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7.8/10
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In 2068, the indestructible Captain Scarlet leads the agents of Spectrum in a war of nerves against the Mysterons, who seek revenge for the accidental destruction of their base on Mars.In 2068, the indestructible Captain Scarlet leads the agents of Spectrum in a war of nerves against the Mysterons, who seek revenge for the accidental destruction of their base on Mars.In 2068, the indestructible Captain Scarlet leads the agents of Spectrum in a war of nerves against the Mysterons, who seek revenge for the accidental destruction of their base on Mars.
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When man reaches Mars for an exploratory mission, a misunderstanding leads to an alien race called the Mysterons being attacked and responding with a cold war against Earth. Their main power is to duplicate humans and kill the real one without anyone noticing. With one of the original astronauts (Captain Black) under their control the Mysterons plot their attacks on Earth. Only the international intelligence organisation Spectrum stands in their way with their lead agent Captain Scarlet who has become indestructible having survived an attempt by the Mysterons to duplicate him.
I will completely acknowledge that the fact that I have watched this series since I was a child will colour my opinion of it and blind me to its failings, but my review is as fair as I can be! Tea-times on a Friday evening had me polishing my uniform for BB while watching this series (and then Man from Uncle) and I have probably seen the whole series several times (but am not such a fanboy as to own a copy). The plot is simple each week the Mysterons come up with a plan to strike at Earth like terrorists, hitting small but high profile targets for maximum effect and each week the agents of Spectrum race to stop them. It is simple but effective and, at only 25 or so minutes long, it never has to stretch to fill its time.
The reason I prefer it to Anderson's other shows is a combination of things.
The theme music is wonderful and is known to everyone memorable, cool and cheesy it is a perfect way to end each episode. The opening sequence is always creepy and is a good example of how this series is a little darker than Anderson's other stuff. While still being a million miles from being aimed at adults, the series is more interesting looking back on it; for me the most adult aspect of it is the fact that the hero can die every week which, for those of us with a love for the morbid, is a great attraction in the midst of all those shiny toys and colourful uniforms!
Of course it is still an Anderson series and it is entirely puppets with all the limitations that that creates. The puppets move slowly and the models don't look real but all this you know before you even tune in! The actors are typically gruff (for the men) or feminine (for the Angels) and the puppets are good for what they are. The most memorable one is Scarlet who looks great and only benefits (in my book) for having much more than a passing resemblance to Cary Grant.
Overall this is very much of its time but it continues to get child viewers even if, one suspects, it is a viewing choice suggested by their parents. The model work and puppets are typically Anderson and the writing is frequently good, producing tight and enjoyable 20 minute episodes for the vast majority of the series and the creepy Mysterons acting as very effective bad guys and a great common plot device. As an adult it is my favourite of Anderson's series because of its darker edge. Scarlet may be indestructible but his death and sacrifice many times is still effective and the dark writing can be seen right down to the fact that the Mysterons are not inherently 'bad' and that this whole war of nerves is off the back of a human mistake! I'm not implying that this is complex but it is certainly interesting. A very cool series with a darker edge for adults and one that will always have me reminiscing!
I will completely acknowledge that the fact that I have watched this series since I was a child will colour my opinion of it and blind me to its failings, but my review is as fair as I can be! Tea-times on a Friday evening had me polishing my uniform for BB while watching this series (and then Man from Uncle) and I have probably seen the whole series several times (but am not such a fanboy as to own a copy). The plot is simple each week the Mysterons come up with a plan to strike at Earth like terrorists, hitting small but high profile targets for maximum effect and each week the agents of Spectrum race to stop them. It is simple but effective and, at only 25 or so minutes long, it never has to stretch to fill its time.
The reason I prefer it to Anderson's other shows is a combination of things.
The theme music is wonderful and is known to everyone memorable, cool and cheesy it is a perfect way to end each episode. The opening sequence is always creepy and is a good example of how this series is a little darker than Anderson's other stuff. While still being a million miles from being aimed at adults, the series is more interesting looking back on it; for me the most adult aspect of it is the fact that the hero can die every week which, for those of us with a love for the morbid, is a great attraction in the midst of all those shiny toys and colourful uniforms!
Of course it is still an Anderson series and it is entirely puppets with all the limitations that that creates. The puppets move slowly and the models don't look real but all this you know before you even tune in! The actors are typically gruff (for the men) or feminine (for the Angels) and the puppets are good for what they are. The most memorable one is Scarlet who looks great and only benefits (in my book) for having much more than a passing resemblance to Cary Grant.
