IMDb RATING
5.3/10
4.1K
YOUR RATING
From out of the arctic comes a gigantic flying, fire-breathing turtle that sets its sights on destroying Tokyo.From out of the arctic comes a gigantic flying, fire-breathing turtle that sets its sights on destroying Tokyo.From out of the arctic comes a gigantic flying, fire-breathing turtle that sets its sights on destroying Tokyo.
Junichiro Yamashita
- Aoyagi
- (as Junichirô Yamashiko)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Gamera's debut film and the rise legendary rival of Godzilla as the King of Japanese monster cinema. I'm going to say this right now, but I'm not much of a fan of Gamera's early films. There were a few interesting ones, like "Gamera vs. Gyaos" and "Gamera vs. Barugon", however, the original series went to sh*t at a much faster rate than the showa Godzilla films. 1968's "Gamera vs. Viras" is a staple to that statement and of course the series would only get worse till the 80s film "Gamera: Super Monster". This film isn't as good as "Gamera vs. Gyaos" and "Gamera vs. Barugon", but is far superior to latter entries.
Positive notes, well for his debut, Gamera looks pretty awesome. The city stomping scenes are well done, of course Japanese studios by 1965 having had lots of practice. The pacing is brisk and believe it or not doesn't drag. Most kaiju films have interesting finales and if you haven't seen this one you'll either laugh or sit in awe. Either way good fun. And the score is far from Akira Ifukube quality, with wildly switching moods, but it hold together.
Bad points, eh, too much borrowed from other monster movies. A monster emerging from the ice, obviously lifted from "Beast from 20, 000 Fathoms" and the black and white look of the film is borrowed, if you will, from the original 1954 Gojira. I suppose that's what happens when you come in that lame in the game. Plus the child character kind of grated on my nerves, a true turtle lover all right. The movie takes itself rather seriously with notions of the Cold War as opposed to the 1965 Toho release "Invasion of Astro Monster" which was light-hearted but more memorable. That film had awesome colorful cinematography, the likes of three monsters (Godzilla, Rodan, and King Ghidorah!!" and a fun and yes zany plot. Plus it was scored by the maestro Akira Ifukube. Comparing it to this film isn't really fair, but Godzilla for the win this round.
However, I still highly enjoy the vintage sci-fi and I recommend the movie to classic sci-fi lovers.
Positive notes, well for his debut, Gamera looks pretty awesome. The city stomping scenes are well done, of course Japanese studios by 1965 having had lots of practice. The pacing is brisk and believe it or not doesn't drag. Most kaiju films have interesting finales and if you haven't seen this one you'll either laugh or sit in awe. Either way good fun. And the score is far from Akira Ifukube quality, with wildly switching moods, but it hold together.
Bad points, eh, too much borrowed from other monster movies. A monster emerging from the ice, obviously lifted from "Beast from 20, 000 Fathoms" and the black and white look of the film is borrowed, if you will, from the original 1954 Gojira. I suppose that's what happens when you come in that lame in the game. Plus the child character kind of grated on my nerves, a true turtle lover all right. The movie takes itself rather seriously with notions of the Cold War as opposed to the 1965 Toho release "Invasion of Astro Monster" which was light-hearted but more memorable. That film had awesome colorful cinematography, the likes of three monsters (Godzilla, Rodan, and King Ghidorah!!" and a fun and yes zany plot. Plus it was scored by the maestro Akira Ifukube. Comparing it to this film isn't really fair, but Godzilla for the win this round.
However, I still highly enjoy the vintage sci-fi and I recommend the movie to classic sci-fi lovers.
I am not going to comment on this film - enough has been said about it. I am going to comment on the two lead American actors - Brian Donlevy and Albert Dekker. Seeing these two in a film again brings back memories. The last time I saw them act together was in the 1942 film "Wake Island". If at all possible get this film and watch it (Available only on VHS). See what a great job these two actors can do with a well written script.
What I loved about this movie is that Gamera is treated as a "bad-ass" villain monster out to destroy Tokyo like Godzilla in his earlier films. The rest of the movies turned Gamera into a child loving superhero. The effects were great rivaling and even surpassing most of the Godzilla films at the time. The scenes of American actors that were shot were actually quite well done. It was fun watching the U.S and Soviet ambassadors arguing at the U.N. Gamera looked pretty cool as well with his glowing eyes and elephant-like roar. Loved the psychedelic glowing animated flying sequences. Got to love that "Plan Z" over-the-top ending. And you can't help but dig that cool theme song. Gameraaaa! Gameraaaaa! Yeah!
