In this sequel to Room at the Top (1958), Joe Lampton (Laurence Harvey) thinks he has really made it by marrying the boss's daughter in his northern mill town. But he finds he is being sidel... Read allIn this sequel to Room at the Top (1958), Joe Lampton (Laurence Harvey) thinks he has really made it by marrying the boss's daughter in his northern mill town. But he finds he is being sidelined at work and his private life manipulated by his father-in-law.In this sequel to Room at the Top (1958), Joe Lampton (Laurence Harvey) thinks he has really made it by marrying the boss's daughter in his northern mill town. But he finds he is being sidelined at work and his private life manipulated by his father-in-law.
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- Nominated for 1 BAFTA Award
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This worthy sequel to "Room At the Top" (1958) reunites a few from the old gang, Laurence Harvey, Donald Wolfitt, and Allan Cuthbertson and welcomes Honor Blackman, Nigel Davenport and Robert Morley. Heather Sears has morphed, somewhat improbably, into Jean Simmons. DP Oswald Morris conveys a sense of doom in the saga of Joe Lampton, which could be subtitled, "you may take the boy out of the proletariat, but you can't take the proletarian out of the boy." Rigid class divisions, more a feature of England than most other countries, are clearly limned here. John Braine's themes of sin, forgiveness and redemption are well-articulated.
Still valid and with a great cast and storyline. Harvey shows a greater range of acting ability in this role and Simmons is excellent, as is Honor Blackman.
Edward Fox makes his first appearance in film - for about 20 seconds !!
Edward Fox makes his first appearance in film - for about 20 seconds !!
I enjoyed this more than Room at the Top, there was more of a storyline and Laurence Harvey wasn't quite so wooden.
Jean Simmonds was far stronger as Joes wife, Susan, than Heather Sears in the first film, and this gave a lot more bite to the relationship.
A lot was made of the canal-side development, but this never reached a conclusion. It was just left hanging as the film concluded the other storylines.
The first film was set in 1947 and this was 10 years on, so Harry's 10th birthday would have been early 1958, but there were at least two references to be set in the 1960s. The first, in the background is the soundtrack album for Never on a Sunday, which was released in 1960. Also, Joe telling his father-in-law about his halitosis refers to a Christmas Party in '61 and by inference this was at least a couple of years previously.
The first film was set in 1947 and this was 10 years on, so Harry's 10th birthday would have been early 1958, but there were at least two references to be set in the 1960s. The first, in the background is the soundtrack album for Never on a Sunday, which was released in 1960. Also, Joe telling his father-in-law about his halitosis refers to a Christmas Party in '61 and by inference this was at least a couple of years previously.
As a sequel to "Room at the Top" by the same author John Braine, it is less passionate but more intricate and psychological, as Laurence Harvey finds himself in the difficult position of being married to Jean Simmons, the daughter of a prominent businessman (Donald Wolfit) who gives him everything as his son-in-law except integrity and self-respect. He finds himself at a loss missing this most important thing in life as his wife deceives him with his best friend, and he tries in desperation to find an alternative, which he believes himself to find in Honor Blackman, a successful political TV journalist. The experiment is not very successful though, and he still considers himself stuck in the net of his father-in-law, while Jean Simmons is very different from her father.
It's a complicated case which poses many problems and questions, but ultimately there seems to be some solution in the form of some compromise. The cast is excellent, every actor here is super and just right, even Robert Morley as a competitor of Donald Wolfit adds to the party, and above all this is a humanly interesting film, posing questions and problems of marriage, position, career, integríty and loyalty/disloyalty - an extra touch of excellence to the film is Richard Addinsell's music, which is needed indeed in the bleak environment of industrial Yorkshire. Jean Simmons as always lifts the film to a very interesting level, Laurence Harvey is an excellent match for her in acting, while all the others merely add details to the predicament of these two. If you have seen "Room at the Top", this will not be a disappointment to you.
By Allah, this movie depressed me. Not many people are like a brain this movie because they all have their flaws and of course that is like real life still at remains and moving you want to be entertained where is the entertainment offered in this film flick are not really the kind you want to write home to your parents about and because of this once again the movie ends up to be pretty boring especially if you haven't read your original book on which this movie by the way even is a sequel on so you wonder what it is all about and then when you watch the movie you cannot help but feeling disappointed in the depressing life choices some of the characters are making. Personally I did not dislike the acting performances and by Allah Jean Simmons is always a wonderful marvel to look it. Mashallah!!
Did you know
- TriviaJean Simmons replaced Heather Sears who had played the role of Susan Brown in the previous film Room at the Top (1958). All the other returning characters from Room are portrayed by the original actors: Laurence Harvey as Joe Lampton, Donald Wolfit and Ambrosine Phillpotts as Susan's parents, Mr. and Mrs. Brown, and Allan Cuthbertson as George Aisgill.
- GoofsWhen the dog in the car is seen audibly panting, its mouth is neither open or moving.
- ConnectionsFeatures Room at the Top (1958)
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Details
- Runtime
- 1h 57m(117 min)
- Color
- Aspect ratio
- 1.66 : 1
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