Village of the Giants

After the grooviest opening credits ever filmed, complete with dancing, VILLAGE OF THE GIANTS begins... with dancing! Mud dancing in fact! Within seconds, junior scientist, "Genius" (Ron Howard) invents a formula that turns the family cat into an elephantine feline! Aided by his big sister and her boyfriend, Mike (Tommy Kirk), other animals are soon enlarged. More dancing breaks out! Whew! Giant ducks cut a rug!

Oh no!

Local bad boy, Fred (Beau Bridges) and his cadre of dancing delinquents decide to abscond with the formula for their own purposes. Hilarity ensues.

VILLAGE is another Bert I. Gordon production, loosely based of FOOD OF THE GODS by H.G. Wells. A lighthearted film, best enjoyed after one's cranium has been emptied of its content...

What did I not like about this movie? Tommy Kirk in summerwear, a smug Beau Bridges, Ron Howard going the Bill Mumy route, and typical teens roaming free and checking the scene...he's so gone, Jasper!!

Besides go-go dancing, booty shaking, and cleavageploitation, this one has some moments, but some parts just drag and stall. See the plastic breasts gag and you just laugh seeing a guy hanging off of them! The music is definitely dated, but has a neat psychedelic feel; probably the only thing going for it. After awhile, I screamed in utter agony, "Enough dancing already!" The sheriff, played by Joe Turkel, also appears as a blackmailing beatnik in BIG's Tormented!. Why is it in his negotiation scene with Beau and the gang, his voice was noticeably faded out? Great editing John Bushelman!! I really wished Tommy fell into the water filled basement without turning the electricity OFF! Hey, isn't the town square the same universal lot where they shot the town of Hill Valley from Back to the Future? I recognized that clock tower!!

I'm going to have 10 buckets of mini-wings right now.

This film opens with a group of presumably drugged out teens emerging from their rather badly wrecked automobile, only to dance around it maniacally and flop in the mud. Before long, one of them gets the idea to "go into town and make a little noise" or some such rot, and the fun begins when they run into giant ducks in the local dance parlor. These giants are the product of a goo accidentally created by a Opie-era "Ronny" Howard, who goes by the 'nickname' genius.

Amazingly, a sniveling Beau Bridges is the gangleader and they find the goo and dare each other to eat it, then halfheartedly try to run the town. See the spineless Tommy Kirk bust a rigged chair on a giant fake leg!!

See Beau Bridges and the fairly hot Toni Basil and another hot girl traipse around in curtain-like toga-sarongs! See director Bert I. Gordon make even more of an ass out of himself than ever and feel his ire as Mike and the bots tear him to shreds as usual! Laugh along as Tom Servo wrestles with his aversion to the movie "Willow", which he fantasizes was budding in young Ronny Howard's mind even then! And through it all, thrill to the exhilarating surf tones of the fabulous Beau Brummels! At least it's in technicolor.

Bert I. Gordon's "Village of the Giants" is a humorously poor version of the "big thing make boom" movies in which a small group (Maybe 6, hardly a full village) of teens take a formula that makes them grow really big, talk really slow, and move like they are dying one breath at a time. It's all rather silly, and quite funny if you're up for this kind of movie. Of course, it's not funny in the way Gordon intended. Was it ever?

Tommy Kirk, also of the classic "Mars Needs Women" is fooling around with his lady friend in the start of the film, when Ronny Howard (Still with a full head o' hair, and answering to the modest name "Genius") creates a formula that makes things grow. When the no-good drifter teens get their hands on it, they cause some real trouble, and it's up to Tommy and Ronny to stop the chaosy.

The best scene is the first in which the teens appear before the town. They show up at an outdoor barbecue, and everyone is afraid, but really, not so afraid that they run away or anything, they just kind of look up and gasp a lot. So then the giants are making threats, and Tommy, in a fit of rage and large hair, picks up a chair (That just happened to be sitting around outside in a park) and breaks it over the giants legs (They pretend, use your imagination). He goes "Ow!" and then backfists Tommy who gets whalloped. Very nicely done.

The whole film takes place in a vacuum. No one seems to be much surprised or worried by the giants ducks that show up out of nowhere in the Whiskey A Go-Go and start dancing. They just kind of go along with it. Nor is anyone interested in calling the government in when the teens take over the town. They just sort of go with it. And really when these giants move as slow as they do, why would anyone be afraid of them? You can always outrun them, or if they try something, take two steps to the left. Bert I. Gordon, if you'll pardon the expression, just wasn't thinking "big" enough in this movie to really deal with the consequences of his ideas. The end is so banal and rather anti-climactic, especially for what is essentially a monster movie.

All in all, "Village of the Giants" is low on logic, but high on some good laughs, most at its expense.

Turn off the brain for this campy craziness. Ron Howard, in his Opie days, invents "goo," which, when ingested, causes super growth. Beau Bridges leads a bunch of bad teens, Tommy Kirk (of Disney comedy fame) is the leader of some good teens, and you are the befuddled audience trying to believe what is transpiring on the screen.

Natch: the idiotic bad teens get a hold of the goo, and turn into colossal idiotic bad teens who take over a small town somewhere. Apparently, the presence of 30 foot hostile giants does not interest anyone outside of the town, so the townsfolk are left to fend for themselves. Of course, nobody in the town except the good teens bother to do anything about it.

Once the giants appear, the action is limited, probably due to a lack of budget for special effects. The growth sequence is about all they really focused on, where they --oh, never mind. It's the highlight of the film, though, trust me. Progressively cheaper and cheaper effects parade their way through the story after that. My favorite is the scene where they try to "tie up" a giant Beau Bridges. You see two plastic poles (supposed to be his legs) being roped by the good teens. They then try to fasten the ropes with hot rods orbiting the "surprised" victim. Every once in a while, they show Beau making spasmodic and confused expressions in slow motion. By the way, whenever they show a character in slow-mo, you know it's one of the giants.

The movie knows it's idiotic, and makes no effort to conceal it. Good for a laugh at how absurd it is.