Overall this is very much of its time but it continues to get child viewers even if, one suspects, it is a viewing choice suggested by their parents. The model work and puppets are typically Anderson and the writing is frequently good, producing tight and enjoyable 20 minute episodes for the vast majority of the series and the creepy Mysterons acting as very effective bad guys and a great common plot device. As an adult it is my favourite of Anderson's series because of its darker edge. Scarlet may be indestructible but his death and sacrifice many times is still effective and the dark writing can be seen right down to the fact that the Mysterons are not inherently 'bad' and that this whole war of nerves is off the back of a human mistake! I'm not implying that this is complex but it is certainly interesting. A very cool series with a darker edge for adults and one that will always have me reminiscing!
Perhaps an entire generation was scarred by the voices of the Mysterons - between them and the Daleks I spent a good part of my childhood hiding behind the sofa. It was certainly a golden age for children with the prodigious talents of Gerry Anderson ensuring a constant stream of spectacular programmes for after school entertainment.
'Captain Scarlet' was a follow-on to the immensely successful 'Thunderbirds', and whilst technically superior it never achieved the same level of popularity. Why? I think the answer lies in 'Captain Scarlet' being a darker production, sometime after 'Thunderbirds' Gerry Anderson seems to have lost a lot of his faith in humanity. The Mysteron conflict is started by human stupidity. Technology goes horribly wrong - and this time people die as a consequence.
Or maybe it's just unpopular because the theme music isn't anywhere as catchy.
Storywise, well there is a common plot. The Mysterons kindly inform Earth of their latest plan by means of a cryptic clue, (obviously they are a race of frustrated Martian crossword compilers). Shortly afterwards they use their patented replication technology to make a copy of a person who then goes about fulfilling the Mysteron plans; think 'Invasion of the Bodysnatchers' remade for kids. The Mysteron chief agent on Earth was the creepy Captain Black who desperately needed a shave and somehow managed to escape every week. It's all up to Captain Scarlet and his colour-coordinated sidekicks to save the day in a nuclear-powered, high-rise, high-speed world.
It is clear that Gerry Anderson was just itching to move into live-action television (something he would achieve with the later 'UFO'), and was running into the limitations of puppets. Whilst technical advances between 'Thunderbirds' and 'Captain Scarlet' meant that it was possible to produce anatomically correctly proportioned puppets; string puppets could not be made to walk convincingly. So 'Captain Scarlet' is filled with shots of sitting people, moving walkways or head and shoulder shots. The use of much thinner strings on the puppets and insert shots for hands helps sell the illusion.
In the end the weaknesses don't matter. The Century 21 team had established the formula with 'Thunderbirds'. Mix some high speed chases, a perilous situation for the heroes and end it all with a satisfying explosion or two and you can ensure that 25 minutes whip past before anyone can nit-pick.
Like any Anderson production, the story used a lavish number of models and sets (almost all of which ended up in ruins by the end of the programme). Many of them are now classics - the SPV tank and the futuristic Spectrum Patrol Car were lovingly moulded into die-cast toys and were repeatedly crashed in living rooms around the country. If anyone has mine, please let me know! As always the special effects were of the very highest standard (many of the people involved went on to work with Kubrick on '2001') and still look good today.
Re-watching the programme, one thing I found particularly striking were the strong roles given to women characters people who weren't British or American. Spectrum agents are a mix of all nationalities and ethnicities, apparently Anderson wanted children of all races to have heroes and learn to play together - not a bad aim for the 1960s and something that more programmes could remember.
Looking at it today, 'Captain Scarlet' has survived much better than most programming of the era. Produced on a lavish budget and shot on film, it has been digitally remastered for re-broadcast and DVD and positively glows. Somehow the colours look richer than modern productions and the storytelling doesn't appear to be designed for the very stupid. Even down to the classic retro-futuristic fonts and the wonderful Century 21 logo it still looks modern.
In short, I still love it.
As they used to say at the end of each show; Captain Scarlet is indestructible. You are not. Remember this, do not try to imitate him.
'Captain Scarlet' was a follow-on to the immensely successful 'Thunderbirds', and whilst technically superior it never achieved the same level of popularity. Why? I think the answer lies in 'Captain Scarlet' being a darker production, sometime after 'Thunderbirds' Gerry Anderson seems to have lost a lot of his faith in humanity. The Mysteron conflict is started by human stupidity. Technology goes horribly wrong - and this time people die as a consequence.
Or maybe it's just unpopular because the theme music isn't anywhere as catchy.
Storywise, well there is a common plot. The Mysterons kindly inform Earth of their latest plan by means of a cryptic clue, (obviously they are a race of frustrated Martian crossword compilers). Shortly afterwards they use their patented replication technology to make a copy of a person who then goes about fulfilling the Mysteron plans; think 'Invasion of the Bodysnatchers' remade for kids. The Mysteron chief agent on Earth was the creepy Captain Black who desperately needed a shave and somehow managed to escape every week. It's all up to Captain Scarlet and his colour-coordinated sidekicks to save the day in a nuclear-powered, high-rise, high-speed world.
