A Patch of Blue

"A Patch of Blue" was perhaps the best film in which Elizabeth Hartman appeared. In fact, this was the movie in which the young actress made her movie debut. Guy Green, the director, took quite a chance when he entrusted Ms. Hartman to play such an important role. Unfortunately, her career didn't do much for her as it appears Hollywood forgot her and she was relegated to do television work. In fact, Ms. Hartman only made six full length movies, when she deserved to have been seen more.

The story of "A Patch of Blue" is about how blind we humans are. Yes, Selina is blind, but she sees people as they really are. This abused young woman is more intelligent than she is given credit for. She might not have the use of her eyesight, yet she recognizes kindness when it comes her way without making judgment on the only true friend she encounters in her life.

Gordon, the nice black man who stumbles upon Selina in the park, is amazed how no one has ever paid attention to her. Clearly, he sees the potential the young woman possesses and he is determined to help her in whatever way he can. Selina, on the other hand, couldn't care less what color Gordon is because she has seen beauty in the way he tries to give her the chance in life her own mother didn't bother to get.

Rose-Ann, the mother is only interested in her own needs. She is a sad woman who is saddled by a daughter that she sees as a burden, yet, she is the one that caused the blindness because of her careless actions. Rose-Ann is a prejudiced woman who judges Gordon too quickly without even investigating how he is trying to help Selina.

The film will not disappoint. Ms. Hartman did an excellent contribution to a film despite her inexperience. Sidney Poitier made a sympathetic Gordon real. Shelley Winters, who won the Oscar for this film doesn't have much to do, and even though she does good work, one has to be leery of those Academy members that voted her the best supporting actress of that year when she deserved accolades for many other excellent contributions to films she did before this one.

"A Patch of Blue" owes a great deal to its director, Guy Green, who fought to make the film and for having Elizabeth Hartman in it.

I recently saw "A Patch of Blue" and simply had to comment on it. This beautiful, intelligent, heartbreaking film tells the story of Selina (Elizabeth Hartman), a young blind woman who is isolated from the outside world by her vulgar, abusive mother (Shelley Winters, who won her second Oscar for this role). Selina is naive and rather complacent about her dark, lonely world, until she meets a compassionate businessman named Gordon (the always magnificent Sidney Poitier). Gordon shows Selina exciting experiences in the real world which we normally take for granted, such as pineapple juice and a fun trip to the supermarket. Selina sees Gordon as smart, kind, caring, and tolerant (an important word in the movie), but sadly, all others can see is the fact that Gordon is black. Can love conquer all, or will cold, hard reality plummet these two back to earth? I don't think I've ever seen actors so effortlessly handle material that is normally seen as sentimental and sappy, even though it can and WILL make you cry. What makes the film more tragic today is that Elizabeth Hartman took her own life at the age of just 43. The ending is a true heartbreaker, but it also leaves you with an optimistic feeling for Selina and Gordon's futures. In his autobiography, Sidney Poitier admits that of all his films, "A Patch of Blue" holds a unique and special place in his heart. It touched him that much, and it will do the same for you. Please have some Kleenex handy and let yourself see "A Patch of Blue".

I love this movie so much. I bought the DVD and I can't seem to stop watching it. The acting by the superb cast and the plot is what makes this movie stand out from many other good movies. Guy Green did an awesome job picking the cast.

SIDNEY POITIER:Sidney does a great job as Gordon Ralfe. An African-American business man who lives with his brother, Mark and tries to live an ordinary life. He is also a compassionate man who has a giving heart and doesn't judge everyone.

ELIZABETH HARTMAN:I think Elizabeth Hartman's performance is what makes me want to keep watching it over and over again. Hartman plays soft spoken Selina D'Arcy. Accidentally blinded as a child, Selina learns how to deal with life despite having not been taught very much. Selina only knows how to do the house chores and is used to the constant abuse by her mother and grandfather which whom she lives with. Selina is as fragile and naive as a small child. Although blind, Selina doesn't let that get in the way. Visits to the park and her small job of beading necklaces are how she and Gordon(Poitier)actually meet. Hartman's performance is the rare gem of it all.

SHELLY WINTERS:I didn't really like Winters in this role. But because she played it so well....I can say that I liked it. Winters plays Rose-Ann D'Arcy, a middle aged, foul mouthed prostitute who's also Selina's mother. It is her fault that Selina is blind. Her fault that Selina was raped and her fault that life is the way it is for Selina. But Rose-Ann doesn't care about anyone but herself. She bad mouths her own father and physically abuses Selina. She has a short temper and makes money the best way she knows how. She apparently makes life a living hell for almost everyone.

The love Selina has for Gordon is as pure and heart warming as true love can get. I don't normally like romance movies but this movie is far from that. It's a story of the love two people from different worlds have for each other and let nothing get in the way. I LOVE IT!!!

A very well-cast film version of Elizabeth Kata's novel. Jerry Goldsmith's score blends beautifully with the film's poignancy. Outstanding debut by the late Elizabeth Hartman; she is unforgettable as the blind Selina D'Arcy. Poitier is terrific as the insightful Gordon, and Shelley Winters gives a blistering portrayal as Selina's abusive, bigoted mother (Winters won Best Supporting Oscar).

What a surprise. It had been a long time since I saw such an honest, sensitively-made film, and it really brings to mind that old statement "They don't make 'em like they used to." How refreshing to see a film that handles potentially mawkish, TV movie-of-the-week style material (blind white girl falls in love with sighted black man) with sophistication, grace and lack of sentimentality. These are real humans that emerge out of the script, and the central performances of Sidney Poitier and the sadly forgotten Elizabeth Hartman take the tender screenplay and deliver beautiful, deeply touching performances. It is, simply put, a joy to watch them perform together.

Credit must also be given to a young Jerry Goldsmith's sweet, delicate score, and Robert Burks' (Hitchcock's favorite DP) rich black and white cinematography. Almost impossible to find in its original widescreen format, still very worthwhile rental material.