It helps to be a kaiju fan if you watch this as an adult. I was able to see the English subtitled version, and found it enjoyable for what it is. It's monster destruction along the vein of Gojira, albeit a cheaper budget, yet more updated special effects. The movie is short so its fairly easy to get through. I love the atmosphere of black and white, and the seriousness of Gamera as a threat to humanity. There is a child present, but he will not totally turn off adults. I'm not gonna pick the film to pieces and tell you what's wrong. It's just good kaiju fun! This movie is as important to the series as the original Godzilla was to his. I recommend it to all true fans of the genre.
It doesn't make sense to give this film a bad rating - but it really doesn't make sense to rate it at all.
Don't assume that means that this film is so ridiculous, it's beyond redemption... well, it IS ridiculous and beyond redemption; but it is certainly enjoyable on its own terms.
If this film is easy to misunderstand, it's because it's really difficult to say what 'it's own terms' really are. It begins clearly intending to compete with the successful Godzilla series; but somewhere about mid-way, it suddenly decides to be about a lonely young boy. In order to salvage its science-fiction credentials, it then comes up with an impossible solution to the Gamera threat to the human race - I can't tell you what it is, but it would take the entire assets of the developed nations of the world to pull off - it might be better to let the big turtle stalk around and just stay out from beneath his feet.
On top of all this wild nonsense, the American release print, which is the only one I know available, adds on some wonderful campy stuff, like the televised debate about the possible existence of the big turtle, and lowest-budgeted attempt to portray a meeting of the UN Security Council you are ever likely to see - even the one in the Adam West Batman movie looks spectacular in comparison.
There is no way to wrap your brain around this one, so don't bother. A guilty pleasure to the max. And one more important point in its favor - unlike most of the other '60s Gamera films, this one moves along at a fine pace and never drags.
So microwave some kettle corn and munch down - you deserve not to take life so seriously you can't enjoy a bit of fluff like this.
Don't assume that means that this film is so ridiculous, it's beyond redemption... well, it IS ridiculous and beyond redemption; but it is certainly enjoyable on its own terms.
If this film is easy to misunderstand, it's because it's really difficult to say what 'it's own terms' really are. It begins clearly intending to compete with the successful Godzilla series; but somewhere about mid-way, it suddenly decides to be about a lonely young boy. In order to salvage its science-fiction credentials, it then comes up with an impossible solution to the Gamera threat to the human race - I can't tell you what it is, but it would take the entire assets of the developed nations of the world to pull off - it might be better to let the big turtle stalk around and just stay out from beneath his feet.
On top of all this wild nonsense, the American release print, which is the only one I know available, adds on some wonderful campy stuff, like the televised debate about the possible existence of the big turtle, and lowest-budgeted attempt to portray a meeting of the UN Security Council you are ever likely to see - even the one in the Adam West Batman movie looks spectacular in comparison.
There is no way to wrap your brain around this one, so don't bother. A guilty pleasure to the max. And one more important point in its favor - unlike most of the other '60s Gamera films, this one moves along at a fine pace and never drags.
So microwave some kettle corn and munch down - you deserve not to take life so seriously you can't enjoy a bit of fluff like this.
Did you know
- TriviaGamera's role as a guardian of children came from director Noriaki Yuasa's own traumatic experiences growing up as a child during WWII. He mentioned that all the adults and teachers he knew would constantly implant to him the importance of nationalism and Imperial Japan's ambitions, only to abandon it all after Japan's defeat. He recounted the story of how of a teacher of his switched from being a outspoken Nationalist into an advocating Communist. Yuasa had also been a child actor and the behavior he witnessed from them lead him to develop a disapproval of actors in general. These sentiments were carried into the making of Gamera, which Yuasa conceived as the only entity children could have faith in.
- GoofsIn the English language version, special effects director Yonesaburo Tsukiji is mistakenly credited as Yonesaburg Tsukiji.
- Quotes
[English version]
Mr. Sakurai: Gamera saved your life.
Kenny: Because he knows I like turtles.
Nobuyo Sakurai: Gamera liked you. Gamera must have a good heart.
Kenny: Gamera's a good turtle.
- Alternate versionsNot released in the USA until 1985, to home video and television, by Sandy Frank under the title GAMERA. To that day, the only way to (partially) see it was the movie Gammera the Invincible (1966), which used the special effects footage from the original Japanese film but most scenes involving human actors were replaced by new ones featuring an American cast. The Sandy Frank version, one of his usual dubbing jobs, was the whole original Japanese footage except for the opening credits sequence, replaced by English translated credits superimposed over an image of moving ocean water. Another difference is that in the Frank dub the names of some characters are Americanized (i.e. Toshio is renamed Kenny).
- ConnectionsEdited into Gammera the Invincible (1966)
- How long is Gamera: The Giant Monster?Powered by Alexa
Details
- Runtime
- 1h 21m(81 min)
- Color
- Aspect ratio
- 2.35 : 1
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