The Green Hornet

"The Green Hornet"(1966) has become a cult classic over the years mostly because of the appearece of Bruce Lee. Unfortuntely Bruce Lee was limited by the Hollywood system who could not figure out how to use his talents for some entertainment. Bruce Lee was ahead of his time because he did action moves that were considered too fast for television. After the show was cancelled there wasn't another major televison program with a big name Asian action figure until the late 1990s when Martial Law(1998) with Sammo Hung was on the air. Interestingly, both The Green Hornet(1966) and Martial Law(1998) lasted only two years and both went off the air after teaming up with contemparies in Batman(1966) and Walker:Texas Ranger(1990).

The best thing about The Green Hornet TV Series is that it is really a show for Adults that will entertain children too. The tone of the series and the storylines where so far ahead of their time and gritty back in 1966 and 1967 and as a consequence of this The Green Hornet was often (and unfavourably) cast in the shadow of the far less superior, campy Batman TV Show. The episodes often dealt with the Mafia, Chinese Triads, Drug Abuse et al, but all done in a glossy exciting way remeniscent of the Marvel comics being churned out by Stan Lee and co at the same time. The most remarkable thing is the onscreen chemistry between Van William's Green Hornet/Britt Reid and megastar in waiting Bruce Lee's Kato. Firstly Van Williams as The Green Hornet and his millionaire alter ego Britt Reid, the publisher of the Daily Centenal is as good as the best actors to play Superheroes. He is certainly as good as George Reeves was as Superman, and alot more believable than Adam West's Batman. Williams plays the role with an air of Sean Connery-esque suave, cool and confidence making for a memorable Green Hornet. Bruce Lee is simply a revelation as Kato, possesing an confidence and arrogance in the role really lifting the character of Kato off the comic book page. Together Williams and Lee work excellent. You get the impression that these guys really are the best of buddies and would die for one another. All this is met by fantastic production values culminating in the most impressive representations of superhero movie vehicles, the sublime Black Beauty. There is also the memorable opening credits set to the whirling theme tune by Billy May.

On the downside it might just be possible that the series takes itself too seriously. But there is enough here to enjoy. Five minutes of Bruce Lee in action as Kato is worth an admission fee, trust me. The writers, and producer William Dozier came up with a great representation of the Fran Striker and George W Trendle characters : an exciting, action packed series, with the odd blimp not withstanding was far too under-rated and undervalued. Kevin Smith and Jake Gyllenhall, the future of The Green Hornet is now in your hands. Do your best guys.

You often wonder why this show only was on for one season and how Batman outlived it. This has to be one of the best superhero shows to ever be shown on television and the thing that made it work was that it didn't rely on camp or the crazy quilt of villains that Batman did. Instead, it pretty much was, more or less, a straight crime drama with very little frills unlike other similarly themed shows that were on the air at the same time. Also, Van Williams and Bruce Lee showed that you can have good acting in a superhero show. Too bad that this show never really was given a chance to catch on. If given the time it deserved, it probably would have outlived Batman.

This was meant to be an action-adventure series about the grand-nephew of Texas Ranger John Reid (better known as The Lone Ranger) and a stacked luxury car named "Black Beauty", but ended up being a vehicle for the great Bruce Lee and his amazing exhibitions of the martial arts.

While it didn't have the hilarious campiness of William Dozier's other series "Batman", it did have some goofiness about it. I recall one show featuring Canadian actor Larry D. Mann as some kind of freaky space dude who landed at Britt Reid's home to negotiate their takeover of humanity through the Daily Sentinel. This episode also showed Reid interrupting his TV station's programming via some broadcast console in his living room (yeah, no home should be without one) to warn viewers to take shelter and stay calm.

The fact they had this false floor in Britt Reid's garage that clamps onto that bitchin' sports car, so that the floor can turn upside down and allow Black Beauty to roar out and save the day was kinda fun. Oddly, the Reid estate seems to be within a block of a seedy area of Central City, as Green Hornet, Kato and the rolling arsenal fly out from behind a billboarded wall, onto a conveniently abandoned street!!

Of course, we can forgive all the wacky inconsistencies of the show, when we see the great Bruce Lee in action. Well worth sitting through all the silliness just to see that. How sad sexy Wende Wagner watched her career nosedive after Green Hornet. I always liked the idea of a fighting reporter like Mike Axford. Britt Reid must have been a one-of-a-kind publisher, because I just couldn't imagine a maverick like Axford working for control-freaks like William Randolph Hearst.

Did I mention that I liked Bruce Lee?

Just because the main characters (Notice the plural) are wearing masks doesn't mean that the program is camp. This is the show that introduced the martial arts legend Bruce Lee to the world, and he probably was the first actor that made people think "Gee I didn't know human beings can move like that". I mean seeing Lee for the first time had that much shock value to the audience, and the attraction of the show had much to do with what's Lee going to do this week ? But I'd like to point out the superb acting that was done by Van Williams too. He looked so good as the main character, and he had a chameleon like method acting capability that made his acting fit the scene's mood perfectly every time. If he was British, I wouldn't be surprised if he was recruited to play James Bond after Sean Connery. Keeping in mind that this was a 30 minute show made in the '60s, this series still scores high in its production value. I would say that it's right up there with other '60s popular action show such as Mission Impossible. The only regret is that this show didn't last longer than a season. Audiences wanted more but for some odd reason, it was canned. They should have made at least two more seasons followed by a movie. I would say that it was a monumental blunder on the network's part to not see what a dynamite show they had in hand. Bruce Lee and Van Williams' talent should have been exploited to its max with this show and who knows what other shows they might have stared in.