It is clear that Gerry Anderson was just itching to move into live-action television (something he would achieve with the later 'UFO'), and was running into the limitations of puppets. Whilst technical advances between 'Thunderbirds' and 'Captain Scarlet' meant that it was possible to produce anatomically correctly proportioned puppets; string puppets could not be made to walk convincingly. So 'Captain Scarlet' is filled with shots of sitting people, moving walkways or head and shoulder shots. The use of much thinner strings on the puppets and insert shots for hands helps sell the illusion.
In the end the weaknesses don't matter. The Century 21 team had established the formula with 'Thunderbirds'. Mix some high speed chases, a perilous situation for the heroes and end it all with a satisfying explosion or two and you can ensure that 25 minutes whip past before anyone can nit-pick.
Like any Anderson production, the story used a lavish number of models and sets (almost all of which ended up in ruins by the end of the programme). Many of them are now classics - the SPV tank and the futuristic Spectrum Patrol Car were lovingly moulded into die-cast toys and were repeatedly crashed in living rooms around the country. If anyone has mine, please let me know! As always the special effects were of the very highest standard (many of the people involved went on to work with Kubrick on '2001') and still look good today.
Re-watching the programme, one thing I found particularly striking were the strong roles given to women characters people who weren't British or American. Spectrum agents are a mix of all nationalities and ethnicities, apparently Anderson wanted children of all races to have heroes and learn to play together - not a bad aim for the 1960s and something that more programmes could remember.
Looking at it today, 'Captain Scarlet' has survived much better than most programming of the era. Produced on a lavish budget and shot on film, it has been digitally remastered for re-broadcast and DVD and positively glows. Somehow the colours look richer than modern productions and the storytelling doesn't appear to be designed for the very stupid. Even down to the classic retro-futuristic fonts and the wonderful Century 21 logo it still looks modern.
In short, I still love it.
As they used to say at the end of each show; Captain Scarlet is indestructible. You are not. Remember this, do not try to imitate him.
10kinetica
And what puppetry mastery it is. The time it took to make this show holds up well over time. The storylines are challenging, though as I age the repetitive nature of most TV and movies are wearing thin on my opinions of new things. Old stuff always holds up well. UFO keeps the same spirit, Space 1999 is showing wear and tear...
But Captain Scarlet presents an old idea in a new and fresh manner.
But Captain Scarlet presents an old idea in a new and fresh manner.
...No joke, as a 6 year old I watched this right after seeing Giant Robot, we were in heavon. Could NOT get enough, though those Mysterons and their 'Twin orbs of light' were enough to send us scurrying behind the couch...
Haven't seen it since though.
*** from memory.
Haven't seen it since though.
*** from memory.
I LOVE CAPTAION SCARLET!! it is one of the best TV programs i have ever seen, they don't make AMAZING things like this anymore, i have all of the dvds and the New Captain Scarlet coming in the post, i love both but i love the old ones a bit more :D Gerry Anderson was a Amazing Person and made my childhood awesome ! I watched these 3 series when i was a kid, Captain Scarlet,Stingray and Thunderbirds! as a kid i remember always wanting to be Captain Scarlet :) i just wish Gerry didn't have to go :( R.I.P Gerry Anderson :( We miss you so much!! !! !!
Review by S.D.James
Review by S.D.James
Did you know
- TriviaThe voice of the Mysterons, and hence that of Captain Black as a Mysteron agent, was produced by having Donald Gray read his lines as its provider at normal speed whilst the tape recorder was accelerated; when the tape recording was played back at normal speed, the sound of Gray's voice became deeper and slower than his own, and hence more ominous and menacing.
- GoofsIn Spectrum Strikes Back (1967) it is mentioned that the only thing that can kill a Mysteron agent is high voltage electricity and that Spectrum has made an anti-Mysteron gun. However in both previous and following episodes we see normal guns with bullets killing Mysteron agents. Plus the Mysteron Gun does not appear in any other episodes except this one.
- Quotes
[repeated line]
Captain Black: This is Captain Black, relaying instructions from the Mysterons on mars. You know what you must do.
- Crazy creditsThe opening credit sequence of some early episodes ends with the spoken warning: "Captain Scarlet is indestructible. You are not - remember this. Do not try to imitate him."
- Alternate versionsFour episodes were edited together with some new special effects for a 1980 TV Movie titled Captain Scarlet vs. the Mysterons (1980). A further compilation of the four lunar based episodes were compiled a year later for a sequel entitled Revenge of the Mysterons from Mars (1981).
- ConnectionsEdited into Captain Scarlet vs. the Mysterons (1980)
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- El capitán Escarlata
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