Tattooed Life

The versatility and pathos Suzuki displays for what would otherwise be run of the mill yakuza flicks, never ceases to amaze me. Tattoed Life from 1965 is no exception to the rule of stylistically superior and emotionally powerful films he has under his belt.

The movie begins with the story of two brothers on the run after they murder a yakuza higher-up. One of them is the older, seasoned yakuza veteran. The other is the younger, sensitive artist. The older brother knows he's a no good criminal and thus wants to see his younger brother fulfill his dreams of becoming a sculptor. Trying to hide from the yakuzas that want their heads on a spike, first they get conned from a professional conman that promises transportation to China and then they join a construction crew that builds tunnels for another family. The story can be roughly divided into three acts. The escape from the yakuzas and their mishaps until they settle with the tunnel workers. The romance that develops between the brothers and the daughter and wife of their boss. And the final showdown.

The middle with its focus on romance and the dramatic relationship between the brothers may appear to drag a little, but it's every bit as important in establishing characters and setting up the final act. Suzuki elaborately constructs his characters, piece by piece, every scene adding to their personality and motives so when they final climax arrives, it's as powerful as it can possibly be.

Speaking of the final climax, it's easily the best part of the movie and a stylistic achievement in and off itself. Suzuki concocts an action opera full of psychedelic images, colourful lighting, deep shadows and peculiar camera angles to bring the story to a conclusion. Transformed in a Japanese Achilles, the older brother storms the enemy clan stamping grounds and aided with Suzuki's imaginative direction, skilled composition and set design, transforms a long combo of swordfight and gunfight action into a maelstrom of psychedelic images. It seems as if he was trying hard to restrain himself during the entire movie, so he could go out with all guns blazing for the finale. Fabulous.

A sprawling combination of drama and yakuza action with a dash of romance, Tattoed Life is the whole package. This is substance AND style at its best.

Part of the cycle of genre and Yakuza movies that Suzuki directed for Nikkatsu in the early to mid sixties, this film is one of his most memorable. It may not be as well known here as other films in this cycle, probably due to the period setting (1925), and the fact that the middle section has no fighting or action, as it focuses on the fugitive yakuza hiding in the crew of a tunnel construction project.

Suzuki's design sense shines here, with bridges, trains, boats serving as a modern architectural counterpoint to the beautiful Japanese open vistas. It is interesting how similar the themes of this movie are to recent genre films such as Bangkok Dangerous, and how different the execution. The action scenes are short bursts of stylized fighting mixing gunplay with samurai action. The story is more engaging than Suzuki's other Yakusa films. I got the feeling that the director was trying his best to explode the strict confines of the genre, while delivering a commercial product. The buildup to the extraordinary final confrontation, a choreographed samurai style fight inside and outside a traditional Japanese house, is very satisfying. Also interesting are the weird touches like the red boots two of the movie's characters wear.

In my humble opinion, another classic from Mr Suzuki.

I watched a few months ago Seijun Suzuki's BRANDED TO KILL, and it was one of the best movies i have watched the last years. I am a big fan of Japanese cinema and i love discovering hidden gems like this, there are many of them. I watched other films of his as well, like Kagero-za and Gates of flesh. They weren't as good as BTK but i sort of liked them too. Unfortunately, TATTOOED LIFE is the worst film of his that i have seen. There was nothing subversive, brilliant or unpredictable here. A straight story, naive, dated and boring. Nothing darkly comedic or surrealistic like his other movies. Furthermore, the characters were absolutely dumb. Leading characters were not unlikeable but i couldn't root for them, their actions didn't make sense.

If you want to watch a simple, moral story, maybe you will like it more than me.

It was made thru a small Japanese studio Nikkatsu the master Seijun Suzuki enforces an unusual plot of Yakuza-Samurai clash, where a former Yakuza killer aiming for protect his young brother a bright designer sponsoring his study at art school, sadly when the newbie guy sees his brother in jeopardy he aids him at deadly ambush that ends up killing a mob's leader ruining for good the prearranged life plan, so both move out quickly targeting reach at Manchuria where the outlaws can work and raise money freely.

However they are misleading by a crook guy and it postponed the travelling, so that's left is working around at small constructing company, there the young one falling in love by Boss's wife meanwhile the older is harassed by Boss's sister, so between betrays, intrigue and hard work suddenly appears the opposite mobster asking for the souls of killer brothers, the craftsman Suziki as usually exploits it in strong colors sequences scattered along the offering.

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First watch: 2025 / How many: 1 / Source: DVD / Rating: 7.5.

As a fan of Suzuki's films I find this lesser known one to be his best. The story is told very traditionally and has some interesting facets. There is the unexpected love story and an uncommon setting. The love story in particular and the way it evolves is handled with the greatest of care and without any of the madness that trademarks some of the author's films. So Suzuki slowly builds an intrigue which although quite original is perfectly understandable. And then he boils down all of what he is notorious for, expressive colors, exquisite angles,... in the final act which you will want to watch over and over again. If you are scared away by the slow pacing of some Japanese film this one will reward you with this final act which I found to be one of the most memorable ever.