An Edwardian archaeologist and two companions stumble upon a lost city in East Africa, run by a beautiful queen whose love holds the promise of immortality.An Edwardian archaeologist and two companions stumble upon a lost city in East Africa, run by a beautiful queen whose love holds the promise of immortality.An Edwardian archaeologist and two companions stumble upon a lost city in East Africa, run by a beautiful queen whose love holds the promise of immortality.
- Director
- Writers
- Stars
- Haumeid
- (as Andre Morell)
- Night Club Dancer
- (as Soraya)
- Guard
- (uncredited)
- Haumeid
- (voice)
- (uncredited)
- Thug
- (uncredited)
- British Soldier
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This particular film rendition similarly out-does the usual Hammer horror fare. The story is faithfully adapted from the book, with only the sort of changes that are inevitably needed to squeeze hundreds of pages of text onto less than two hours of celluloid. With no special effects or CGI to distract, Haggard's original plot remains the chief attraction, and what a great Saturday-afternoon adventure it is! Lost cities in Africa... a mysterious queen... the secret of immortality... these elements have been combined many times, but rarely any better than they are here.
Christopher Lee and Peter Cushing are solid actors, and give two otherwise conventional roles a delightful extra spin. But the real surprise is Ursula Andress, who seems to have been perfectly directed: she avoids stretching her limited talents, and concentrates on looking regal and mysterious. The costume design helps; I'm not a big fan of Ms Andress' charms, but I find the image of her in that golden-feathered headdress quite unforgettable.
A word also about the music. The four-note fanfare that announces the arrival in the hidden land is absolutely perfect. No lost-civilization film should be made without it.
I keep hoping that some director equipped with both budget and talent one day delivers the screen version that "She" really deserves. But until then, this one will do very nicely.
Despite the presence of a number of Hammer regulars, this is essentially an Ursula Andress vehicle. She was just off the back of her iconic sea-emerging moment from Dr No and was clearly hot property at this time. Not the most gifted or charismatic actress, Andress is never-the-less a very beautiful woman, and therefore looks the part in this role. She is kitted out with an array of fabulous flowing gowns and ornamental head-dresses. And seeing as she is very much the main selling point of the film, it's important to note that she is certainly very aesthetically pleasing. The story itself is very much by-the-numbers, and not especially interesting but is merely a means to an end. Namely an excuse to introduce Ursula in regal attire in fantasy surroundings. These sets are limited by the budget of course, but like all Hammer films it still looks pretty good all things considered. Unlike most Hammer films, though, there is also some on-location photography too, with scenes shot in the desert in the Middle East. This indicates quite clearly that the famous old studio invested a bit more into this production than most, and clearly this was not misplaced seeing as She was one of their biggest commercial successes. Despite this, it isn't in the final analysis an example of the best of their output. It's a little lacking in excitement for too much of the time. Having said this, it does have a rather good ending that is both creepy and surprising. And not only that, it does have both Peter Cushing and Christopher Lee at its disposal which can never be a bad thing quite honestly. So with this in mind and also taking into account that we have a gorgeous ice queen in the lead role, She is a film that has some good things going for it.
Did you know
- TriviaUrsula Andress was voiced by Nikki Van der Zyl, the same actress who dubbed her voice in Dr. No (1962).
- GoofsDuring the gunfight in the desert, the same Arab, wearing a striped dark red top and white pants, is shot from his mount three separate times.
- Quotes
Holly: I suppose there's a time in everyone's life when the idea of immortality seems very desirable. But now at my age I'd have to give it a great deal of thought.
Leo: What's age got to do with it? You'd stay as you are.
Holly: That's not what I meant, Leo. What one would accept eagerly at your age doesn't necessarily have the same appeal at mine. It's the age of the mind that's important, not the body. You see, you're young. Still on the threshold of life. The joy of living is not to be denied, but to know that it'll be there for all time, without change. Life at a standstill. It's not quite the same thing.
- Crazy creditsOpening credits prologue: PALESTINE 1918
- Alternate versionsWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'U' rating. All cuts were waived in 1994 when the film was granted a 'U' certificate for home video.
- ConnectionsFeatured in The 'She' Story (1965)
Details
- Release date
- Country of origin
- Language
- Also known as
- Herrscherin der Wüste
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 46m(106 min)
- Aspect ratio
- 2.35 : 1