Dark Intruder

It's 1890 San Francisco and a killer is on the loose. Brett Kingsford (Leslie Nielsen) is a rich Sherlock-like sleuth and an expert in the supernatural. Nikola is his diminutive man-servant and Evelyn Lang is his fiancée. Brett follows the tiny figurines found at the murder sites to an oriental demon. His friend Robert Vandenburg (Mark Richman) is disturbed with surprising connections to the murders.

This theatrical movie is only an hour long. It does feel shortened as a full length movie. It's too bad because I was going along on the ride. It turns out that it may have been a pilot for a never-developed show. I can absolutely see it as a modern supernatural mystery series. Nielsen is great as a Sherlock Holmes like character. It's set up for an intriguing early supernatural TV show and a missed opportunity.

Dark Intruder is directed by Harvey Hart and written by Barre Lyndon. It stars Leslie Nielsen, Gilbert Green, Charles Bolender, Mark Richman, Judith Meredith and Werner Klemperer. Music is by Lalo Schifrin and cinematography by John F. Warren.

A murderous fiend is terrorising San Francisco 1890, so supernatural expert Brett Kingsford (Nielsen) takes special interest in the crimes.

A pilot for a TV show that wasn't picked up, Dark Intruder is a whole bunch of spooky fun. Clocking in at just under an hour in length, the pic makes up for what it lacks in mystery inventiveness, with sheer schlocky shenanigans. Moody courtesy of the period setting, complete with lots of fog, shadows and gaslights, the narrative indulges us in gods, oriental mysticism and Sumerian demons, whilst a dwarf, a sinister fortune teller and a mandrake plant all add quirky qualities to the play. There's even a kicker at the finale, so as to not rest on its laurels.

Recommended for sure. 6.5/10

Long before he became an immortal slapstick icon with his role as Frank Drebin in "The Naked Gun" (and became typecast as such until his death), Leslie Nielsen actually was a pretty versatile actor and appeared in numerous cult movies. He starred in the classic fifties Sci-Fi movie "Forbidden Planet" and in the schlocky seventies eco-horror flick "Day of the Animals", for example. Very few people know, however, that Leslie was also the star of this unsold and meanwhile long forgotten pilot episode of a supernaturally themed period series entitled "The Dark Cloak". The pilot film – with an extremely short running time of barely 59 minutes – takes place in the year 1891 in the moody and fog-enshrouded streets of San Francisco. Nielsen is Brett Kingsford, a rather eccentric private investigator specialized the occult. He has a midget butler named Nikolai and doesn't want the world to know that he collaborates with the police, so he disguises whenever they meet to discuss a case. The city is plagued by a series of violent killings, seemingly committed by a monstrous being. Robert Vandenburg, a personal friend of Kingsford who's about to be married, fears that he commits the murders in a sort of trance, but our paranormal investigator suspects there is another explanation.

The Brett Kingsford character is intelligent and slightly arrogant, like Sherlock Holmes, and Nikolai often acts like a miniature version of Dr. Watson. The monstrous murderer is very much like Mr. Hyde (the malicious other side of Dr. Jekyll), while the timing and decors immediately remind you of numerous movies about the infamous Jack the Ripper stories. Most likely these are all the reasons why the TV-series never came and "Dark Intruder" remained an independently released feature film. It's too reminiscent to a lot of other movie franchises and potential sponsors probably didn't want to get accused of being derivative and/or unoriginal. But it nevertheless remains a damn shame that "Dark Intruder" became so obscure, as it's a splendid mystery/thriller with a compelling and convoluted plot, witty and creative comical elements and great performances. The murders as well as various other sequences are tense and hugely atmospheric. The script contains some delightful dialogs, like: "I sense strong psychic indications in this room. Yeah, try using that in court!" and the climax has a nice unexpected twist in store.

Leslie Nielsen is energetic, to say the least, as Bret Kingsford, ostensibly a playboy to everyone he knows in late 19th century San Francisco. But there is more to him than meets the eye. He is an expert on the occult, and secretly helps the local police force when a horrible string of murders are committed. Somehow his soon-to-be-married friend is involved, and Bret suspects someone or something not quite human is at the bottom of it. Leslie dons disguises to meet with the police chief to protect his social status, his victorian mansion has secret doors and passageways, and he plays at being uninterested while mentally taking notes and then disappears, leaving his guest staring at an empty chair. He's somewhat miscast in this film as a playboy, but when he throws off that persona he's fantastic. The foggy atmosphere of San Francisco is used to great effect to enhance the supernatural aura of the film.

This was a failed pilot produced by Jack Laird, who went on to produce "Night Gallery" a few years later, and was released theatrically at a few theaters. It's impossible to find, but deserves to be seen as the unique production it is. In some ways it is a clear precursor to "Kolchak, the Nightstalker", and also to the wonderful demon-themed TV movie "Spectre".

As a second feature in 1965, this arrived with little fanfare and was probably dismissed by most viewers. Since it was a discarded pilot for a series called " The Black Cloak'' that was never picked up, the studio probably figured they could a make a buck or two on it. But then when people saw it they realized that like the 1966 Chamber of Horrors ( which had some similar plot elements) , this was a little masterpiece of moody economical horror. Mark Richmond and Leslie Nielsen are terrific as the villain and hero. The creepy black and white photography is atmospheric and the tone is one of dread and impending doom. I saw this once in the theater 41 years ago and I would love to see it again. Why not release this on DVD ?