and Stanley Kubrick's Dr. Strangelove (a link here coming courtesy of James B. Harris having been Kubrick's producer for almost ten years), but Harris' movie is more than the equal of any other film with the same thematics. The box office returns for the film at the time didn't do it justice, but time has been kind to the movie. For now it can be viewed as a lesson in jangling the nerves, a reference point in how to script polar opposite characters; thriving on dialogue set in amongst murky military zeal and an unstable political environment. Now more than ever the film serves as a cautionary tale. Tho there's some differences from the book, the film follows the novel fairly closely. However, the big change comes with the ending. I don't consider it hyperbole to suggest that the ending to the film is stunning. A fitting closure to the piece and the ultimate release from the stifling grip that the makers had held the viewers in throughout the story. Shot in stark black and white by Gilbert Taylor and with Widmark at the top of his game, The Bedford Incident is a must see for the serious War movie fan. 8/10
Along the same lines as FailSafe this is a tense Cold War drama with a cat and mouse game going on between an iron willed Navy Captain and an essentially unseen Soviet submarine. Great performances all around are what make this a good film. Richard Widmark is great as the somewhat tyrannical ships skipper who has his crew drilled, trained and poised for all out war up to the breaking point. Sidney Poitier as always does another superb job as the journalist aboard to do a story of a Navy deployment and gets more than what was expected. Despite the fact that an individual like the Poitier character would not enjoy that much freedom aboard a US Naval vessel this motion picture is quite realistic. Martin Balsam and James MacArthur also put in outstanding performances with Balsam as a newly arrived unappreciated ships doctor and MacArthur as an Ensign who is dogged endlessly by his commanding officer.
Did you know
- TriviaAlthough by this point Sidney Poitier had been making films for 15 years, this was the first film he made in which his race was neither mentioned nor relevant.
- GoofsWhile at General Quarters (battle stations), some officers of the USS Bedford are shown wearing dress blue uniforms. In the mid-1960s, both officers and chiefs wore khaki uniforms while at sea.
- Quotes
[after Finlander orders an anti-submarine rocket armed]
Commodore Schrepke: This is insane!
Captain Finlander: Now don't worry, Commodore. The Bedford'll never fire first. But if he fires one, I'll fire one.
Ensign Ralston: [launching the rocket] Fire One!
- Alternate versionsReportedly, there are two versions with different endings. One version ends with a missile being fired and a torpedo being released from the sub seconds before. In another version the sub is destroyed, and later that evening the German commodore is found aiming a .45 at the nose cone of a live missile. The captain asks why, the commodore gives some reply and pulls the trigger. Mr. Munceford is blown over the side, but survives.
- ConnectionsFeatured in WatchMojo: Top 10 Cold War Movies (2014)
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Details
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- Countries of origin
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- Also known as
- Al borde del abismo
- Filming locations
- Production companies
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- Runtime
- 1h 42m(102 min)
- Color
- Aspect ratio
- 1.85 : 1
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