Return from the Ashes

Certain films travel just below the radar. "Return from the Ashes" is such a film. The ones who've seen it never forget it but somehow it's nowhere to be found. Never on video and so far not on DVD. I'm not going to tell you about the devilish plot because that's most of the pleasure of seeing it for the first time. Just let me wet your appetite by saying that Maximilian Schell plays a young amoral polish guy who seduces a French, older, wealthy widow, played for real by a great Ingrid Thulin. The action takes place at the dawn of the German occupation. She is Jewish he is not. When Schell asks her to marry him, she laughs it off as a surprisingly conventional request but he means it saying "At this time is not convention but defiance" So he marries the older Jewish woman...that's all I'm going to tell you about the story. Samantha Eggar, beautiful and skinny gives a powerful performance of seductive evilness. She is a stand out of major proportions. The ending seems a bit of a commercial concession but it doesn't spoil the cleverly tailored plot. If you see it announced on late night TV, set up your VCR or whatever contraption at your disposal.

J. Lee Thompson may have been only a jobbing director but he was one of the best, graduating from British studio pictures in the fifties to international hits such as "Ice Cold in Alex", "Northwest Frontier" and "The Guns of Navarone". The latter earned him an Oscar nomination and the chance to work almost exclusively in America where he made "Cape Fear", one of the best thrillers of the sixties. In 1965 he made another first-rate thriller, "Return from the Ashes", which used the War and the Holocaust as jumping off points for an almost Hitchcockian tale of murder and greed, set in Paris but filmed in a British studio with an international cast.

If the plot is more than a little convoluted, Thompson's handling of Julius Epstein's fine script and first-rate performances from Maximilian Schell, Ingrid Thulin and Samantha Eggar go a long way in making this one of his most entertaining films. Thulin is the rich Jewish doctor, thought to have died in a concentration camp, Schell the gigolo who marries her for her money and Eggar the duplicitous daughter who's having an affair with Schell and the good thing is it doesn't quite go the way you expect it to. It's also superbly shot in widescreen black and white by Christopher Challis and is certainly worth seeing.

One of those excellent films that has never been released on video or DVD. The first time I watched this there were only 2 other channels and both were showing programs I hated at that particular moment, so I ended up watching this film by default. What luck! I was treated to a beautiful, haunting film that featured great performances by Herbert Lom, Samantha Eggar, Maxmillian Schell and Ingrid Thulin. Thulin's performance in particular is flawless. She is utterly convincing as a death camp survivor trying to return to the world. If cable ever gets tired of endlessly re-running "Jaws", "The Breakfast Club" and "It's a Mad Mad Mad Mad World" (Excellent films but shown 5 nights a week) and happens to air this true gem, be SURE you see/record it. The second time I caught it was on PBS--20 years after my initial viewing.

Following the excellent 'Cape Fear' the films of J. Lee Thompson represent a mixed bag to say the least. To be fair both 'Taras Bulba' and 'McKennas's Gold' were harmed by drastic editing but his other films simply missed the mark. This one, adapted from the novel of Hubert Moulheilhet, comes close and benefits from an excellent cast. The stupendous Maximilian Schell, brother of the equally talented Maria, is riveting as a charming, despicable sociopath. Ingrid Thulin is very touching as one who cannot or will not recognise her husband's worthlessnes until it is almost too late. Her voice is dubbed however and the voice they have given her does not seem to gel somehow. Anyway, her best work by far is for Ingmar Bergman in her native tongue. Samantha Eggar is suitably vixenish and Herbert Lom as always immaculate. Individual scenes are compelling and the film holds ones attention despite the slow pace. The film benefits not at all from John Dankworth's irritating score.

I want this movie. I saw this as a child many times and this is my favorite movie of all time. Last time I knew it was going to be shown was when the Gulf War broke out and it never aired. I can't find it on video and it hasn't been on tv in 10 years. The plot, the actors, everything about this down to the black and white film was excellent. I have never seen another movie that I have enjoyed so much!