In 1927, Carl Brown marries Annie McGairy and goes to college, but taking his young wife with him creates difficult challenges for both of them, for their parents back home, and for the camp... Read allIn 1927, Carl Brown marries Annie McGairy and goes to college, but taking his young wife with him creates difficult challenges for both of them, for their parents back home, and for the campus faculty.In 1927, Carl Brown marries Annie McGairy and goes to college, but taking his young wife with him creates difficult challenges for both of them, for their parents back home, and for the campus faculty.
Samuel Fordis
- Cantor
- (scenes deleted)
Malcolm Atterbury
- Willis J. Calamus
- (uncredited)
Madge Blake
- Miss Vi
- (uncredited)
Jeanine Cashell
- Miss Dowling
- (uncredited)
William Challee
- Old Derelict
- (uncredited)
Featured reviews
"Joy in the Morning" is a touching and revealing movie about the way Americans liked or wished to project their culture. Consider going back to 1965, the "American Dream" is being shaken and eroded several times by movies such as Peyton Place (1957), Summer Place (1959), Splendor in the Grass (1961), The Chase (1965)... We are about to loose our innocence as reports of fighting in a still obscure country in South East Asia are growing the news headlines. Any movie has to be enjoyed or critiqued in the context/era/location it was produced. I grew up in those insecure days torn between the "good ol' American Boy image" and that of a "Beatnik". For those who do not know or remember, we were not supposed to have any sexuality then. Good girls (and most good guys) were marrying as virgins, that is until Dr Kinsey came out with his shocking ground-breaking study on Sexuality that proved otherwise. Television and movies were heavily censored, violence was many times more acceptable than nudity. Sexual desires/acts had to be "hinted to" or assumed by it's consequences (such as babies) on the big screen.
Joy in the Morning is a melodramatic depiction of a reality that is unfortunately "too real" and "too common" as I would find out in my later years. The themes depicted, the tragedies and the conflicts are ageless and would be retold successfully time over (The Graduate 1967, Love Story 1970...). Despite what powers to be want us to believe, love is ... "what makes the world go round" and the only reason we are on earth for besides survival. We (man/woman) could not live a fulfilling life if it was not for love regardless of who it is directed at (spouse, family, friends...). This is why this movie did hit a sensitive area in my heart. It is refreshing to look at what life was supposed to be then with good production values, excellent music score, and the hope that one day, I too will find the right person for me.
Overall, Joy in the Morning is a sweet and realistic story of the times to enjoy with your loved one on the couch, sipping a soda and eating popcorn, like the good old days...
Joy in the Morning is a melodramatic depiction of a reality that is unfortunately "too real" and "too common" as I would find out in my later years. The themes depicted, the tragedies and the conflicts are ageless and would be retold successfully time over (The Graduate 1967, Love Story 1970...). Despite what powers to be want us to believe, love is ... "what makes the world go round" and the only reason we are on earth for besides survival. We (man/woman) could not live a fulfilling life if it was not for love regardless of who it is directed at (spouse, family, friends...). This is why this movie did hit a sensitive area in my heart. It is refreshing to look at what life was supposed to be then with good production values, excellent music score, and the hope that one day, I too will find the right person for me.
Overall, Joy in the Morning is a sweet and realistic story of the times to enjoy with your loved one on the couch, sipping a soda and eating popcorn, like the good old days...
While Herrmann's musical score is a pleasure, as always, the film itself is a claptrap of soap opera clichés, and melodramatic scene-chewing performances. Mimieux screeches her way through the script, and Chamberlain comes across as an absolute jerk.
The adjacent fawning posts really puzzle me.
Being that this was released in 1965, I am somewhat surprised that the homosexuality of one character (the flower shop owner) is tiptoed around so blatantly - well, they did use the phrase "sissy" several times. Actually, he is the most developed character in the film, and his life would have made a much more interesting plot.
The back lot filming is obvious and uninvolving.
The two leads spend an awfully large amount of time in childish tirades. That so many viewers would see this as representative of true love, is somewhat disturbing.
Again, great score..........little else.
The adjacent fawning posts really puzzle me.
Being that this was released in 1965, I am somewhat surprised that the homosexuality of one character (the flower shop owner) is tiptoed around so blatantly - well, they did use the phrase "sissy" several times. Actually, he is the most developed character in the film, and his life would have made a much more interesting plot.
The back lot filming is obvious and uninvolving.
The two leads spend an awfully large amount of time in childish tirades. That so many viewers would see this as representative of true love, is somewhat disturbing.
Again, great score..........little else.
10niki87
I tried to write a review from a long ago memory & a few hours later found that Joy in the Morning would be on TCM at 4:00 am Wed morning. Not only did I record the movie but I was too excited to sleep after waiting so many years to see it again. I watched it at 4:00 am & have already watched it again this morning. If you want to see Richard Chamberlain & Yvette Mimieux at their best, this is the movie to see. The bitter-sweet love story & struggle of two young people starting their life together is beautifully written and if this isn't enough, just hearing Richard sing the title song is enough to make you want to watch it over & over.
I remember seeing this movie on TV, probably the 4:30 Movie or The Million Dollar Movie. Being a pre-teen when I saw it for the first time, I was enthralled with the gentle love story. Richard Chamberlain was the most handsome man I had ever seen and I was in love the minute I saw him in this film. Betty Smith has been one of my favorite authors and this film and A Tree Grows in Brooklyn are on the top of my list of my all time best loved films. I had not seen this film since the early 70's, but it always stayed with me. Whenever I would talk to another 'film lover' this film was always mentioned. I am glad that TCM has shown it a few times over the year, and a friend taped it for me. I watch it whenever I want to be transported back to a gentler time and place. I feel like a teen-ager when I watch it. Just the BEST!!!
This story about young love is timeless. The acting is superb, the story is very touching and the characters are interesting. Happy endings are always sooo good. I love the fact that Carl sees the real Annie. The Annie behind the circumstances and experiences of her life. He sees the beautiful person that she is. Carl is brave and courageous in his love for her. She shows him that she is more than worthy of that love. The love scenes are beautifully done. Richard and Yvette have a strong screen chemistry. The cast of supporting characters are phenomenal. I think this generation should definitely see this movie. It is uplifting, riveting, with excellent values. Definitely in the genre as the more recent "A Walk To Remember".
Did you know
- TriviaFinal film of Jeanine Cashell.
- GoofsWhen Annie and Carl are showering in the locker room, you can see that Carl is wearing sweatpants when he's supposed to be nude.
- ConnectionsFeatured in MGM 40th Anniversary (1964)
Details
- Runtime
- 1h 43m(103 min)
- Aspect ratio
- 1.85 : 1
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