The Reward

This is a great movie. Part of it was filmed at Old Tucson Studios in Tucson, AZ. I note that it wasn't mentioned. I was the Executive Production Manager for Old Tucson during the making of this film. I still have a picture I took of E. G. Marshal and Kathleen Quinlan. It was the first time (I believe) that Max Von Sydow worked in the USA. I assisted them in their Locations, hotels, etc. while they were here. We had a great time making this film. They allowed the tourist's to come on set as long as we built a line for them to be behind. They enjoyed the shooting with all the stars working right in front of them. I'm looking forward to seeing this movie again once I find it online. I just happened to think about it tonight which is why I'm writing here. Good action film that most all should enjoy.

I have seen two different versions of this "Mexican" film on the Fox Movie Channel (or its on demand version). The first time was the 1.33 version with no subtitles. While it's true that most of the Norte Americano characters (which in this case includes Von Sydow whose accent is very slight--he was reputed to have intentionally learned a mid-Atlantic version of English) have a limited or non-existent command of Spanish, you can't really understand what is going on without subtitles. The novel on which it is based notes that the Americans do not always understand what is going on but the dialog is in "English" anyway. A kind of stilted way of talking which suggests a translation. Also the Mexicans are really Indians except for the police chief who has been exiled from the big city and wants to get back. Even he might not understand what the Indians are saying among themselves. The second time I saw this film (on Fox Film channel, May 2016) it now had English subs and was letterboxed at 1.85 (though the opening title sequence clearly shows that this was a full Cinemascope frame originally!). I'd like to see this in HD (we don't get that for the Fox movie channel here) and a proper Cinemascope ratio. (TCM please) I would also recommend Michael Barrett's novel for richer detail which is hinted at in the film.

Another reviewer compared this film to "Treasure of the Sierra Madre". You could say that it falls into a certain subgenre which I call "a Mexican" like the Wild Bunch and other westerns or several film noirs that take place mostly in Mexico or a goodly number of other films and books which highlight our neighbor south as a place of danger, corruption, illicit behavior, serious crime, poverty, untold wealth, a place of refuge for those fleeing the law, etc. Mexico itself has had a first-class film industry which has had its ups and downs. Mexican noirs of the 40s and 50s are every bit as good as the Hollywood versions and laden with less censorship to boot!

I agree with another reviewer that there may have been more footage that didn't make it into the final cut which would have made elements of the story clearer. Certainly the ending is very abrupt. In any case this is a film that should be given the restoration treatment. Were it to happen it would probably have a much greater reputation. Perhaps the person who was in charge of production at the studio during the film who contributed some information in another review could tell us more about the process that led to its release. Maybe Von Sydow remembers something as well.

Worth seeing!

The only way to see this is a rather cropped version of Fox's movie channel, but that version does have all the Spanish language sub titled. Though that fact that "our heroes" don't know what is being said around them is also part of the plot. I assume the film had subtitles when it was released but it's possible it intentionally didn't--a bold move that might not have worked--again I don't know, the subtitles I saw on the film looked to be added for TV.

It's often fascinating to watch and beautifully shot with some striking aerial shots and complex staging. Sydow is very good though his character sometimes slips out of being the central focus of the film. the ending is rather abrupt and more like films from the 1970's than the 1960's which may have been part of what kept audiences away.

But there is real tension and a good set up for the story that develops as the group on their way for THE REWARD slowly divide into rival sectors. The sparse use of music is effective much of the music being source (a guitar and flute) played on screen. It seems to be building to a big pay off which doesn't happen and it loses steam towards the end and then ends too quickly. It is a modern day western perhaps that puts people off as well. Too bad there isn't a perfect version of it to see as it looks to be shot in a very wide Cinemascope aspect ratio, but it could prove to be an undiscovered pleasure for film fans who want to find new films to like--long after box office success of failure matter. Give it a try.

In my reassessment process for my early movies at last reaches in so awaited The Reward which I'd watched in TV on middle of 1995 according my records, while looking on IMDB's database I'm baffled over a meager 4.9 medium rating, unfortunately after this first watching it disappears from the sight, likely we have all-weather friend Youtube, there I'd found an average print that allowed a close caption, so I could understood the spoken English language between Spanish as well due it's near with Portuguese for an easy understanding of the whole plot whereof I didn't remembered a thing nowadays.

Well I've willing re-watch it again aiming for assure by myself if my early feelings have some mistaken or something missing, watching it carefully with a keen eyes the whole journey at Mexican desert by a posse track down a killer Efrem Zimbalist Jr. And his gorgeous girlfriend Ivette Mimieux for pulpy reward of 50.000 bucks, as expected the human greedy enters in game for worst, thus it is a matter of time a deadly disagreement among them, an American pilot Max Von Sydow, the Mexican Captain Gilbert Roland struck at deadly place aiming for breath new air outside, meanwhile his underling Sgt. Emilio Fernandez thinks otherwise, also an allied Indian Henry Silva has the foreboding of bad luck outcome.

In an overview it at least for me remains in same patten before, fine areal shooting on those driest landscape, on an overlong harder returning as their adrift at desert, at night they split in campfire on treacherous atmosphere or on a storm night exposing the sexy Mimieux, all this upon a vexer guitar playing by sneaky Emilio Fernandez on warmonger persona, I'm wondering it in a fully restored version, it certainly will improves it too much, sorry by the bitter reviewers!!

Thanks for reading.

Resume:

First watch: 1995 / How many: 2 / Source: TV-Youtube / Rating: 7.

A good cast, interesting premise and catchy direction all come to not-very-much here. Max Von Sydow and Gilbert Roland do very well in off-beat parts as a weary pilot desperate for money and a sickly Mexican Cop unwillingly heading up a rag-tag posse chasing across the desert after Ephram Zimbalest as a wanted killer. Emilio Fernandez and Henry Silva add solid support, and Yvette Mimieux is nice to look at, but as the movie goes on -- and on -- there's not much for anyone to do. Serge Bourguignon's direction has its moments, but he apparently didn't care much about keeping up the pace. The result is a film that's sometime interesting to look at but not to watch. It also has the disjointed look of a film that was chopped up rather badly before release. The print aired recently on the Fox Movie Channel also lacks subtitles, which may make the long stretches of conversation in Mexican rather tedious for viewers who don't speak Spanish.