Space Probe Taurus

This is no better or worse than a lot of b-movies. The 50s and 60s spawned hundreds like this. Written & directed by Leonard Katzman who was the huge force behind Dallas in the 80s it is average for sci-fi of the time. The scenes underwater seem to be in a fish bowl. James Brown was a stoic(even emotionless)as the hero. He was later Det. McSween on Dallas under Katzman. Katzman also had a hand in the Wild Wild West TV show. If you like b-movies for the fun of " making fun" this is for you. I like this type of picture But to each his own. Francine York is worth a look. Their is no true science in the picture. I give it and overall b-rating of 5.

Even for 1965 B movie science fiction this is weak. Go to space, sort of crash land on a planet, fight alien, leave. The male crew all looked like senior citizens, while cozying up to 30 year female scientist. But it's easy to sit through if you're tired and if it's on a no commercials channel. Even for 1965 B movie science fiction this is weak. Go to space, sort of crash land on a planet, fight alien, leave. The male crew all looked like senior citizens, while cozying up to 30 year female scientist. But it's easy to sit through if you're tired and if it's on a no commercials channel. Even for 1965 B movie science fiction this is weak. Go to space, sort of crash land on a planet, fight alien, leave. The male crew all looked like senior citizens, while cozying up to 30 year female scientist. But it's easy to sit through if you're tired and if it's on a no commercials channel. How do you get 600 words in a review for a movie that probably had dialogue of less.

I first viewed this movie on Double Chiller Theatre, a Saturday night TV show seen in the Philadelphia area which ran in the mid 1960's. As a kid and a young teenager I loved almost all science fiction, even Teenagers from Outer Space. I found this movie dull, poorly improvised, and uneventful. It had a few cheap special effects which included a rubber alien, a giant crab which did little, and a humanistic frogman out for a swim. There were 4 typical principles in the movie: a by the book commander more suited for a cowboy movie; an attractive young lady who goes out of here way to prove she is as good as any man; a screw off who is aboard only to write a book; and a scientist who does not come off as being all that bright. This TV movie could have been made for the old Saturday matinée at the local theater. It was made with little imagination and probably just to earn a quick easy buck. The movie looked as though it was made in the early 1950's and had the feel of the old Space Cadet serial. And to think Star Trek would be only a few years away from our TV screens.

1964's "Space Monster" was very much the last gasp for black and white outer space epics, bypassing theatrical release as part of American International Pictures' television package, shown continuously throughout the late 60s-early 70s (the very last, prior to "2001," would have been 1967's "Mission Mars"). Undoubtedly shot around the same time as David L. Hewitt's "The Wizard of Mars" (even using the same alien mask, plus a gill-man costume pilfered from Jacques Tourneur's "War-Gods of the Deep"), so little intrigue actually happens in either film that one does tend to feel for the actors involved, with writer-producer-director Leonard Katzman confining all future efforts to the small screen (he died in 1996). Francine York, James Brown, Baynes Barron, and Russ Bender play the quartet of devoted scientists, no strangers to low budget filmmaking: the still lovely Francine York graced such popular cult films as "Mutiny in Outer Space," "Curse of the Swamp Creature" and "The Doll Squad," Russ Bender remained a favorite with AIP ("It Conquered the World," "Invasion of the Saucer Men," "The Amazing Colossal Man"), Baynes Barron had some minor genre credits ("From Hell It Came," "The Strangler"), and James B. Brown will always be remembered for playing the sniper's father in Boris Karloff's "Targets" (already a veteran going back nearly 25 years, he had no other genre credits). Apart from two alien encounters, one aboard another ship, the other underwater, we never leave the claustrophobic confines of the tiny sets. It's truly mind-numbing when the cast has to gaze at a bevy of ordinary crabs outside, and not recognize what they're looking at! Totally small scale in ambition and execution, the execrable "Space Monster" appeared only twice on Pittsburgh's Chiller Theater, Oct 12 1968 (following 1965's "Frankenstein Conquers the World") and July 24 1971 (following Jerry Warren's "Invasion of the Animal People").

People are not 'getting' this one. They see cheap props, models, and crustaceans and they inwardly groan, but let me tell you, there is definitely something here that is worth your time. A spaceship with a crew of four who have good on screen chemistry (the always alluring Francine York plays a curvaceous lady scientist) more than adequate acting, a fine and evolving character development, decent dialogue, plus the spaceship is not too bad, possessing the right amount of claustrophobia, knobs, and buttons......The pace of this film, combined with the plot and action, keeps you engaged - you really will be wondering what will happen next. Here, simplicity is a form of complexity- less is more. My one beef : I think the early encounter with the alien could have been expanded upon.. This film was made in B& W in 1965- the whole thing looks and feels like it was made in 1959 or 1960, I think this is why it has a bad reputation- people expect so much more razzle dazzle for 1965, they cant see that this is an overlooked gem born too late.