Faster, Pussycat! Kill! Kill!

Expectations were very high when watching this, but its not Russ Meyers best. The superwoman are tough as nails or as a velvet glove dipped in iron as they say, almost all lines of the movie is memorable, Tura Satana and co shouts them out in the coolest fashion and this makes up for the strongest feat of the movie. I promise you'll laugh more than a few times by them..

Its cousin 'Motorpsycho' however was more accomplished than this was. The story doesn't have as much potency (no pun), the girls are good, but not all that and the absurdity reached in 'Supervixens' and 'Motorpsycho' is not reached here.

Its still a campy classic though.

While there are some who argue that it is a pro-feminist flick with lots of social significance, truth is FASTER PUSSYCAT KILL KILL is a very deliberately made bit of ultra-drive-in trash, a movie that glories in all things low-brow, low-rent, and low-neck lined. And it has a cast that makes up for their collective lack of talent with lots of attitude and lots of cleavage.

The story is as hooty as the cast. Tura Satana, she of the lethal chest, leads minions Haji and Lori Williams away from the grind of their jobs at the go-go joint and out into the desert. They race their cars. They wrestle in the water and then in the sand. They dance the watusi. They bump off this guy who shows up wearing plaid shorts. (Given his attire you might read this as a mercy killing.) Then they set their sights on an old lech and his dum-dum sons, hoping to make away with their money. Faster Pussycat indeed! The script is deliberately absurd, with an emphasis on memorable one liners that try to out-cliché all known clichés. But the real attraction here are the "pussycats." It isn't often that you see a 2D movie with 3D effects, but that's exactly what happens when Tura, Haji, Lori, and their six talents hit the screen. These are three big-busted, nip-waisted women with evil attitude, and they sneer, snarl, snap, and slither around the screen with all the aplomb of trailer park drag queens gone bad. It's more "tacky cool" than a 1965 plastic jewelry box explosion.

Now, how much you like this sort of thing really depends on how warped your sense of humor is. Cheap though it is, the thing is remarkably well done, and taken in the right way the combination of trailer-park chic, retro-hysteria, and ultra-attitude is a lot of fun... and when the pussycats hit the screen you may think you're about to get a black eye, and I don't mean from their fists! Breakout the popcorn and some protective glasses: Tura and the Pussycats are coming at ya! GFT, Amazon Reviewer

Three beautiful female dancers are driving through the desert when they come across a young couple. They kidnap the woman and leave the man for dead. Travelling further they come across an old man living with his two sons. The old man is apparently sitting on a pile of cash and the girls do their best to separate him from it.

Knowing Russ Meyers' later movies I wasn't expecting too much from this movie. Turned out to be a much better than I expected.

It has the hallmarks of Russ Meyer movies: incredibly beautiful women as the heroes (or main characters, at least), a trashy sort of feel and mediocre performances. However, here the usual random plot is replaced by a decent one. Is an interesting, gritty adventure and the characters are quite engaging. Hardly a dull moment, is paced well and doesn't overstay its welcome. Good fun.

I've got to admit, after the first ten minutes or so; I really didn't think I was going to like this film. However, it isn't long before Russ Meyer's film takes off - and before I knew it, I was watching one of the greatest pieces of trash ever to hit the silver screen! If you want a B-movie; this film has all the essential ingredients. We've got fast cars, fighting, killing, snappy dialogue and a trio of buxom beauties in the lead roles! It's quite clear that this film is made purely for entertainment value - as the plot is non-existent, and the characters don't go any deeper than the common B-movie stereotypes, but it doesn't matter - because entertain it does, and this is about as 'cult' as it gets! Shot in crisp black and white, and with all the energy of the Nouvelle Vogue cinema doing the rounds in sixties France, Faster Pussycat! Kill! Kill! (awesome trashy title) follows three women; dancers by night, and fast car riding killers by day! We follow them as they stumble upon an old farmhouse, inhabited by an old man as sick as they themselves. He's got some money hidden, and the lead chick wants it...only the old man and his sons stand in her way.

It's immediately clear that acting isn't this film's strongpoint; the dialogue sounds forced and ridiculous, and none of the cast do good jobs of making their characters real - yet in true trash fashion, it's the ensemble that is this film's main asset. The trio of women are the main players, with the busty and exotic Tura Satana taking centre stage and being backed up by Haji, and the stunning Lori Williams. These three would make any film worth watching, and the way that Russ Meyer ensures that the girls are always the strongest presence on screen gives Faster Pussycat a lot of its cult value. The film moves quickly, and the action is fast edited and cut with an imminently cool soundtrack, thus making the film amazingly watchable and an obvious influence on the likes of Quentin Tarantino. The fact that this film pokes fun of cinematic violence by having women in the leads will always make it memorable; the fact that they've got big breasts only makes that more so. This is an absolute cult classic and, I suspect, a film that I'll be seeing over and over again. This is one of those films that has to be seen to be believed - so make sure you don't miss it!

I have watched and enjoyed most of Russ Meyer's output, and will quite happily defend his lesser works, but two of his movies have a life of their own and have managed to reach a larger audience than "just" card carrying Meyer nuts. They are 'Beyond The Valley Of The Dolls' and this one, 'Faster Pussycat! Kill! Kill!'. Both movies are trash classics and never fail to entertain no matter how many times you have seen them. 'Faster Pussycat!' really succeeds mainly because of the three strong leads, Tura Satana, Lori Williams and Haji. Any one of them would be enough for Meyer to plan a killer movie around, but all three together is dynamite! Satana, strangely enough, did very little movie work after this, mainly a couple of Ted Mikels turkeys. But it doesn't really matter because her screen immortality is assured. Her performance in this movie is more than enough! Williams also went on to very little, but she is very good here, and stylistically reminds me quite a bit of Erica Gavin in 'Vixen!'. In fact one could almost bet that if Meyer had been aware of Gavin when he made this movie she would have played the part of Billie. Haji appeared in a few more Meyer movies, including his masterpiece 'Supervixens', but this is probably her strongest role. All three women, who play go-go dancers by night, thrill seeking criminals by day, are simply wonderful and their chemistry and repartee are priceless. Meyer regular Stuart Lancaster is also in fine form as a dirty old man with more issues than a daily newspaper. There are so many unforgettable scenes in this movie it's difficult to single any out. The whole movie just rocks period. Many late 60s movies attempted to emulate a camp, comic book appeal ('Barbarella', 'Diabolik',etc.etc.) but in many ways Meyer beat them all, and did so without technicolor, large sets, multiple costumes, special effects and other gimmicks. Just crisp black and white photography and three chicks in the desert. Plus a brilliant theme song later immortalized by The Cramps. Russ Meyer divides most viewers. You either "get it" or you don't. If you aren't familiar with his work this is probably THE place to start. Watching this movie for many is a life changing experience! 'Faster Pussycat!' is one of the most original and entertaining movies made in the 1960s, and continues to amuse and inspire right into the 21st Century. Every time I watch this movie I am knocked out. This is a bona fide cult classic that gets better and better as the years go by. Absolutely essential viewing for anyone who loves exploitation movies, The Sixties, rock'n'roll and/or buxom babes!