Life at the Top

"Life at the Top" from 1965 is touted as a sequel to "Room at the Top," which it is, but you could watch this without having seen "Room" without much problem.

Joe Lampton (Laurence Harvey) has had his dreams fulfilled - he's married to the boss' daughter (Jean Simmons), he's working for his father-in-law in a high position, and he's managed to squash his lower-class upbringing. However, he's miserable. He's bored out of his mind and angry with his wife, who keeps getting her father to pay for things. When he meets a pretty TV correspondent (Honor Blackman) he perks up.

This is a good movie with an excellent performance by Laurence Harvey, who really picks up where he left off with Joe Lampton, angry, ambitious, resentful, and womanizing. Jean Simmons is in the Heather Sears role, and she's wonderful - beautiful, sensual, and determined to keep her husband despite her own failings. I've always thought Simmons was highly underrated as she was always in competition with Audrey Hepburn and other bigger stars of the day for roles. She is glorious in her British films that she made when she was very young, and of course, Elmer Gantry and Angel Face, to name only two.

Worth seeing, and it answers the question, will Joe Lampton ever find happiness?

This worthy sequel to "Room At the Top" (1958) reunites a few from the old gang, Laurence Harvey, Donald Wolfitt, and Allan Cuthbertson and welcomes Honor Blackman, Nigel Davenport and Robert Morley. Heather Sears has morphed, somewhat improbably, into Jean Simmons. DP Oswald Morris conveys a sense of doom in the saga of Joe Lampton, which could be subtitled, "you may take the boy out of the proletariat, but you can't take the proletarian out of the boy." Rigid class divisions, more a feature of England than most other countries, are clearly limned here. John Braine's themes of sin, forgiveness and redemption are well-articulated.

As sequels go, this isn't half bad. Aspirational, working-class lad "Joe" (Laurence Harvey) has managed to marry the boss's daughter "Susan" (Jean Simmons), has the semi detached trappings of middle class luxury but his life consists little of substance. His career is going nowhere fast and he is soon being tempted by the visiting television star "Norah" (Honor Blackman) as his wife embarks on an affair de coeur of her own with the rather unfortunately wooden Michael Craig ("Mark"). Has he the fortitude to go it alone; does he even really want to? The story isn't as potent as "Room at the Top" (1959) but both Harvey and Simmons as well as a strong series of cameos from the likes of Sir Donald Wolfit and Robert Morley still work well to convey many of the frustrations of a young man trying to escape the bonds of a class system and of a woman who has never had to want for anything, efficiently. It looks good. The photography is intense, almost intrusive at times, and the score from the accomplished Richard Addinsell adds much to the story and in many ways substitutes for a rather wordy and descriptive narrative. It's a good film, not a great one, and it is good to see Simmons remind us just how adaptable an actress she was.

The Kitchen Sink was beginning to get a bit clogged up by the time "Life at the Top" appeared. This was the sequel to Jack Clayton's "Room at the Top" and the critical reception was a good deal cooler than it was back in 1959 which was a pity as this is a pretty good film. Joe, (Laurence Harvey, obviously, and very good indeed), hasn't really changed his ways. He's still married to the boss' daughter, (now played by a superb Jean Simmons), but he embarks on an affair with TV anchor woman Honor Blackman while wife Susan plays around with Harvey's friend Michael Craig.

There isn't a great deal that is new in Mordecai Richler's script which basically rehashes the first picture, (and Blackman is certainly no match for Signoret), but director Ted Kotcheff keeps it ticking along very nicely and Oswald Morris' cinematography is definitely a bonus. In the end it boils down to the chemistry between Harvey and Simmons and they certainly rise to the occasion. No classic then but no turkey either.

Still valid and with a great cast and storyline. Harvey shows a greater range of acting ability in this role and Simmons is excellent, as is Honor Blackman.

Edward Fox makes his first appearance in film - for about 20 seconds !!